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Wednesday, June 28, 2017

THE GREATEST SHOWMAN Trailer Starring Hugh Jackman, Zac Efron, Michelle Williams, & Rebecca Ferguson

Here is the first trailer for THE GREATEST SHOWMAN, starring Hugh Jackman, Zac Efron, Michelle Williams, Rebecca Ferguson, and Zendaya, and featuring original songs by the Academy Award® Winning lyricists of La La Land, Benj Pasek & Justin Paul.


Inspired by the imagination of P.T. Barnum, The Greatest Showman is an original musical that celebrates the birth of show business & tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation.



Website: TheGreatestShowman.com
Facebook: www.facebook.com/GreatestShowman
Twitter: www.twitter.com/GreatestShowman
Instagram: www.instagram.com/greatestshowman
#GreatestShowman

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GOOD TIME Trailer Starring Robert Pattinson

The Safdie brothers' exhilarating New York thriller stars Robert Pattinson in a headlong rush into crime and chaos. The overwhelmingly positive reactions out of the Cannes Film Festival mark a thrilling turn for the filmmakers and a career-defining performance for Pattinson.



– In Theaters August 11 –

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#BadMomsXmas Red & Green Band Teaser Trailers & New Images

A BAD MOMS CHRISTMAS follows our three under-appreciated and over-burdened women as they rebel against the challenges and expectations of the Super Bowl for moms: Christmas. And if creating a more perfect holiday for their families wasn't hard enough, they have to do all of that while hosting and entertaining their own mothers.


By the end of the journey, our moms will redefine how to make the holidays special for all and discover a closer relationship with their mothers.



Watch the red band trailer after the Jump...



In Theaters November 3, 2017

Facebook.com/BadMoms
Twitter.com/BadMoms
Instagram.com/BadMoms
#BadMomsXmas

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Movie Review: Baby Driver

Edgar Wright’s latest is the perfect getaway.


Review by Brandon Wolfe

Baby (Anson Elgort), the protagonist of Edgar Wright’s delightful new film Baby Driver, looks for all intents and purposes like your standard-issue millennial. The disaffected gaze and the earbuds constantly snaking up either side of his head are the major signposts. Yet that descriptor doesn’t suit Baby too well. He shows no discernible interest in any form of social media, for one, and he takes in his beloved tunes through such outdated means as cassette tapes and first-generation clickwheel iPods, without a whiff of hipster irony. Baby also exhibits a unique personality, hovering somewhere between Ferris Bueller “the world is my stage” exuberance and something like mild autism. He’s a true original, a teen character that defies any of the easy pigeonholing that befalls most of his fictional ilk. And that’s before you factor in that the kid is the best getaway driver in the business.

Baby Driver, Wright’s first film since 2013’s sublime The World’s End, is one of the purest cinematic pleasures you will likely experience all year. It’s a film that is resolutely alive, that hums with kinetic drive. Wright always brings a livewire vitality to everything he does, but he reaches a personal pinnacle here. Wright’s filmmaking, his eclectic use of music (via Baby’s constant, often diegetic life-soundtrack), his cast’s all-on-the-table comedic verve, all of it adds up to an experience that energizes you without any cheap tricks or empty spectacle. There will be a Transformers movie playing in the next auditorium over from this film that functions as an aggressive, non-stop barrage of bombastic action sequences set to a cacophony of booms and clanging noises. It’s a dead fish next to this.


Baby is under the reluctant criminal employ of a local Mr. Big called Doc (Kevin Spacey at his Spaciest), who organizes elaborate thefts with a revolving cast of players. Yet Baby is the only constant in Doc’s operation, partly because of his exceptionalism behind the wheel, yet also because Doc sees the kid as something of a good luck charm. Baby’s seeming detachment from his surroundings—always appearing lost in his music, yet still keenly aware of everything around him—places him at odds with the more seasoned and volatile members of Doc’s troupe, like hair-trigger hothead Bats (Jamie Foxx) or the scuzzy, PDA-prone duo of Buddy (Jon Hamm) and Darling (Eiza Gonzalez, who was never this good on that terrible From Dusk Till Dawn TV show). These goons wield shotguns and clean out banks, but it’s Baby who can wheel them to safety no matter the circumstances.

Yet Baby wants out of the life, so he can stop disappointing his deaf and disabled foster father Joe (CJ Jones) and finally make something happen with Debora (Lily James), the luminous diner waitress who has caught his eye. And even though Doc promises the proverbial One Last Job, there’s never a true exit strategy when you’re extremely valuable to dangerous people. But when the plans for the latest theft start going off the rails, due to Bats’ instability and fate roping Baby’s personal life into his professional one, Baby is forced to try and extricate himself from his profession for good. Doing so proves as messy as you might expect.


In the unlikely event that Edgar Wright ever chooses to rebrand himself as a franchise director-for-hire, Baby Driver would indicate that he’d do a masterful job with a Fast & Furious sequel. The car sequences in this film have the sort of crackling energy that those films have largely abandoned upon taking on event-movie bloat. It’s not that Wright is necessarily doing things particularly innovative with his chase scenes, but rather how deftly he executes them. The aforementioned soundtrack plays heavily into this. As Baby is almost never separated from his tunes (which isn’t just a character quirk; he’s drowning out the tinnitus he was left with from the car accident that orphaned him years earlier), there is scarcely a scene in Baby Driver that isn’t goosed by great music. We get Beck, Run the Jewels, Young MC, T. Rex, Jon Spencer Blues Explosion and, most prominently featured, Queen’s “Brighton Rock.” Wright raiding his iTunes playlists for ammo pays off in glorious ways.

In a summer season where nearly all of the biggest blockbusters are hitting air balls (except for Guardians of the Galaxy Vol. 2; speaking of, quick aside, Baby Driver feels almost exactly like an earthbound depiction of Peter Quill: The Yondu Years), Baby Driver feels like a true event movie. Refreshing, original, enthralling, and just brimming with life. Elgort is fantastic in the film (since the Han Solo movie is falling apart, is it too late to get him in there?), abetted by the lovely Lily James, the two of whom combine to create the most genuinely endearing movie romance in ages. The film does fall prey to an ending that feels a bit too pat, too simplistic, but who cares? We’ve already gotten away with plenty of loot by then.

Discuss this review with fellow SJF fans on Facebook. On Twitter, follow us at @SandwichJohnFilms, and follow author Brandon Wolfe at @BrandonTheWolfe.



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Monday, June 26, 2017

Pitch Perfect 3 Trailer Has Arrived

Anna Kendrick and Rebel Wilson headline the returning cast of Pitch Perfect 3, the follow-up to 2015’s blockbuster hit that took the honor of highest-grossing live-action movie-musical opening of all time.



The eagerly awaited next chapter is led by series producers Paul Brooks of Gold Circle Entertainment and Max Handelman & Elizabeth Banks of Brownstone Productions. The film will be directed by Trish Sie (Step Up All In).

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The Foreigner Trailer & Poster Starring Jackie Chan & Pierce Brosnan

The Foreigner, starring Jackie Chan and Pierce Brosnan, is a timely action thriller from the director of “Casino Royale.”



The film tells the story of humble London businessman Quan (Chan), whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love -- his teenage daughter -- is taken from him in a senseless act of politically-motivated terrorism.

In his relentless search for the identity of the terrorists, Quan is forced into a cat-and-mouse conflict with a British government official (Brosnan), whose own past may hold clues to the identities of the elusive killers.

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The Accountant Sequel On It's Way

Of the films that managed to make a profit last year, we weren't expecting that Ben Affleck-starring crime thriller The Accountant would be one to spawn a sequel. Warner Bros. clearly thinks differently, and the studio is in the midst of re-assembling the actor plus director Gavin O'Connor and other filmmakers to put together a second outing.

Writer Bill Dubuque and producers Lynette Howell Taylor and Mark Williams are all working out deals now to return for a follow-up about Affleck's Christian Wolff, a forensic accountant with a very dark side. A high-functioning autistic, he's able figure out financial mysteries and works for criminal organisations to keep their shady moneymaking out of government clutches. But when a new client puts him in danger and firmly in the crosshairs of the Treasury Department, he shows off another, more violent side...

The plot for the film also saw – spoiler alert for those who didn't watch it – Christian's brother Brax (Jon Bernthal) coming out of the woodwork and proving just as skilled. Perhaps he'll have even more to do this time around?

There's no schedule for this one yet, as all involved are only just figuring out their contracts and have yet to start working on story beats. The first person to make a gag about "they made the numbers work" will be forced to fill out tax forms for hours with only an abacus and an angry goose for help.

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Source-Empire

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First Poster For Marvel’s Inhumans

Black Bolt, Medusa, & Maximus take center stage!

This September, the Inhuman Royal Family comes to Earth…but today we’ve got a new look at their king and queen with the first poster for “Marvel’s Inhumans”!

Black Bolt (Anson Mount), Medusa (Serinda Swan), and Maximus (Iwan Rheon) step into the spotlight in your latest look at the upcoming Marvel Television series. Come September 1, you can experience the first chapter in IMAX theaters before the complete series comes to ABC September 29!

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Source-Marvel
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SPECIAL #PLANETOFTHEAPES TRIPLE FEATURE ON JULY 12

TWENTIETH CENTURY FOX FILM TO HOLD SPECIAL PLANET OF THE APES TRIPLE FEATURE

Audiences Will Have the Chance to Experience the Trilogy in Full and Be Among the First to See “War For The Planet Of The Apes” In RealD 3D

To celebrate the epic final showdown between apes and humans in the upcoming War for the Planet of the Apes, Twentieth Century Fox Film will give audiences a chance to experience a special Planet of the Apes triple feature on Wednesday, July12th. For one price, Planet of the Apes fans will be able to see Rise of the Planet of the Apes in 2D, Dawn of the Planet of the Apes in 3D, and be among the first to see the upcoming War for the Planet of the Apes in 3D. An exclusive commemorative item will be available to all guests who attend the Planet Of The Apes Triple Feature in RealD 3D, while supplies last. This exclusive artwork is produced by Shepard Fairey in collaboration with Studio Number One.

Tickets for War for the Planet of the Apes and the triple feature are now on sale at:

http://www.apesmovietickets.com/

All films are rated PG-13.

In War for the Planet of the Apes, the third chapter of the critically acclaimed blockbuster franchise, Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet.

Twentieth Century Fox Film will release War for the Planet of the Apes in theaters everywhere July 14th.

About Twentieth Century Fox Film
One of the world’s largest producers and distributors of motion pictures, Twentieth Century Fox Film produces, acquires and distributes motion pictures throughout the world. These motion pictures are produced or acquired by the following units of Twentieth Century Fox Film: Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Fox International Productions and Twentieth Century Fox Animation.

About RealD Inc.
Globally recognized as the world's visual technology leader, RealD pioneered digital 3D cinema and today has the world's largest 3D cinema platform. RealD's dominant market share is comprised of a network of theatres that include more than 29,000 installed screens with a backlog of 3,000 additional contracted installations in 72 countries with over 1,200 exhibition partners. RealD is the world's preeminent 3D brand, with well over 2 billion people having experienced a movie in RealD 3D.


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Sunday, June 25, 2017

#InsidetheBucket Podcast #122

This week's episode of Inside the Bucket is online! Revel in the digital mastery!

On this edition of Inside the Bucket, Matt and Brandon gather to discuss the hiring of Director Ron Howard to finish (or restart?) the Han Solo movie, then move on to talk about week's Blu-ray releases.  Then, it's on to the dull thud that has become the 2017 Summer box office, and then end the show with a review of Transformers: The Last Knight.



Afterwards, please join for an After Party, where we talk about a variety of non-Hollywood subjects.



We encourage you to participate in mailbag, as well as our Open Forum Friday, which is your chance to get in our business about running a passion project like our trainwreck.  Please email us at Comments@SandwichJohnFilms.com with any thoughts you have about our show.



Be warned: Inside the Bucket is an EXPLICIT PODCAST.  We tend to say controversial things and cuss just for the heck of it.  So, please be careful if you are listening to us while at work.



We hope you laugh as much as we do bringing the show to you.  As always, thanks to everyone for your continued support, and we'll see you at one of our screenings.



Please make sure to check out our website SANDWICHJOHNFILMS.COM and make sure to like us on Facebook and follow us on Twitter!



  • NEWS (1:15)


  • BLU-RAY RELEASES (19:03)


  • BOX OFFICE REPORT (25:02)


  • REVIEW: Transformers: The Last Knight (33:32)

  • AFTER PARTY (54:40)


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