sandwichjohnfilms

AMERICAN ASSASSIN follows the rise of Mitch Rapp ( Dylan O'Brien ), a CIA black ops recruit under the instruction of Cold War veteran Stan Hurley ( Michael Keaton ). The pair is then enlisted by CIA Deputy Director Irene Kennedy ( Sanaa Lathan ) to investigate a wave of apparently random attacks on both military and civilian targets. Together the three discover a pattern in the violence leading them to a joint mission with a lethal Turkish agent ( Shiva Negar ) to stop a mysterious operative ( Taylor Kitsch ) intent on starting a World War. Please Leave A Comment-

There are often calls, whenever a remake is announced, for studios (if they must remake at all) to focus on films that aren't considered classics. 1988's Corey Haim/Corey Feldman comedy License To Drive , for all its nostalgia appeal, falls into that category. And now original producer John Davis is cooking up a new version – with a twist. In keeping with some recent takes on movies (such as the Anna Faris-focused Overboard), the new License will feature female leads. Writers Alish Brophy and Scott Miles are aboard to develop the new concept, which will be a spin on the original. The '80s License saw Haim as 16-year-old Les Anderson, desperate to get out on the road, but fails his driving test. Undeterred, he decides to take out girlfriend Mercedes Lane (Heather Graham) in his grandfather's prized 1972 Cadillac Sedan de Ville, and the comic complications spin out from there. This is just the latest remake on Davis' list: he's also shepherding yet anothe

MOLLY'S GAME is the true story of Molly Bloom, an Olympic-class skier who ran the world's most exclusive high-stakes poker game for a decade before being arrested in the middle of the night by 17 FBI agents wielding automatic weapons. Her players included Hollywood royalty, sports stars, business titans and finally, unbeknownst to her, the Russian mob. Her only ally was her criminal defense lawyer Charlie Jaffey, who learned that there was much more to Molly than the tabloids led us to believe. The film stars Jessica Chastain, Idris Elba, Chris O'Dowd, Kevin Costner and Michael Cera , See all the images after the Jump... IN THEATERS NOVEMBER 22, 2017 www.facebook.com/mollysgamemovie www.instagram.com/mollysgamemovie www.twitter.com/mollys_game #MollysGame Please Leave A Comment-

Loosely inspired by the real life of star Marlon Wayans (“In Living Color,” “Scary Movie”), this update to the classic family comedy centers on a loving (but sometimes inappropriate) father committed to co-parenting his two kids with his very-together ex-wife. While his misguided fatherly advice, unstoppable larger-than-life personality and unpredictable Internet superstardom might get in the way sometimes, for Marlon family really always does come first — even if he’s the biggest kid of all. The cast includes Marlon Wayans, Essence Atkins, Notlim Taylor, Amir O’Neil, Bresha Webb and Diallo Riddle Christopher Moynihan serves as writer and executive producer. Marlon Wayans, Rick Alvarez, Michael Rotenberg and director Andy Ackerman (pilot) also executive produce. “Marlon” is produced by Universal Television, Wayans Brothers Entertainment, Bicycle Path Productions and 3 Arts Entertainment. Please Leave A Comment-

THR is reporting the prolific showrunner behind ' Grey's Anatomy ,' ' Scandal ' and more has left her longtime home at ABC Studios for the streaming giant. In a testament to the competition for talent, prolific showrunner Shonda Rhimes — the hit maker behind ABC's Grey's Anatomy, Scandal and more — has jumped ship from ABC Studios to Netflix. Under the multiple-year deal, Rhimes and her Shondaland banner will create and produce new projects for the streaming giant. Rhimes' longtime producing partner Betsy Beers will continue to head Shondaland in the move to Netflix. Under what is said to be a rich four-year pact, Rhimes is expected to score a percentage of the back-end on programming she creates for Netflix. “Shonda Rhimes is one of the greatest storytellers in the history of television,” Netflix chief content officer Ted Sarandos said. “Her work is gripping, inventive, pulse-pounding, heart-stopping, taboo-breaking television at its best. I’ve

While other cinematic universes have been stumbling, the films spun off from The Conjuring are humming along nicely, winning decent reviews and box office success. The latest addition is Annabelle: Creation , which offers more details on the history of the possessed doll. This latest horror opened to $35 million, according to studio estimates. It's another solid scare win for director David F. Sandberg, who made last year's Lights Out and, with more movies coming based on supernatural nasties from the first Conjuring and its sequel, the prospects seem bright. Annabelle's arrival meant Dunkirk was once again second place with $11.4 million, but that's no worry for the movie, which has been out for four weeks already. Christopher Nolan's latest has passed $153 million in the States alone. At third we find the second new arrival of the week, animated sequel The Nut Job 2: Nutty By Nature , which earned $8.9 million. The Dark Tower started to crumble quickly,

EW is reporting David Tennant is returning to Jessica Jones . The actor will appear in season 2 of the Marvel-Netflix drama about the titular super-powered private investigator played by Krysten Ritter, EW has confirmed. The Doctor Who alum starred in the first season as Kilgrave, a mind-controlling villain who tormented Jessica until — nearly two-year-old spoiler alert! — she grew immune to his powers and snapped his neck, killing him in the season finale. Please Leave A Comment-

The Glass Castle insults our intelligence for big Oscar moments that I hope will never come. Review by Matt Cummings If 2016's Spotlight and 2015's Room - both Oscar winners - proved anything, it's that stories of incredible abuse can be righted by the healing power of the human spirit. In both cases, our victims succeed, championed by a system of caring whose story is almost as interesting as the victim's. We learn some our most important life lessons from the visual arts, something that I wish The Glass Castle would have remembered. Instead, we get a movie that minimizes the true problem of parental abuse and neglect, and wraps up our story neat and tidy and ready for an Oscar it truly doesn't deserve. Columnist Jeanette Walls (Brie Larson) lives a very a comfortable life in 1989's New York, having recently become engaged to financier David (Max Greenfield). But under the fine dining and nearly antiseptic living conditions, Jeanette h