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Saturday, October 24, 2015

Marvel/Netflix's #JessicaJones Official Trailer

After a tragic ending to her short-lived Super Hero stint, Jessica Jones is rebuilding her personal life and career as a detective who gets pulled into cases in New York City. It's time the world knew her name.

Ritter stars as Jessica, a woman with super-strength and advanced healing powers who was once a superhero. After a traumatic experience, however, she gave that up and is now making a living as a private eye. Her cases often bring her into contact with those similarly boasting special abilities as well as the usual: cheating spouses, small crimes and missing relatives.

Watch the trailer after the Jump...




Overseen by Melissa Rosenberg and based on Brian Michael Bendis’ Alias comic book series, the show will also feature Rachael Taylor as Jessica’s closest friend Patricia “Trish” Walker, Mike Colter as friend and sometime love interest Luke “Power Man” Cage (who will be starring in his own series, now shooting), Carrie-Ann Moss as the enigmatic Harper and David Tennant as Zebediah Kilgrave, The Purple Man, a psychic psychopath who has caused so much trouble for Jessica in the past and looks set to continue to do so in the present.

As you can see from the teaser, Jessica doesn’t really do mornings, and she’s not best pleased at being woken up. But she’ll be a little more active for the series, which drops in its entirety on Netflix on November 20. It’s part of the Defenders set of shows, which also includes Daredevil, back next year for a second season.

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Friday, October 23, 2015

#LootCrate Review: October 2015

After a dismal September decline, Loot Crate's October TIME box is perhaps the best EVER.

Review by Matt Cummings

OK, don't blame us for being cynical: September's Loot Crate was perhaps the worst sub box we've ever received. It certainly gave February a run for its money, placing en emphatic bookend on a run of very good boxes. We got great boxes in March, April, May, and June, and July, before August began a spell of declining efforts, lacking original thought and quality. But September was the proof we needed to end our subscription and seek the warmer shores of Geek Fuel (read our review HERE).

So when it came to re-up for October, we were more than a little hesitant. Luckily, SandwichJohn convinced us to try one more time, and we couldn't have made a better choice. Loot Crate's October box is the best of the year, and perhaps the best box we've ever received. You think we're kidding? Just read on, but Remember Loot's promise: a $22 subscription should yield more in value than the cost. What we got was nothing short of spectacular, more than paying for our one-month 'love it or leave it' toe-dip.

The box size was back to normal and heavier than any we had received from them in awhile. This was a good a sign.
Popping this bad boy open was like traveling back in time to 1985 - there's a Funko Pop! figure and...A T-SHIRT? This got our heart going, as some quick math revealed that our $19.48 payment had already been rewarded. But let's pop our cherry later - believe me, the best is yet to come.

This Funko Pop! Doc Brown was a total surprise: a Loot exclusive, we've seen eBay fetch hefty prices. But it's a great figure, highly detailed and lovingly reminding us of the film. It's a winner for sure.


Our inital reason for joining Loot Crate was in the promise of a monthly t-shirt. We've been more than vocal about our disappointment over their omission from standard boxes, so it was a great joy to see not only its return but honoring the great series of Bill and Ted's Excellent Adventure. This was one of our favorites as a child (which certainly dates us), but the shirt is good quality if also a little smallish. We'll see what a good washing does to it, but for now count it as another winner.

Not to be beaten by a great shirt and Pop! figure, Doctor Who arrives with a memorable submission: a Sonic Spork! Yes, all of our Who fans probably knew this was available, but its addition here is magnificent. I doubt I'll be piecing food with it, but that doesn't mean it won't be displayed in my collection somewhere. This is another LC exclusive, and I can't say enough about how cool it is. Just look at that handle!

Without question, the highlight of the box is found here: a mini-replica of the Hoverboard from Back to the Future II. To say this Quantum Mechanix 5" homage is terrific is a gross understatement. Not only does it look to scale with prop from the film, it contained a mirrored base so you can see its 360-degree view. In a box that staggers the mind in its awesomeness, this addition is quite simply the best we've ever seen in a sub. This includes the Age of Ultron Funko Hulkbuster from Marvel Collector Corps. If you doubt us, take a look online at how the entire geek nation wet their pants when this puppy was revealed.


As always, Loot provides with a magazine (vastly improved over September's drudgery) with an interesting article about how their people choose the boxes. Is that perhaps in response to the last few months where subscribers were asking tough questions of the company? Even the monthly pin, another hallmark of boxes past, features the Flux Capacitor in all its glory. The inside of the box also features 8-bit renders of Bill, Ted, and their various friends throughout time.

The Best Box We've EVER Seen
And while we're ready to give October's Loot Crate all the credit it deserves, we are hesitant to re-up our yearly sub with Loot Crate. While not impossible, it's unlikely we'll see a box anywhere near as good as this in the coming months. It was as if LC saved its money for one big release, sacrificing other months along the way and pissing off loyal customers on the process. The appearance of a great shirt reminds us that Loot can include them any time they wish; whether they continue this practice is impossible to say, but the truth is out there.

We know James Bond and Star Wars are respectively releasing movies in November and December, so perhaps sticking around for a little while longer to see if they show up might be in our cards. But it's clear that our monthly sub love has gone elsewhere, leaving us with an easy choice for Loot: simply watch to see what their monthly theme is and decide whether we want in. You forced us into this, Loot; and even though October gives us everything we could want in a box, we're still not coming back.
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#GeekFuel Review: October 2015

October's Geek Fuel box gets our money and our loyalty. Sorry/Not Sorry, Loot Crate!

Review by Matt Cummings

After a disastrous September Loot Crate, The USS SJF pulled out of port, searching for a new subscription box to feed our addiction. We were tired of Loot's decision to remove the t-shirt (our reason for joining in the first place), so we wanted a box that offered one without the pricey upsell for which Loot had become notorious. Luckily, we found an alternative right away, as Geek Fuel delivered with a great October box.

Before diving in, let's review the details:
  • The cost for a Month to Month is $17.90, $16.90/month for a 3-month subscription, $15.90/month for a 6-month tour and just $13.90/month for a one-year subscription.
  • Shipping $6.00 to the US, Canada, and at least a few other countries.

  • Rather than spend time taking the thing apart, let's allow the pictures to sell how cool this box is, and we'll provide some additional thoughts at the end:
    I'm In!
    Filled with enough high-quality coolness to more than justify the roughly $20 investment, Geek Fuel hits an outstanding double with a great shirt, an awesome pillowcase, rad Back to the Future swag, a Yondu Pop! that might be worth the entire monthly price, and all the attitude of someone who knows how to do a box right. This is where Loot Crate has failed, seeking profit over giving fans what they want. Fuel might pull a Loot one day (when the apocalypse arrives), but until then they have our love. If every box is at or near this quality, we'll be here for awhile. This box is highly recommended.

    Discuss this review with fellow SJF fans on Facebook. On Twitter, follow us at @SandwichJohnFilms, and follow author Matt Cummings at @mfc90125.
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    Movie Review: 'Steve Jobs'

    The tedious Steve Jobs is nothing more than Oscar bait.

    Review by Matt Cummings

    It's always impressive to see current events play themselves out in a dark theater. Perspective is the problem: how do you tell the story of someone/something without giving them time to learn their true effect? Unfortunately, Steve Jobs has many other problems to deal with, churning out asshole at 128k and leaving us with little but the old frown face that plagued older Macintosh boxes.

    Based on Author Walter Isaacson's 2011 book, Jobs details three important product launches between 1984-1998, where we learn why Apple co-founder Steve Jobs (Michael Fassbender) was labeled as a difficult boss. 'Impossible' might be a better use, as his grading style keeps his assistant (Kate Winslet) harried while turning co-founder Steve Wozniak (Seth Rogan) into the center of his scorn and general torment. Faced with continual product failures and his tense relationship with Apple, Jobs must also wage an internal battle as he refuses to accept the prospect of an illegitimate child in his already complicated life.

    Writer Aaron Sorkin had me with his monumental The West Wing. But in Jobs, he becomes too preachy and self-centered to tell an effective story. He and Director Danny Boyle spend the 95% of the film making us hate Jobs, before trying desperately to remake him into someone we can like. Perhaps that's the point, but his dialogue sounds like Trek-nobabble and Interstellar had an illegitimate child of their own; it's clunky and downright ugly, missing every bit of Sorkin's trademark soaring style. But what I can like is Fassbender's performance: he is among my favorite actors right now, mostly because he can inhabit any role without being a derivative of either his personality or someone else he's portrayed. The same goes for Winslett, who might find herself accepting hardware in February.

    Yet with this sort of endorsement for the actors, one might incorrectly think Steve Jobs worthy. In reality, they become the only thing keeping it above water. It's clear that Boyle can make transformative film as evidenced by Trance. But here he spends too long on minor details, software patches, and time periods that don't feel relevant given any scenario, while Jobs tries to deny his daughter is actually his. Why would we want to learn about two failed product launches and a daughter he refuses to love, simply because she's seen as an inconvenience? Granted, this sort of backseat access reveals the messiness behind Jobs, but it's neither healthy nor inspiring. In fact, I'm still having a hard time deciding what I was watching. Steve Jobs is too specific to be biopic, too ugly for inspirational cinema, and way too smart for its own good.

    Faster than a hard drive crashing, Steve Jobs very soon becomes a rehash of itself, trying to be meaningful but ultimately resulting in very little. Much like the machines he refused to make accessible with simple tools, this one is hard to crack and ultimately wouldn't be worth much if you did. Don't listen to the popular critics about this one: Steve Jobs is plodding, hollow, and ultimately less enlightening than it thinks it is. As like most of Apple's tech, it's not what audiences needed in order to enjoy the experience it tries to market.

    Steve Jobs is rated R for language and has a runtime of 122 minutes.

    Discuss this review with fellow SJF fans on Facebook. On Twitter, follow us at @SandwichJohnFilms, and follow author Matt Cummings at @mfc90125.
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    Win Tickets To An Advance Screening For #The33 In Las Vegas

    Win Tickets To An Advance Screening For The 33 on November 10th at 7:00 PM in Las Vegas.


    In 2010, the eyes of the world turned to Chile, where 33 miners had been buried alive by the catastrophic explosion and collapse of a 100-year-old gold and copper mine. Over the next 69 days, an international team worked night and day in a desperate attempt to rescue the trapped men as their families and friends, as well as millions of people globally, waited and watched anxiously for any sign of hope. But 200 stories beneath the surface, in the suffocating heat and with tensions rising, provisions—and time—were quickly running out.


    A story of resilience, personal transformation and triumph of the human spirit, the film takes us to the Earth’s darkest depths, revealing the psyches of the men trapped in the mine, and depicting the courage of both the miners and their families who refused to give up.


    Based on the gripping true story of survival—and filmed with the cooperation of the miners, their families and their rescuers—“The 33” reveals the never-before-seen actual events that unfolded, above and below ground, which became nothing less than a worldwide phenomenon.



    See how to win tickets after the Jump...

    Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast

    Click HERE to get your tickets.

    DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR OVERBOOKING. THIS PASS DOES NOT GUARANTEE ADMISSION AND MUST BE SURRENDERED UPON DEMAND. NO ONE WILL BE ADMITTED WITHOUT A TICKET AND ONLY REVIEWING PRESS WILL BE ADMITTED AFTER THE SCREENING BEGINS. Duplicate passes will not be accepted. Screening passes are non transferable. This ticket is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law. All those found in violation will be prosecuted to the fullest extent of the law. MPAA - No Recording This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device*, you consent to your Immediate removal from the theater and forfeiture of the device.

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    Win Tickets To An Advance Screening For #The33 In Phoenix

    Win Tickets To An Advance Screening For The 33 on November 10th at 7:00 PM in Phoenix.


    In 2010, the eyes of the world turned to Chile, where 33 miners had been buried alive by the catastrophic explosion and collapse of a 100-year-old gold and copper mine. Over the next 69 days, an international team worked night and day in a desperate attempt to rescue the trapped men as their families and friends, as well as millions of people globally, waited and watched anxiously for any sign of hope. But 200 stories beneath the surface, in the suffocating heat and with tensions rising, provisions—and time—were quickly running out.


    A story of resilience, personal transformation and triumph of the human spirit, the film takes us to the Earth’s darkest depths, revealing the psyches of the men trapped in the mine, and depicting the courage of both the miners and their families who refused to give up.


    Based on the gripping true story of survival—and filmed with the cooperation of the miners, their families and their rescuers—“The 33” reveals the never-before-seen actual events that unfolded, above and below ground, which became nothing less than a worldwide phenomenon.



    See how to win tickets after the Jump...

    Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast

    Click HERE to get your tickets.

    DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR OVERBOOKING. THIS PASS DOES NOT GUARANTEE ADMISSION AND MUST BE SURRENDERED UPON DEMAND. NO ONE WILL BE ADMITTED WITHOUT A TICKET AND ONLY REVIEWING PRESS WILL BE ADMITTED AFTER THE SCREENING BEGINS. Duplicate passes will not be accepted. Screening passes are non transferable. This ticket is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law. All those found in violation will be prosecuted to the fullest extent of the law. MPAA - No Recording This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device*, you consent to your Immediate removal from the theater and forfeiture of the device.

    Please Leave A Comment-
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    Movie Review: #JEMTHEMOVIE

    Rama is back with another reivew. This time he reviews JEM AND THE HOLOGRAMS.


    May the gods of cinema forgive me, I can’t stop myself from enjoying JEM AND THE HOLOGRAMS. Despite its imperfection and the fact that it’s pretty generic, this movie is charming and fun, and simply irresistible. We’ve danced this tango before, but the characters themselves are aware of the generic nature of it all, they embrace it, so I think that just spells out the word awesome. And make way for Aubrey Peeples, Stefanie Scott, Hayley Kiyoko, and Aurora Perrineau. These beautiful talented young ladies are going places!

    Aubrey Peeples plays a small town girl by the name of Jerrica Benton who lives with her sister, Kimber (Stefanie Scott) and her friends, Aja (Hayley Kiyoko) and Shana (Aurora Perrineau). Each of them has distinct personality but they get along and compliment one another. The legendary 80s sweetheart, Molly Ringwald plays their guardian whose store business isn’t doing so well, so their little family is struggling financially. Jerrica often finds solace in her music and the memory of her late dad. Kimber tries to get Jerrica to take more faith in her music, to put herself out there, so she secretly uploads Jerrica’s personal song video online and voila! It goes viral. All of a sudden, the whole world is talking about this character Jem, Jerrica’s alter ego, it certainly arrests the attention of record label producer Erica Raymond who wants to capitalize on Jem. Four aspiring musicians taking the world by storm until they realize that fame isn’t all that it’s cracked up to be, it certainly means nothing without your family or the people who accept you for who you are.



    This film is based on Hasbro’s popular 80s animated series of the same name. But if you come into the theaters expecting something exactly like the one you grew up watching, then take your expectation down a notch because there’s no 80s hairstyle here, no 80s vibe, no 80s music, what screenwriter Ryan Landels and director Jon Chu did was that they updated story and the characters in order to cater to today’s generation and that’s not necessarily a bad thing. It has some throwback to your favorite lines, you’ll catch several things that remind you of the animated series, but for the most part.. let’s just put it this way, keep in mind that even the four lead stars of this movie weren’t around when “Jem” was on TV. And so how to connect the original fans with today’s youth who just want to watch a hip and vibrant movie, that was the challenge and I think JEM AND THE HOLOGRAMS did a fantastic job of bridging that gap.

    Just like many of you, I’m a huge fan of Molly Ringwald and Juliette Lewis, so to see those two legendary actresses practically sparring is one of this film’s many treats. Their characters are like the yin and yang in this film, opposite ends of the spectrum. Juliette in particular is so freakin’ good as the villain, you can't take your eyes off her. As Erica Raymond who embodies the bad side of capitalism, Juliette Lewis plays it to perfection so much so that there’s a side of you that wants to root for Erica Raymond. So sassy, I just love her.

    The songs are extremely catchy. I was at the press screening and I found my foot tapping to every beat. I think the soundtrack is going to be a big hit. Granted, there are moments or sequences in this film that are silly, they’re straight out of a cliche manual, at times it feels like you’re watching a disney channel production, not to mention the third act which is just riddled with morality and motivational speeches, one after another. But again, I think the combination of magnetic actresses like Molly, Juliette, Hayley, Aurora, Stefanie, Aubrey, (who by the way looks like a cross between Jena Malone and Kat Dennings, all three equally beautiful of course) and the super catchy music, and their never-ending supply of energy, everything about them would draw you in.

    I think there are parts about this film that fans of the original can appreciate, like the theme of sisterhood and of course the flashy glamorous pink, but what director Jon Chu (“Step Up”) has pretty much done here is he incorporates what fame means to today’s generation. Teenagers these days can quickly name their favorite YouTube stars in a heartbeat. But not all of them would recognize someone like Chris Pratt, for example. We’re living in this social media day and age where anybody can create their own identity and share it with the world and be famous on their own doing, a world in which stardom can be reached within just a click of a button or a touch screen press on your smart phone, JEM AND THE HOLOGRAMS makes you wonder if fame is worth pursuing if you’re pursuing it alone. Let me tell you this much, I walked out of the theater wanting more of JEM AND THE HOLOGRAMS.

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    #Aladdin Concept Art Gallery

    After the jump is the Aladdin Concept Art Gallery that you can share on you page. Please feel free to share this great glimpse into the early creative process

    See the clip after the Jump...

    Aladdin Concept Art Gallery


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    MARVEL CINEMATIC UNIVERSE: PHASE TWO Available On December 8th

    Unleash The Power Of The Marvel Cinematic Universe In This Action-Packed 13-Disc Collector’s Set MARVEL CINEMATIC UNIVERSE: PHASE TWO.

    The Collector’s Edition Available December 8th Exclusively on Amazon

    This Marvel fan’s dream features Blu-ray 3D, Blu-ray, Digital Copy of each Phase 2 film,
    specially designed disc holders, and exclusive Marvel memorabilia!

    The limited edition, 13-Disc Marvel Cinematic Universe: Phase Two Collection invites you to hold the greatest power in the cosmos in your grasp – an orb containing one of the legendary Infinity Stones! Plus Blu-ray 3D™, Blu-ray™ and Digital Copies of all Phase 2 films, in collectible packaging designed by artist Matt Ferguson. This set overflows with stunning Marvel memorabilia, including a gold-foiled page from the book of Dark Elves, an ancient drawing from the Morag vault, Avengers and S.T.R.I.K.E. uniform patches, a replica of the Tony Stark Tattoo from Marvel’s Iron Man 3, and much more!

    Pre-order now, only at Amazon: http://amzn.to/1LJ9Rie

    CONTENT:
    Marvel’s Iron Man 3 (Blu-ray 3D + Blu-ray + Digital Copy)
    Marvel’s Thor: The Dark World (Blu-ray 3D + Blu-ray + Digital Copy)
    Marvel’s Captain America: The Winter Soldier (Blu-ray 3D + Blu-ray + Digital Copy)
    Marvel’s Guardians of the Galaxy (Blu-ray 3D + Blu-ray + Digital Copy)
    Marvel’s Avengers: Age of Ultron (Blu-ray 3D + Blu-ray + Digital Copy)
    Marvel’s Ant-Man (Blu-ray 3D + Blu-ray + Digital Copy)
    1:1 Prop Replica of the Orb
    PLUS an Exclusive Bonus Content Disc with 166 minutes of bonus material and more!

    BONUS FEATURES:

    From Here To Infinity: Phases 2 & 3 Of The M.C.U.
    Journey back through Marvel’s Phase 2 films, from its launch in Iron Man 3 through its fulfillment in Ant-Man, to see how individual characters grow and change, how their relationships with each other evolve over time, and how the universe itself expands with each story. Listen to filmmakers discuss the first set of Phase 3 films– Marvel’s Captain America: Civil War, Marvel’s Doctor Strange, and Marvel’s Guardians of the Galaxy 2 – and discover there are no limits to the adventure!

    Phase 2 Tag Scenes: A Making-Of
    Learn the story behind the post-credit sequence in Marvel’s Phase 1 and 2 movies, and explore how the scenes connect and unify the far-flung characters and worlds of the Marvel Cinematic Universe.

    Marvel One-Shot: The Consultant w/Audio Commentary By Clark Gregg
    Marvel One-Shot: A Funny Thing Happened On The Way To Thor’s Hammer With Audio Commentary By Clark Gregg
    Marvel One-Shot: Item 47 With Audio Commentary By Louis D’Esposito, Max Hernandez, Titus Welliver And Jesse Bradford
    Marvel One-Shot: Agent Carter With Audio Commentary By Louis D’Esposito And Hayley Atwell
    Marvel One-Shot: All Hail The King With Audio Commentary By Drew Pearce And Ben Kingsley
    Iron Man 3: Deleted Scenes
    Iron Man 3: Preproduction Creative
    Thor: The Dark World: Deleted Scenes
    Thor: The Dark World Preproduction Creative
    Captain America: The Winter Soldier: Deleted Scene With Audio Commentary By Anthony Russo, Joe Russo, Christopher Markus, Stephen McFeely
    Captain America: The Winter Soldier – Preproduction Creative
    Guardians of The Galaxy: Deleted Scenes
    Guardians of The Galaxy: Preproduction Creative
    Avengers: Age Of Ultron: Deleted Scenes
    Avengers: Age Of Ultron: Preproduction Creative: Hulk vs. Hulkbuster
    Ant-Man: Deleted Scenes
    Ant-Man: Preproduction Creative

    RELEASE DATE: December 8, 2015

    PRODUCTS: Blu-ray 3D, Blu-ray and Digital HD

    AUDIO: Blu-ray 3D, Blu-ray, Digital HD = English 7.1 DTS-HDMA, French-Canadian 5.1 Dolby Digital, Latin Spanish 5.1 Dolby Digital, English DVS 2.0 Dolby Digital

    LANGUAGES: English & Spanish, French

    SUBTITLES: English, French & Spanish

    SOCIAL MEDIA:

    Facebook Avengers: https://www.facebook.com/Avengers
    Marvel: https://www.facebook.com/Marvel
    Iron Man: https://www.facebook.com/IronMan
    Captain America: https://www.facebook.com/CaptainAmerica
    Thor: https://www.facebook.com/Thor
    Hulk: https://www.facebook.com/Hulk
    Ant-Man https://www.facebook.com/antman?fref=ts
    Disney Movies Anywhere: https://www.facebook.com/DisneyMoviesAnywhere

    Twitter @Avengers: https://twitter.com/Avengers
    @Marvel: https://twitter.com/Marvel
    @Iron_Man: https://twitter.com/Iron_Man
    @CaptainAmerica: https://twitter.com/CaptainAmerica
    @ThorMovies: https://twitter.com/ThorMovies
    @Ant-Man: https://twitter.com/search?q=antman&src=typd&lang=en
    @DisneyAnywhere: https://twitter.com/DisneyAnywhere

    Tumblr Marvel: http://marvelentertainment.tumblr.com
    DMA: http://disneymoviesanywhere.tumblr.com

    Instagram https://instagram.com/marvel/
    https://instagram.com/therealagentm

    YouTube https://www.youtube.com/user/MARVEL

    About Marvel Entertainment
    Marvel Entertainment, LLC, a wholly owned subsidiary of The Walt Disney Company, is one of the world's most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media over seventy-five years. Marvel utilizes its character franchises in entertainment, licensing and publishing. For more information visit marvel.com. © 2015 MARVEL

    ABOUT THE WALT DISNEY STUDIOS:
    For over 90 years, The Walt Disney Studios has been the foundation on which The Walt Disney Company was built. Today, the Studio brings quality movies, music and stage plays to consumers throughout the world. Feature films are released under the following banners: Disney, including Walt Disney Animation Studios and Pixar Animation Studios; Disneynature; Marvel Studios; Lucasfilm; and Touchstone Pictures, the banner under which live-action films from DreamWorks Studios are distributed. The Disney Music Group encompasses the Walt Disney Records and Hollywood Records labels, as well as Disney Music Publishing. The Disney Theatrical Group produces and licenses live events, including Disney on Broadway, Disney On Ice and Disney Live!.

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    Win Tickets To An Advance Screening For #SUFFRAGETTE In San Jose

    Win Tickets To An Advance Screening For SUFFRAGETTE on November 4th at 7:00 PM in San Jose.


    On August 26th, 1920 the United States government accorded women the right to vote. Each year, the President of the United States designates August 26th as Women’s Equality Day to commemorate this landmark decision.


    Focus Features’ moving and powerful SUFFRAGETTE shines a light on women who risked everything for the right to vote, in early-20th century Britain. The cast includes Academy Award nominees Carey Mulligan and Helena Bonham Carter and three-time Academy Award winner Meryl Streep. The female filmmaking team includes producers Alison Owen (an Academy Award nominee) and Faye Ward (a Golden Globe Award nominee), Emmy Award-winning writer Abi Morgan, and BAFTA Award-winning director Sarah Gavron.


    Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast



    OPENS October 23rd in NEW YORK and LOS ANGELES Expanding across the country in the following weeks.

    See how to win tickets after the Jump...

    Email SuffragetteRSVP114@gmail.com
    Subject-SUFFRAGETTE-SandwichJohnFilms.com
    Your full name and email address

    DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR OVERBOOKING. THIS PASS DOES NOT GUARANTEE ADMISSION AND MUST BE SURRENDERED UPON DEMAND. NO ONE WILL BE ADMITTED WITHOUT A TICKET AND ONLY REVIEWING PRESS WILL BE ADMITTED AFTER THE SCREENING BEGINS. Duplicate passes will not be accepted. Screening passes are non transferable. This ticket is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law. All those found in violation will be prosecuted to the fullest extent of the law. MPAA - No Recording This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device*, you consent to your Immediate removal from the theater and forfeiture of the device.

    Please Leave A Comment-
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    Win Tickets To An Advance Screening For #SUFFRAGETTE In San Francisco

    Win Tickets To An Advance Screening For SUFFRAGETTE on October 28th at 7:00 PM in San Francisco.


    On August 26th, 1920 the United States government accorded women the right to vote. Each year, the President of the United States designates August 26th as Women’s Equality Day to commemorate this landmark decision.


    Focus Features’ moving and powerful SUFFRAGETTE shines a light on women who risked everything for the right to vote, in early-20th century Britain. The cast includes Academy Award nominees Carey Mulligan and Helena Bonham Carter and three-time Academy Award winner Meryl Streep. The female filmmaking team includes producers Alison Owen (an Academy Award nominee) and Faye Ward (a Golden Globe Award nominee), Emmy Award-winning writer Abi Morgan, and BAFTA Award-winning director Sarah Gavron.


    Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast



    OPENS October 23rd in NEW YORK and LOS ANGELES Expanding across the country in the following weeks.

    See how to win tickets after the Jump...

    Email SuffragetteRSVP1028@gmail.com
    Subject-SUFFRAGETTE-SandwichJohnFilms.com
    Your full name and email address

    DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR OVERBOOKING. THIS PASS DOES NOT GUARANTEE ADMISSION AND MUST BE SURRENDERED UPON DEMAND. NO ONE WILL BE ADMITTED WITHOUT A TICKET AND ONLY REVIEWING PRESS WILL BE ADMITTED AFTER THE SCREENING BEGINS. Duplicate passes will not be accepted. Screening passes are non transferable. This ticket is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law. All those found in violation will be prosecuted to the fullest extent of the law. MPAA - No Recording This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device*, you consent to your Immediate removal from the theater and forfeiture of the device.

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