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Saturday, February 20, 2016

Teaser Poster For #PetesDragon

Here is the first teaser poster for Disney’s “Pete’s Dragon,” a reimagining of the studio’s cherished family film about the adventures of a boy named Pete and his best friend Elliott, who just so happens to be a dragon. Please share with your readers. “Pete’s Dragon,” starring Bryce Dallas Howard and Robert Redford flies into U.S. theaters on August 12, 2016.

Also, be sure to catch the debut of the brand new teaser trailer during "Wonderful World of Disney: Disneyland 60" on ABC Sunday night at 8:00PM EST.

A reimagining of Disney’s cherished family film, “Pete’s Dragon” is the adventure of an orphaned boy named Pete and his best friend Elliott, who just so happens to be a dragon. “Pete’s Dragon” stars Bryce Dallas Howard (“Jurassic World”), Oakes Fegley (“This is Where I Leave You”), Wes Bentley (“The Hunger Games”), Karl Urban (“Star Trek”), Oona Laurence (“Southpaw”) and Oscar® winner Robert Redford (“Captain America: The Winter Soldier”). The film, which is directed by David Lowery (“Ain’t Them Bodies Saints”), is written by Lowery & Toby Halbrooks based on a story by Seton I. Miller and S.S. Field and produced by Jim Whitaker, p.g.a. (“The Finest Hours,” “Friday Night Lights”), with Barrie M. Osborne (“The Lord of the Rings: The Fellowship of the Ring,” “The Great Gatsby”) serving as executive producer.

For years, old wood carver Mr. Meacham (Robert Redford) has delighted local children with his tales of the fierce dragon that resides deep in the woods of the Pacific Northwest. To his daughter, Grace (Bryce Dallas Howard), who works as a forest ranger, these stories are little more than tall tales…until she meets Pete (Oakes Fegley). Pete is a mysterious 10-year-old with no family and no home who claims to live in the woods with a giant, green dragon named Elliott. And from Pete’s descriptions, Elliott seems remarkably similar to the dragon from Mr. Meacham’s stories. With the help of Natalie (Oona Laurence), an 11-year-old girl whose father Jack (Wes Bentley) owns the local lumber mill, Grace sets out to determine where Pete came from, where he belongs, and the truth about this dragon. Disney’s “Pete’s Dragon” opens in U.S. theaters on August 12, 2016.

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Enter For A Chance To Win Passes To See #WhiskyTangoFoxtrot In Phoenix

Enter For A Chance To Win Passes To See Whisky Tango Foxtrot On March 1st at 7:00 PM in PHOENIX.


When reporter Kim Barker’s (Tina Fey) life needs something more, she decides to 'shake it all up’ by taking an assignment in a war zone. There, in the midst of chaos, she finds the strength she never knew she had. Sometimes it takes saying ‘WTF’ to find the life you were always destined to have. The film is directed by Glenn Ficarra and John Requa (“Crazy, Stupid, Love”) from a screenplay by Robert Carlock (“Saturday Night Live,” “30 Rock”).


The film stars Tina Fey, Margot Robbie, Martin Freeman, Christopher Abbott, Billy Bob Thornton, Alfred Molina, Nicholas Braun, and Sheila Vand.



See how to enter after the Jump...

Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast

CLICK HERE TO ENTER:

Release Date: March 4th, 2016

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE PRESS AND STUDIO VIPS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR SEATING OVER CAPACITY. THIS PASS DOES NOT GUARANTEE ADMISSION.

Duplicate passes will not be accepted. Screening passes are non transferable. This pass is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law.

NO RECORDING

This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of your belongings and person have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device* you consent to your Immediate removal from the theater and forfeiture of the device. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability.

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Enter For A Chance To Win Passes To See #WhiskyTangoFoxtrot In Las Vegas

Enter For A Chance To Win Passes To See Whisky Tango Foxtrot On March 1st at 7:00 PM in Las Vegas.


When reporter Kim Barker’s (Tina Fey) life needs something more, she decides to 'shake it all up’ by taking an assignment in a war zone. There, in the midst of chaos, she finds the strength she never knew she had. Sometimes it takes saying ‘WTF’ to find the life you were always destined to have. The film is directed by Glenn Ficarra and John Requa (“Crazy, Stupid, Love”) from a screenplay by Robert Carlock (“Saturday Night Live,” “30 Rock”).


The film stars Tina Fey, Margot Robbie, Martin Freeman, Christopher Abbott, Billy Bob Thornton, Alfred Molina, Nicholas Braun, and Sheila Vand.



See how to enter after the Jump...

Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast


CLICK HERE TO ENTER:

Release Date: March 4th, 2016

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE PRESS AND STUDIO VIPS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR SEATING OVER CAPACITY. THIS PASS DOES NOT GUARANTEE ADMISSION.

Duplicate passes will not be accepted. Screening passes are non transferable. This pass is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law.

NO RECORDING

This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of your belongings and person have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device* you consent to your Immediate removal from the theater and forfeiture of the device. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability.

Please Leave A Comment-

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Clips & New Images From #VIKINGS "Kill the Queen"

VIKINGS season 4 has started off with a huge bang and next week’s episode shows no signs of slowing down; so grab your shields and get ready to raid!



As Ragnar and Floki remain at odds in Kattegat, Rollo makes great efforts in Paris to win over his new bride, Princess Gisla. Bjorn’s survival skills are put to the test in the wilderness, while King Ecbert sets the task for his son Aethelwulf to rescue Queen Kwenthrith from opposing forces in Mercia.

Kill the Queen” – Thursday, February 25 at 10 p.m.

Watch the clips after the the Jump...












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Movie Review: #RisenMovie

An intriguing perspective of the death and resurrection of Jesus, just in time for Easter.

Review By: Erika Ashley

Clavius, a seasoned and jaded Roman soldier and military leader, returns from yet another successful battle and is given the task of following through on the crucifixion of a potential Messiah from Nazareth. Once the Messiah takes his last breath Clavius is obviously affected at the death of this stranger which is a first for him as he notices the audiences the followers’ reactions to his death. Jesus is entombed as requested by one Jewish follower and the Roman Leader seals the tomb as a precaution from any follower’s stealing the body to create a religious uprising. When the body goes missing the following day Clavius and his new aide Lucius must find the body before the news reaches the Roman Empire and the Messiah’s followers. After days of searching and questioning followers and potential believers he receives a lead that changes his life forever.



Although most, if not all, viewers have some understanding of Christianity and are familiar with the death or resurrection of Jesus, this story is a fresher take on an ancient tale. Instead of following Jesus like most films, the point of view comes from Clavius’s as we follow him from being a strong non-believer to someone who wants to believe. He is forced to question everything he has ever known because of what he sees before him. The story is nothing new, so the audience is well aware of what is coming but seeing how a man goes from his belief in many Gods to meeting the Messiah is fairly intriguing. The directors – Pete Shilaimon, Paul Aiello, Mickey Liddle and Patrick Aiello, take liberty on how The Bible lays out the events and instead mixes up the sequence a bit to fit their storyline but it still seems to work.


One somewhat questionable part of the film was towards the end of the first act when Clavius and Lucius put on this Good Cop/Bad Cop performance. They begin questioning believers and followers that claim to have seen Jesus since he rose from the dead. Clavius brings them to his “office” and then interrogates them and threatens them while Lucius stands towards the back of the room watching. For a moment is felt like I was watching an episode of Law and Order and they were trying to find a missing person. It seemed completely out of place and awkward. With each believer proclaiming their faith and loyalty to Jesus you can see Clavius yearn to understand their passion.


The acting was decent from some like Clavius, played by Joseph Fiennes, where his portrayal of an inquisitive non-believer came of as just plain confused more than a few times. Tom Felton who played Lucius, which was comical just for the fact that his fictitious father in Harry Potter was named Lucius, seemed to be in the role of his signature character – Draco Malfoy. The film was riddled with all kind of British and other accents which was confusing for them to be in a Roman village. With all the talk of inequality in Hollywood it was yet again apparent at the lack of ethnicities in the cast. The only really ethnic looking cast member was Jesus played by New Zealander born actor – Cliff Curtis, which was refreshing to see an ethnic Jesus.

Overall the story is not new by any means but the point of view was interested to watch unfold. This version of the resurrection of Jesus was not as heavy or serious as many films before it. Instead it was sprinkled with much needed and well taken moments of comic relief and the tone was much less intense. You will witness the lack of originality when it comes to the costuming, music, set dressing as this is yet another period piece. I wish there was more variation with diversity when it came to the cast particularly because it is so blatantly obvious. Although this move did not astound the audience it did not fall completely flat.
Risen has a 107 minute runtime and is rated PG-13 for Biblical violence including some disturbing images.

Discuss this review with fellow SJF fans on Facebook. On Twitter, follow us at @SandwichJohnFilms, and follow author Erika Ashley at @ErikaAshley .

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Friday, February 19, 2016

Movie Review: 'Race'

The Jesse Owens biopic is way too-on-the-nose and entirely too long.

Review by Matt Cummings

From the moment that the Jesse Owens biopic/social message Race begins, it's clear where this one will go: racism is bad, so are Nazis, but here's a guy who will build bridges on his way to making history. And that's largely how it's played out, with such a lack of enthusiasm that it's not hard to imagine what it could have been with a bit more push.

The fastest man on Earth Jesse Owens (Stephan James) is also one of its least appreciated. As 1930's America struggles with blatant racism, Owens and others are forced to suppress their talents while their families barely eek out an existence. Luckily, his enormous talent - speed - has brought him to Ohio State University and track coach Larry Snyder (Jason Sudeikis), who sees nearly unlimited potential in Owens. As his star begins to rise, the 1936 US Olympic Committee and its members Avery Brundage (Jeremy Irons) and Jeremiah Mahoney (William Hurt) take note, but are aware of the atrocities being committed by the Nazis as they prepare to host the Olympics. Faced with pressure to boycott the Games, Owens takes center stage, determined to prove to Nazi leader Goebbels (Barnaby Metschurat) and the film-maker Riefenstahl (Carice von Houten) that race and racism end once the track gun goes off.

Race has much going for it: a solid (but unimpressive) story of perseverance, a solid score by Composer Rachel Portman, and a sense that it's telling a global tale about race in the 1930's as opposed to re-treading familiar ground. But its main problem lies not in why it displays horrible racism to both Blacks and Jews, but how it seeks out those moments. In fact, its biggest problems center on authenticity and quality control, neither of which perform particularly well. Much of the supposedly outlandish pogroms against Jews and Blacks feel like check-boxed moments instead of serving the story. Add images of Jews being attacked without any context, and It's just another moment in a film that misses too many of them.

At least some of the moments of Owens enduring the same thing are a bit more believable, mostly because we've journeyed with him. But that's not an excuse to tell those stories with any less zeal, something that happens far too often here. CGI suffers from a television feel, especially as Jesse arrives at the huge arena in Germany. It's so regrettable when one can spot bad CGI, and there's enough here to fill a film school class. CGI should always hide in the shadows, adding further depth to a story without having to actually construct a grand arena or 1930's Ohio. Seeing it used so haphazardly here makes one cringe at its sometimes hack use.

The same goes for the action, which always feels anti-climactic. We know Owens was stellar, but unlike 42 - which focuses more on the characters than Robinson's achievements - the action here is meant to somehow inspire the viewer. Perhaps Director Stephen Hopkins intended to educate us on Owens's achievements, of which he spends a considerable amount of time in set up and execution. By the time we're done with Jesse's first few races, we're ready to move on to Berlin.

The cast is dependable, even sometimes good, but this is not the stellar historical team of Harrison Ford and Chadwick Bozeman. That's not to say that Stephan and Sudekis are poor choices, because they actually do quite well when together. Take them off that shared stage, and things immediately come apart. It's not unwatchable by any means, but the cracks are fairly evident and they play against your enjoyment. Still, Hopkins does enough to entertain and even educate about Nazi oppression as well as the internal disagreements between Goebbels and Riefenstahl; a moment between her, Hurt and Metschurat is played out with perfect tension as the Nazis try to control Avery and the team.

But in the end, Race fails to work - not because its tired message of racial inequality is...well...tired - but because the film just isn't that good. True, the story of Owens hasn't exactly found itself into the halls of recent cinema, so its story of bi-hemispherical racism might be almost educational to some. But it misses on too many occasions to solidify itself as a contender in the same light as 42 or Hoosiers.

Suffering from a bout of stereotypical racial situations, awful CGI, and action that takes too long to develop, Race tries to make two different films about racism but doesn't quite do either of them very well. Sudeikis and James are fine together, but each suffers when featured with others. It's a good Netflix tale, but hardly worth paying good money to see.

Race is rated PG-13 for thematic elements and language and has a runtime of 130 minutes.

Discuss this review with fellow SJF fans on Facebook. On Twitter, follow us at @SandwichJohnFilms, and follow author Matt Cummings at @mfc90125.
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Movie Review: The Witch

Hyped horror film only casts a modest spell.

Review by Brandon Wolfe

After its debut at the 2015 Sundance Film Festival, Robert Eggers’ The Witch cultivated a buzz that heralded it as the next great horror masterpiece. Here, the reviews proclaimed, was one of those truly rare gems, a horror film that operated as something like art, both genuinely frightening and impeccably crafted. Hearing chatter like this is a surefire way to get horror fans salivating a puddle at their feet, given the steady diet of slop being a fan of the genre requires one to consume. After endless streams of lousy sequels and cookie-cutter Blumhouse offerings, the prospect of a horror film at a top-shelf level of quality will always be greeted like a frosty Gatorade in the sun-scorched dunes of the Sahara. But now a film like The Witch has to grapple with living up to such effusive, effervescent praise. Being better than Insidious VII is no longer good enough. It now has to be one for the books, something to stand comfortably alongside the classics or else be met with disappointment. It’s a no-win situation if there ever was one, and for all of its unassailable strengths, The Witch does not win it.

In 17th Century New England, a man named William (Ralph Ineson) is standing before a tribunal of town elders, pridefully engineering his own exile. The particulars of his insubordination left undefined, William’s obstinacy results in himself and his reluctant family taking off into the wilderness to carve out their own way of life, removed from civilization. The brood includes austere mother Katherine (Kim Dickie), blossoming eldest daughter Thomasin (Anya Taylor-Joy), son Caleb (Harvey Scrimshaw), rambunctious young twins Mercy and Jonas (Ellie Grainger and Lucas Dawson) and infant Samuel. The put-upon, unappreciated Thomasin is charged with caring for Samuel one afternoon, and during a peek-a-boo session, the child mysteriously vanishes. The family blames an errant wolf for the disappearance and the resulting grief sends the already deeply religious brood into an uneasy cycle of prayer and despair, attempting to understand why God would take their son while never daring to question His reasoning.


For a film that operates at an extremely slow burn for most of its run, The Witch wastes absolutely no time showing us Samuel’s grim fate, as he is immediately seen in the clutches of a hideous old crone in the woods, who brandishes a carving knife over him before we then see her ominously bathing herself in viscera. So while we in the audience are acutely aware of the sinister presence residing in those woods, the family itself remains ignorant, though hardly blissfully so. In addition to the grief over the loss of Samuel, William’s corn crops are faltering, and he finds himself in such dire straits that he is forced to trade Katherine’s prized silver cup to keep the family afloat, a theft that he’s willing to allow his angry wife to lay at the feet of Thomasin. That’s just another of many hardships Thomasin must bear. Lusted after by her younger brother, disrespected by the twins, treated like a servant by her parents and with the overheard threat looming over her head of being pawned off on another family to lighten the load, her life is an unceasing string of indignities. When she tries to exert fear as an implement to control her disobedient siblings and claims to be “the witch of the woods,” it seems like a canny move. But when Caleb goes missing and returns naked in the night in a state the family, aptly, attributes to witchcraft, Thomasin’s fib comes back to haunt her.

What’s interesting about The Witch is how, were one to strip away the stray bits of supernatural menace, the film could easily function as an historically accurate depiction of the miseries of colonial life, as well as an examination of the puritanical paranoia over perceived witches that gripped that chapter of history. At one point late in the film, the family begins to turn on itself, with members pointing fingers at each other as potential witches. It’s only our knowledge that there is an actual witch out there preying upon the family that shifts The Witch into the realm of fantasy horror. There is always an inherent distastefulness in the act of portraying genuine witchcraft amid this era in which real women were cruelly persecuted as witches due to frothing mass hysteria, and this is a transgression that The Witch is indeed guilty of committing.


But if anyone wants to be outraged over this, that’s what Twitter is for. My only aim is to discuss whether or not The Witch functions as a laudable horror film, and the answer is...mostly. Eggers creates a spare atmosphere of gloomy rural emptiness and knows how to craft tension when he needs to tighten the noose. The actors are all fantastic at embodying their God-fearing characters, and special note must be made of the child actors, all of whom do shockingly adroit work. The Seyfriedian Taylor-Joy anchors the film well, but Scrimshaw is the standout, enacting a fevered bit of otherworldly delirium at one point that is simply amazing to witness. Ineson also does wonders with making William a warmer character than he initially seems set up to be, showing each of his children paternal compassion, at least in the moments before he begins nailing them into goat enclosures as witch suspects.

And yet, it’s hard not to wish that The Witch would rise to the level of haunt-your-dreams terror that its raves seemed to promise. The film has some truly unsettling imagery (Phillip the black goat is going to dominate the conversation, but a perverse bit with a raven is the image that I’ll carry with me), especially in the final stretch, when the film quickly descends into madness. But it’s a long haul before we arrive there, and the film never quite adds up to a dread-soaked whole. Because the family remains oblivious to the supernatural forces encroaching upon them until the very end, and because those forces rarely surface even for our benefit (for the longest time, a hare that engages in staring contests is the sole representative of evil), The Witch frequently seems as though it were about little more than the drudgery of life in a bygone era. The best horror films make you feel like the walls are closing in, that the air is leaching out of the room. The Witch never quite arrives at the level of waking nightmare that the genre’s finest films (including last year’s exemplary It Follows) have managed to summon.

Even still, there is a lot to admire here (at least until a peculiarly silly parting shot). The buzz was right to herald the film for its strengths, even if the vociferousness of the praise sort of did the film in. The Witch does establish Eggers as a person of interest in the horror genre going forward. He may not have quite made the masterpiece that many have claimed, but what he has made is the promise that he has that eventual film in him. The Witch is the eye of newt, the hint of greatness, and there’s every reason to suspect that Eggers has something truly great still bubbling in his cauldron.

Discuss this review with fellow SJF fans on Facebook. On Twitter, follow us at @SandwichJohnFilms, and follow author Brandon Wolfe at @BrandonTheWolfe.



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Thursday, February 18, 2016

Enter For A Chance To Win Passes To See #Triple9 In Sacramento

Enter For A Chance To Win Passes To See Triple 9 on February 23rd at 7:00 PM in Sacramento.


In TRIPLE 9, a crew of dirty cops is blackmailed by the Russian mob to execute a virtually impossible heist. The only way to pull it off is to manufacture a 999, police code for “officer down”. Their plan is turned upside down when the unsuspecting rookie they set up to die foils the attack, triggering a breakneck, action-packed finale filled with double-crosses, greed and revenge


TRIPLE 9  stars Oscar®-nominees Woody Harrelson, Chiwetel Ejiofor, Kate Winslet and Casey Affleck, along with Aaron Paul, Gal Gadot and Anthony Mackie. Directed by John Hillcoat (“Lawless”).


Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast



See how to enter after the Jump...

CLICK HERE TO ENTE
R.

RELEASE DATE: February 26, 2016

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE PRESS AND STUDIO VIPS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR SEATING OVER CAPACITY. THIS PASS DOES NOT GUARANTEE ADMISSION.

Duplicate passes will not be accepted. Screening passes are non transferable. This pass is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law.

NO RECORDING

This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of your belongings and person have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device* you consent to your Immediate removal from the theater and forfeiture of the device. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability.

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Enter For A Chance To Win Passes To See #Triple9 In PHOENIX

Enter For A Chance To Win Passes To See Triple 9 on February 23rd at 7:00 PM in PHOENIX.


In TRIPLE 9, a crew of dirty cops is blackmailed by the Russian mob to execute a virtually impossible heist. The only way to pull it off is to manufacture a 999, police code for “officer down”. Their plan is turned upside down when the unsuspecting rookie they set up to die foils the attack, triggering a breakneck, action-packed finale filled with double-crosses, greed and revenge


TRIPLE 9  stars Oscar®-nominees Woody Harrelson, Chiwetel Ejiofor, Kate Winslet and Casey Affleck, along with Aaron Paul, Gal Gadot and Anthony Mackie. Directed by John Hillcoat (“Lawless”).


Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast



See how to enter after the Jump...

CLICK HERE TO ENTER.

RELEASE DATE: February 26, 2016

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE PRESS AND STUDIO VIPS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR SEATING OVER CAPACITY. THIS PASS DOES NOT GUARANTEE ADMISSION.

Duplicate passes will not be accepted. Screening passes are non transferable. This pass is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law.

NO RECORDING

This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of your belongings and person have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device* you consent to your Immediate removal from the theater and forfeiture of the device. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability.

Please Leave A Comment-
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Enter For A Chance To Win Passes To See #Triple9 In Las Vegas

Enter For A Chance To Win Passes To See Triple 9 on February 23rd at 7:00 PM in Las Vegas.


In TRIPLE 9, a crew of dirty cops is blackmailed by the Russian mob to execute a virtually impossible heist. The only way to pull it off is to manufacture a 999, police code for “officer down”. Their plan is turned upside down when the unsuspecting rookie they set up to die foils the attack, triggering a breakneck, action-packed finale filled with double-crosses, greed and revenge


TRIPLE 9  stars Oscar®-nominees Woody Harrelson, Chiwetel Ejiofor, Kate Winslet and Casey Affleck, along with Aaron Paul, Gal Gadot and Anthony Mackie. Directed by John Hillcoat (“Lawless”).


Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast



See how to enter after the Jump...

CLICK HERE TO ENTER.

RELEASE DATE: February 26, 2016

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE PRESS AND STUDIO VIPS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR SEATING OVER CAPACITY. THIS PASS DOES NOT GUARANTEE ADMISSION.

Duplicate passes will not be accepted. Screening passes are non transferable. This pass is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law.

NO RECORDING

This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of your belongings and person have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device* you consent to your Immediate removal from the theater and forfeiture of the device. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability.

Please Leave A Comment-
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San Andreas Sequel Might Be On It's Way

THR is reporting New Line and Dwayne Johnson want to make the earth move for you one more time.

The company has hired Neil Widener and Gavin James to write a sequel to San Andreas, the Johnson-starring earthquake disaster movie that grossed over $473 million worldwide last year.

A good chunk of the team is due to return for the second installment. Johnson is swinging back to the sequel as is producer Beau Flynn, producing via his Flynn Picture Co. banner. Brad Peyton, who directed the movie, is also returning.

The 2015 movie saw Johnson as a search-and-rescue helicopter pilot who teams up with his estranged wife (Carla Gugino) to save their daughter (Alexandra Daddario) when a series of quakes crush Los Angeles and San Francisco.

Gugino, Daddario and Paul Giamatti, who played a seismologist, are also expected to return. (Andre Fabrizio and Jeremy Passmore as well as Carlton Cuse wrote the original's script.)

Plot details for the new installment are being sheltered, but the sequel is expanding the disaster locales by going global, focusing on the infamous Ring of Fire. The ring circles the Pacific Ocean with fault lines and volcanoes and, according to scientists, is home to about 90 percent of the worlds' earthquakes.

Johnson's production banner, Seven Bucks Productions, will produce in some capacity. Peyton will also act as a producer on the sequel.

Richard Brener, Michael Disco, and Samuel J. Brown are overseeing for New Line. Wendy Jacobson will oversee for FPC.

Widener and James are rising writers who a year ago sold Verona, a reimagining of William Shakespeare's Romeo and Juliet, with Joe Roth attached to produce, to Sony. More recently they set up the true-story drama Battle for Alcatraz at Paramount with Bridge of Spies' Matt Charman producing.

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#TheHatefulEight Digital HD March 15 & Blu-ray Combo Pack, DVD & On Demand March 29th

Here is all the info you need on Quentin Tarantino’s The Hateful Eight which arrives on Digital HD March 15 and Blu-ray™ Combo Pack, DVD and On Demand March 29 from Anchor Bay. The eighth film, written and directed by Quentin Tarantino, stars Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, Tim Roth and Walton Goggins.

Anchor Bay Entertainment and The Weinstein Company are proud to present the home entertainment release of the eighth film by two-time Academy Award® winner Quentin Tarantino (Django Unchained, Pulp Fiction). Shot entirely on 70mm and featuring a Golden Globe® and BAFTA® award-winning score by Oscar® winner Ennio Morricone (Bugsy, The Mission) THE HATEFUL EIGHT “absolutely delivers on the sheer moment-to-moment pleasures fans have come to expect -- from dynamite dialogue to powder-keg confrontations,” Peter Debruge, Variety.

An explosive frontier mystery about eight strangers with one deadly connection, THE HATEFUL EIGHT will be available for digital download on March 15, 2016 from Starz Digital before heading to retail on Blu-ray™ Combo Pack ($39.99 SRP) and DVD ($29.98 SRP) from Anchor Bay Entertainment and On Demand March 29, 2016. Special features for THE HATEFUL EIGHT include two featurettes - “Beyond the Eight: A Behind-the-Scenes Look” and “Sam Jackson’s Guide to Glorious 70mm.”

"If you’re going to shoot your movie and release it in 70mm, it’s really the way to go: twenty-four frames a second flickering through a projector, creating the illusion of movement.” - Quentin Tarantino

Ultra Panavision 70 is the very rare and exceptional format that Quentin Tarantino and his team used to shoot THE HATEFUL EIGHT, the widest 70mm theatrical release in twenty years. Panavision’s unique anamorphic camera lenses capture images on film in an incredible aspect ratio of 2.76:1. Almost all films seen today are shot in ratios of either 1.85:1 or 2.39:1. Simply put, Ultra Panavision 70 provides an amazingly wide and more detailed image.

THE HATEFUL EIGHT marks the triumphant return to the genre for legendary composer Morricone (The Good, The Bad and the Ugly, A Fistful of Dollars). Nominated for an Academy Award® for Best Original Score, Morricone is back in the saddle after nearly four decades since last scoring a full-length Western. Additional Academy Award® nominations include 3-time Oscar® winner Robert Richardson for Best Cinematography and Jennifer Jason Leigh for Best Actress in a Supporting Role. THE HATEFUL EIGHT’s notorious all-star cast also boasts Oscar® nominees Samuel L. Jackson (Pulp Fiction), Kurt Russell (Silkwood), Emmy® nominee Walton Goggins (TV’s Justified), Demian Bichir (A Better Life) and Tim Roth (Rob Roy).

In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in those parts as “The Hangman,” will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town’s new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie’s Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all…
To learn more about the film, please visit www.anchorbayentertainment.com.

ABOUT THE WEINSTEIN COMPANY
The Weinstein Company (TWC) is a multimedia production and distribution company launched in October 2005 by Bob and Harvey Weinstein, the brothers who founded Miramax Films in 1979. TWC also encompasses Dimension Films, the genre label founded in 1993 by Bob Weinstein. During Harvey and Bob’s tenure at Miramax and TWC, they have received 351 Oscar nominations and won 81 Academy Awards.

Since 2005, TWC and Dimension Films have released such films as VICKY CRISTINA BARCELONA; THE READER; INGLOURIOUS BASTERDS; SCRE4M; SPY KIDS: THE KING’S SPEECH; UNDEFEATED; THE ARTIST; THE MASTER; SILVER LININGS PLAYBOOK; DJANGO UNCHAINED; SCARY MOVIE 5; LEE DANIELS' THE BUTLER; PHILOMENA; THE IMITATION GAME; PADDINGTON; WOMAN IN GOLD; SOUTHPAW, CAROL, MACBETH and THE HATEFUL EIGHT. Upcoming releases include SING STREET and THE FOUNDER.

TWC boasts an active television production division which garnered twelve Emmy nominations in 2015. TWC Television produces the reality powerhouse Project Runway, with its spin-off series Project Runway All Stars, Under The Gunn, and Threads. Scripted series include John Fusco's Marco Polo with Netflix, going into its second season, and War & Peace, which debuts on Lifetime, A&E and HISTORY in 2016. Other recent TWC television productions include Mob Wives, Million Dollar Shoppers, Rodeo Girls, Cement Heads and Trailer Park: Welcome to Myrtle Manor. Scripted projects in development include Ten Commandments, Daniel Stashower’s The Hour Of Peril and military drama Six. TWC also developed Nanny Diaries and produced The No. 1 Ladies' Detective Agency.

ABOUT ANCHOR BAY ENTERTAINMENT
Anchor Bay Entertainment is a leading independent home entertainment company that acquires and releases a wide array of filmed entertainment in the theatrical and home entertainment markets, including STARZ Original series, children's entertainment, fitness (Anchor Bay Fitness), sports and specialty films on Blu-ray™ and DVD formats. The company has long-term distribution agreements in place for select programming with The Weinstein Company, AMC Networks and RADiUS, among others. Headquartered in Beverly Hills, CA, Anchor Bay Entertainment (www.anchorbayentertainment.com) is a full service distributor in the North American market. Anchor Bay Entertainment is a Starz (NASDAQ: STRZA, STRZB) business, www.starz.com.


The Hateful Eight DVD The Hateful Eight Blu-ray/DVD/UV
Street Date: March 29, 2016 Street Date: March 29, 2016
Pre-book: February 24, 2016 Pre-book: February 24, 2016
Catalog #: WC63847 Catalog #: BD63848
UPC: 01313263847880 UPC: 01313263848580
Run Time: 168 mins Run Time: 168 mins
Rating: R Rating: R
SRP: $ 29.98 SRP: $ 39.99
Format: DVD Format: Blu-ray + DVD + Digital HD
Aspect Ratio: Anamorphic Widescreen Presentation 2.76:1 Aspect Ratio: Widescreen Presentation 2.76:1
English and Spanish 5.1 Dolby Digital English: 5.1 DTSHD-MA
English Subtitles For The Deaf & Hearing Impaired Spanish 5.1 Dolby Digital
Spanish Subtitles English Subtitles For The Deaf & Hearing Impaired
Spanish Subtitles

Robert Richardson

Nominated nine times
The Hateful Eight (2015)
Django Unchained (2012)
*Hugo (2011)
Inglourious Basterds (2009)
*The Aviator (2004)
Snow Falling on Cedars (1999)
*JFK (1991)
Born on the Fourth of July (1989)
Platoon (1986)
*Won

Ennio Morricone

Nominated six times
Days of Heaven (1978)
The Mission (1986)
The Untouchables (1987)
Bugsy (1991)
Malèna (2000)
The Hateful Eight (2015)

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MISS SLOANE Starring @jes_chastain Has Starred Production

EuropaCorp announced today that principal photography on the political thriller MISS SLOANE began on February 17th, 2016 in Toronto, Canada. It will be directed by John Madden (THE BEST EXOTIC MARIGOLD HOTEL, SHAKESPEARE IN LOVE) and Oscar-nominated actress Jessica Chastain (ZERO DARK THIRTY, INTERSTELLAR) stars in the title role of Elizabeth Sloane.


Ariel Zeitoun will produce for EuropaCorp alongside Ben Browning for FilmNation and Kris Thykier for Archery Pictures. Patrick Chu (FilmNation) serves as the executive producer. Jonathan Perera wrote the original screenplay.

Also starring in the film are Mark Strong (TINKER TAILOR SOLDIER SPY), Gugu Mbatha-Raw (BELLE), Michael Stuhlbarg (A SERIOUS MAN), Alison Pill (THE NEWSROOM), Jake Lacy (HOW TO BE SINGLE), Oscar-nominated actor Sam Waterston (THE KILLING FIELDS, LAW AND ORDER), and John Lithgow (INTERSTELLAR, DEXTER).

In MISS SLOANE, a ruthless and highly successful political strategist, Elizabeth Sloane (Jessica Chastain), exposes the cutthroat world of D.C. lobbyists working on both sides of the gun debate.
New legislation requiring more stringent background checks for gun purchases is gaining traction in the Senate, and Sloane is approached to spearhead the campaign, pitting her against formidable and powerful political opponents. Deploying her notorious skills and driven by a desire to win at all costs - she jeopardizes those closest to her, and puts her own career at risk.

MISS SLOANE is a riveting political thriller that delves into the complexities of one of the most pressing and fiercely-fought issues in contemporary America.

The behind-the-scenes creative team includes director of photography Sebastian Blenkov, production designer Matthew Davies, editor Alexander Berner, and costume designer Georgina Yarhi.
Slated for release in 2017, MISS SLOANE is a presentation of EuropaCorp and FilmNation to be distributed globally by EuropaCorp.

About EuropaCorp
EuropaCorp is a global film and television studio founded by visionary director, screenwriter and producer Luc Besson (THE BIG BLUE, LA FEMME NIKITA, LÉON: THE PROFESSIONAL. THE FIFTH ELEMENT, THE LADY, and LUCY). EuropaCorp has produced the phenomenally successful TAKEN and THE TRANSPORTER franchises, and the global blockbuster LUCY, among other successful films worldwide. EuropaCorp recently began distributing its own films in the United States throughout the subsidiary RED and through output deals in key international markets. The studio's upcoming slate includes SHUT IN, starring Naomi Watts; the comedy NINE LIVES, directed by Barry Sonnenfeld and starring Kevin Spacey and Jennifer Garner; the action-thriver THE LAKE, directed by Steven Quale and starring Sullivan Stapleton and JK Simmons.

EuropaCorp is also involved in the selling of international rights, television production, home entertainment, video on-demand and exhibition through its first multiplex at Roissey-en-France's 'Aéroville.'
For more information please visit: www.europacorp-corporate.com

About FilmNation Entertainment
With an exceptional 2016 slate that emphasizes both creative integrity and commercial potential, FilmNation Entertainment has rapidly expanded its financing and production of high-level independent films while becoming one of the industry's most prolific and respected production companies led by veteran producers Aaron Ryder and Ben Browning. FilmNation is consistently ranked as one of the highest-grossing independent international film distributors and continues to break its own worldwide box office records year after year having reached more than $200 million in international box office alone in both 2014 and 2015. The company's previous and upcoming titles have received a great amount of Academy Award recognition with nearly 50 Oscar nominations and wins. Coming this Fall are two of the company's own productions including Denis Villeneuve's STORY OF YOUR LIFE starring Amy Adams and John Lee Hancock's THE FOUNDER starring Michael Keaton. The 2016 slate also includes work from many of the world's most renowned filmmakers including: Berlin In Competition Official Selections GENIUS starring Jude Law, Colin Firth and Nicole Kidman, as well as longtime collaborator Jeff Nichols' MIDNIGHT SPECIAL starring Michael Shannon and Kirsten Dunst. The company has financed the highly anticipated World War II drama HHhH starring Jason Clarke and Rosamund Pike along with Jim Broadbent starrer THE SENSE OF AN ENDING. Untitled films from Terrence Malick and Woody Allen will round out the 2016 slate along with John Carney's SING STREET, Pedro Almodóvar's JULIETA, and Marc Webb's GIFTED.

FilmNation's previous sales line-up showcases the work of many of today's most exciting, established and up-and-coming filmmakers including back to back Toronto International Film Festival Audience Award winners: THE IMITATION GAME starring Benedict Cumberbatch and Keira Knightley and Lenny Abrahamson's ROOM starring Brie Larson based on the bestselling book by Emma Donoghue. Previously released titles include: Woody Allen's IRRATIONAL MAN; Academy Award Best Picture winner THE KING'S SPEECH; Alexander Payne's NEBRASKA; MR. HOLMES starring Ian McKellen; Terrence Malick's KNIGHT OF CUPS starring Christian Bale and Natalie Portman; J.C. Chandor's ALL IS LOST starring Robert Redford; Pedro Almodóvar's THE SKIN I LIVE IN and LOS AMANTES PASAJEROS; Sofia Coppola's THE BLING RING; Jonathan Glazer's UNDER THE SKIN starring Scarlett Johansson; Steven Soderbergh's MAGIC MIKE and SIDE EFFECTS; among many others.

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Enter For A Chance To Win Passes To See #EDDIETHEEAGLE In Houston

Enter For A Chance To Win Passes To See EDDIE THE EAGLE on February 24th at 7:30 PM in Houston.


Inspired by true events, Eddie the Eagle is a feel-good story about Michael "Eddie" Edwards (Taron Egerton), an unlikely but courageous British ski-jumper who never stopped believing in himself - even as an entire nation was counting him out. With the help of a rebellious and charismatic coach (played by Hugh Jackman), Eddie takes on the establishment and wins the hearts of sports fans around the world by making an improbable and historic showing at the 1988 Calgary Winter Olympics. From producers of Kingsman: The Secret Service, Eddie the Eagle stars Taron Egerton as Eddie, the loveable underdog with a never say die attitude



See how to win tickets after the Jump...

Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast

CLICK HERE TO GET YOUR TICKETS.

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE PRESS AND STUDIO VIPS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR SEATING OVER CAPACITY. THIS PASS DOES NOT GUARANTEE ADMISSION.

Duplicate passes will not be accepted. Screening passes are non transferable. This pass is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law.

NO RECORDING

This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of your belongings and person have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device* you consent to your Immediate removal from the theater and forfeiture of the device. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability.

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Enter For A Chance To Win Passes To See #EDDIETHEEAGLE In SAN ANTONIO

Enter For A Chance To Win Passes To See EDDIE THE EAGLE on February 24th at 7:30 PM in SAN ANTONIO.


Inspired by true events, Eddie the Eagle is a feel-good story about Michael "Eddie" Edwards (Taron Egerton), an unlikely but courageous British ski-jumper who never stopped believing in himself - even as an entire nation was counting him out. With the help of a rebellious and charismatic coach (played by Hugh Jackman), Eddie takes on the establishment and wins the hearts of sports fans around the world by making an improbable and historic showing at the 1988 Calgary Winter Olympics. From producers of Kingsman: The Secret Service, Eddie the Eagle stars Taron Egerton as Eddie, the loveable underdog with a never say die attitude



See how to win tickets after the Jump...

Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast

CLICK HERE TO GET YOUR TICKETS.

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE PRESS AND STUDIO VIPS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR SEATING OVER CAPACITY. THIS PASS DOES NOT GUARANTEE ADMISSION.

Duplicate passes will not be accepted. Screening passes are non transferable. This pass is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law.

NO RECORDING

This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of your belongings and person have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device* you consent to your Immediate removal from the theater and forfeiture of the device. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability.

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Wednesday, February 17, 2016

#PriyankaChopra Joins The Cast Of #Baywatch

Dwayne “The Rock” Johnson has confirmed that the very sexy Quantico star, Priyanka Chopra has joined the cast of Baywatch the movie.

See the video after the Jump...




Starring Dwayne “The Rock” Johnson and actress Ilfenesh Hadera who plays Dwayne’s character’s love interest.

Co-starring Zac Efron, Hannibal Buress, Alexandra Daddario, Priyanka Chopra, and Kelly Rohrbach.

Kelly Rohrbach plays CJ Parker, the character was previously played by Pamela Anderson in the old long-running TV series.
Alexandra Daddario plays Summer, the character was previously played by actress Nicole Eggert.
This big screen version of BAYWATCH housed at Paramount and it’s directed by Seth Gordon.
Paramount reportedly wants this to be a comedy and the latest draft of the script is penned by Damian Shannon and Mark Swift. Dwayne Johnson tweeted that this movie will be rated R.

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#ADAMMCKAY WILL BE INVOLED IN ANT-MAN AND THE WASP

Nerdist spoke with ADAM MCKAY about his involment in the upcoming film ANT-MAN AND THE WASP, McKay said this..

“We’ve been talking to Marvel actually,” … “We just talked to them the other day, and it looks like I will be involved. I don’t know if it’s gonna be right from page one. But it looks like I will definitely be involved. There you go. There’s a little headline for the fanboys!”

Andrew Barrer and Gabriel Ferrari had uncredited writing on the first “Ant-Man” film (which banked $454 Million at box office worldwide) when it was in production.

Starring Paul Rudd and Evangeline Lilly as Scott Lang and Hope Van Dyne respectively. ANT-MAN AND THE WASP arrives July 6, 2018.

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Will #JulianneMoore Play The Villain In #Kingsman2

Julianne Moore is in talk to star in Kingsman 2. She is reportedly in talks to play the villain.

“Kingsman: The Secret Service” was based on Mark Millar and Dave Gobbins’ comic book, about a spy organization that recruits an unrefined, but promising street kid into the agency’s ultra-competitive training program. The $81 Million project banked a total of $413 Million at the box office worldwide.

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#BROOKLYNMOVIE On Digital HD February 23rd & Blu-ray March 15th

Twentieth Century Fox Home Entertainment and Fox Searchlight Pictures invite audiences to experience the highly acclaimed film BROOKLYN. Based on the best-selling novel the film tells the story about falling in love...and finding your way home and is nominated for three ACADEMY AWARDS® including Best Motion Picture of the Year, Best Performance by an Actress in a Leading Role and Best Writing, Adapted Screenplay.

GOLDEN GLOBE®, SCREEN ACTOR’S GUILD AWARD® and ACADEMY AWARD® Nominee Saoirse Ronan lights up the screen as Eilis Lacey, a young Irish immigrant, navigating through Brooklyn, alone, in the 1950s. Although her initial sadness and homesickness gives way to romance with an Italian-American, Eilis’s life is disrupted by news from her hometown. After traveling home to mourn the loss of a loved one, she finds herself forced to choose between two countries and two men on opposite sides of the world.

Hailed as one of the most talked about love stories of 2015, BROOKLYN highlights the profound examination of the immigration experience, and transcends cultures and generations. Saoirse Ronan’s infuses Eilis’ character with rich humanity and her awards-worthy performance allows the story told in the original book to leap off the pages and into the heart of viewers everywhere.

BROOKLYN Blu-ray™
Street Date: March 15, 2016
Prebook Date: February 10, 2016
MPAA Rating: PG-13
Genre: Drama, Romance
Screen Format: Widescreen 16:9
Audio: English 5.1 DTS-HD-MA, Spanish 5.1 DD
Subtitles: English, Spanish
Total Run Time: 151 minutes

Blu-ray™ Special Features Include:
11 Deleted and Extended Scenes with Optional Director’s Commentary
Six promotional featurettes
The Story
Home
Love
Cast
The Making of Brooklyn
Book to Screen
Audio commentary by director, John Crowley
Photo gallery

BROOKLYN DVD
Street Date: March 15, 2016
Prebook Date: February 10, 2016
MPAA Rating: PG-13
Genre: Drama, Romance
Screen Format: Widescreen 16:9
Audio: English 5.1 DD, Spanish 2.0 Surround DD
Subtitles: English, Spanish
Total Run Time: 142 minutes


DVD Special Features Include:
Six promotional featurettes
The Story
Home
Love
Cast
The Making of Brooklyn
Book to Screen
Audio commentary by director, John Crowley
Photo Gallery

About TCFHE
Twentieth Century Fox Home Entertainment, LLC (TCFHE) is the industry leading worldwide marketing, sales and distribution company for all Fox produced, acquired and third party partner film and television programing. Each year TCFHE expands its award-winning global product portfolio with the introduction of new entertainment content through established and emerging formats including DVD, Blu-ray™, Digital HD and VOD. Twentieth Century Fox Home Entertainment is a subsidiary of 20th Century Fox, a 21st Century Fox Company.

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GUARDIANS OF THE GALAXY VOL. 2 Begins Production & New Image

Marvel Studios has begun principal photography at Pinewood Studios in Atlanta, Georgia, on Marvel’s “Guardians of the Galaxy Vol. 2,” which is slated to hit U.S. theaters on May 5, 2017. The production will shoot at Atlanta’s Pinewood Studios.

“Guardians of the Galaxy Vol. 2” is written and directed by James Gunn (“Guardians of the Galaxy,” “Slither”). The film marks the return of the original Guardians, including Chris Pratt (“Jurassic World,” “Guardians of the Galaxy”) as Peter Quill/Star-Lord; Zoe Saldana (“Guardians of the Galaxy,” “Star Trek Into Darkness”) as Gamora; Dave Bautista (“Spectre,” “Guardians of the Galaxy”) as Drax; Vin Diesel (“Guardians of the Galaxy,” “Furious 7”) as the voice of Groot; Bradley Cooper (“Joy,” “American Sniper”) as the voice of Rocket; Michael Rooker (“Guardians of the Galaxy,” “Jumper”) as Yondu; Karen Gillan (“Guardians of the Galaxy,” “The Big Short”) as Nebula; and Sean Gunn (“Guardians of the Galaxy,” “Gilmore Girls”) as Kraglin. New cast members include Pom Klementieff (“Oldboy”), Elizabeth Debicki (“The Great Gatsby,” “Everest”), Chris Sullivan (“The Knick,” “The Drop”) and Kurt Russell (“The Hateful Eight,” “Furious 7”).

Set to the all-new sonic backdrop of Awesome Mixtape #2, “Guardians of the Galaxy Vol. 2” continues the team’s adventures as they unravel the mystery of Peter Quill’s true parentage.

“Guardians of the Galaxy Vol. 2” is produced by Marvel Studios’ president, Kevin Feige, with Louis D’Esposito, Victoria Alonso, Jonathan Schwartz, Nik Korda and Stan Lee serving as executive producers.

Director James Gunn’s creative team also includes director of photography Henry Braham (“The Legend of Tarzan,” “The Golden Compass”); production designer Scott Chambliss (“Star Trek,” “Tomorrowland”); editors Fred Raskin (“The Hateful Eight,” “Guardians of the Galaxy”) and Craig Wood (“Guardians of the Galaxy,” “Pirates of the Caribbean: At World’s End”); composer Tyler Bates (“Guardians of the Galaxy,” “John Wick”); three time Oscar®-nominated costume designer Judianna Makovsky (“Captain America: Civil War,” “Harry Potter and the Sorcerer’s Stone”); Oscar®-nominated visual effects supervisor Chris Townsend (“Avengers: Age of Ultron,” “Iron Man 3”); stunt coordinator Tommy Harper (“Pirates of the Caribbean: Dead Men Tell No Tales,” “Captain America: The Winter Soldier” ); co-producer / first assistant director Lars Winther (“Captain America: Civil War,” “Captain America: The Winter Soldier”); and six-time Oscar® nominee, special effects supervisor Dan Sudick (“Captain America: Civil War,” “The Avengers”).

The original “Guardians of the Galaxy” was a hit with critics and audiences alike, earning over $770 million at the worldwide box-office, and holds the record as the most successful debut film in the Marvel Cinematic Universe. In addition, the film’s soundtrack went platinum and was nominated for a Grammy®.

Based on the Marvel comic characters first published in 1969, “Guardians of the Galaxy Vol. 2 ” continues the lineage of epic big-screen adventures chronicled in “Iron Man,” “The Incredible Hulk,” “Iron Man 2,” “Thor,” “Captain America: The First Avenger,” “The Avengers,” “Iron Man 3,” “Thor: The Dark World,” “Captain America: The Winter Soldier,” “Guardians of the Galaxy,” “Avengers: Age of Ultron,” “Ant-Man,” and the upcoming release schedule, which includes “Captain America: Civil War” on May 6, 2016; “Doctor Strange,” November 4, 2016; “Spider-Man,” July 7, 2017; and “Thor: Ragnarok” on November 3, 2017.

Marvel Studios continued its unprecedented success in 2015 with the release of “Avengers: Age of Ultron.” At the time of release, the film recorded the second biggest opening weekend of all time with a $191.3 million box office. It has also been the #1 release in every country where it has opened and has grossed over $1.4 billion in global box office. The studio also successfully launched another franchise with “Ant-Man,” starring Paul Rudd, Michael Douglas and Evangeline Lilly. The film opened #1 at the box office on July 17 and went on to gross more than $519 million at the worldwide box office. The film propelled the Marvel brands’ #1 domestic box-office opening streak to a record-breaking 12 consecutive films.

About Marvel Entertainment
Marvel Entertainment, LLC, a wholly owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media over seventy years. Marvel utilizes its character franchises in entertainment, licensing and publishing. For more information visit marvel.com. ©MARVEL

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Images From The #Triple9 Premiere

In TRIPLE 9, a crew of dirty cops is blackmailed by the Russian mob to execute a virtually impossible heist. The only way to pull it off is to manufacture a 999, police code for “officer down”. Their plan is turned upside down when the unsuspecting rookie they set up to die foils the attack, triggering a breakneck, action-packed finale filled with double-crosses, greed and revenge


See all the images after the Jump...





















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  © Site Graphics by Randy Jennings by http://www.artfreelancer.com/ 2009

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