The Grandmaster Review By: MattInRC The Grandmaster can't decide what it wants to be. And that makes me want to throw something. Director Kar Wai Wong has had a grand film career, most of which has gone unnoticed by American audiences. There's In the Mood for Love and 2046 - films about unrequited but ultimately doomed love - and the quirky Chungking Express, which featured an expired can of pineapple slices as a major plot point. Highly-stylized and beautifully shot, these and others show a director who's not been afraid to push the boundaries of cinema. Unfortunately, his newest film The Grandmaster can't decide if it's a tender love story, a Kung-Fu epic, or a poignant tale of revenge in post-WWII China. That's too bad, because it looks so damn good trying. As the film opens in 1936 China, Ip Man ( Tony Leung ) does more than merely practice martial arts, but is clearly better than any of the southern brawlers he meets on a rain-soaked