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Saturday, January 2, 2016

(EXLCUSIVE): 2015 #BoxOffice Resolutions

Here's what Hollywood can do immediately to ensure lush 2016 profits.

Story by Matt Cummings

In a year that saw Hollywood take home the biggest profits of all time (just over $11b), there were many glaring signs that the industry needed a new set of resolutions. And while don't condone the greedy getting greedier, the 2015 box office proved that Hollywood still doesn't have its act together when it comes to producing, distributing, and marketing their films. In some cases, terrible choices were made that cost Sony, Paramount, and Lionsgate millions.

What are the essential resolutions which Hollywood must adopt for a profitable 2016? We list just a few below:
1. Fox must give Fantastic Four back to Marvel: When fans heard about the on-set troubles behind FF, it was more than an indication the Josh Trank film was in big trouble. Then the film came out and fans realized it was much worse than we thought. With the dust now settled - and a sequel apparently axed - it's time for Fox to give back the rights to the first superhero family to Marvel. Even if the move doesn't mean that we'll see a standalone film any time soon, it's clear that Fox neither understands how to portray these characters nor market them. Considering that Marvel transformed second-rate heroes in Captain America, Iron Man, and Thor into box office superstars, it's possible they could do the same with a Phase 4 Fantastic Four. It's time, Fox.

2. Stop releasing similar films so close to each other: Why did Warner Bros. move The Man from U.N.C.L.E. from a potentially excellent January to within two weeks of Paramount's Mission: Impossible - Rogue Nation is anyone's guess. But the decision doomed the Henry Cavill/Armie Hammer vehicle, because Nation was such a rousing success. Hollywood's done this before: Tombstone/Wyatt Earp, Armageddon/Deep Impact, and dozens of others create a cannibalistic system in which neither film fully profits from their release. Perhaps that lesson was already learned: after an early pissing match, WB moved Batman v Superman: Dawn of Justice from its guaranteed annihilation against Captain America: Civil War. This guarantees success for each, because audiences will have time to see (and save up for) both releases.

3. Do a better job of coordinating releases: Consider that we went 10 weeks during the summer doldrums before we experienced a #1 movie with an opening box office of $100m or more. In fact, the total for the Matt Damon survival film The Martian made in its opening week than the previous four week #1 winners combined. The same thing has happened during the last two Christmas seasons, with Hollywood releasing a staggering amount of films instead of spreading them out throughout the year. This hurt a lot of Oscar contenders, even though the message was clear: we don't want our film forgotten come Oscar time. Still, a film like The Big Short could have cleaned up in August, along with The Revenant, and Quentin Tarantino's The Hateful Eight. Now, they're just competing against Star Wars: The Force Awakens and an entire January schedule that already looks fairly appealing. Stop doing this to fans. Stop making us choose between great, great, and great films as we try to purchase gifts and attend holiday parties.

4. Stop creating 'Dump Months': While the recent fervor surrounding Star Wars: TFA has seen packed theaters, there were many periods throughout 2015 that saw the complete opposite. Labeled as the doldrums of the year - January, February, August, September,/Early October - many theaters turn into mausoleums, as one disappointment after another competes for our dollars. If your film gets re-scheduled here, someone in Hollywood just hates you. This doesn't mean your film isn't good - take Kingsman: The Secret Service, Paddington, Compton's Most Wanted - but even a film like UNCLE could have fared better in its original January slot than right after the very successful Rogue Nation. But let's not kid ourselves: these are terrible months for a reason (see Get Hard, The Wedding Ringer, 50 Shades of Grey, Jem and the Holograms, etc), so it's time for Hollywood to re-consider whether films like these even deserve a standard release. With the burgeoning VOD market, along with Netflix and Amazon producing full-length films, perhaps they could thrive better in alternative formats. It would also give truly worthy dramas like Brooklyn, The Big Short, and others a better chance to thrive.

5. Several genres are dead - put a fork in them: Once guaranteed to bring in the numbers, several genres have fallen on hard times, sending a clear message that perhaps they've run their course. This was especially clear with Terminator: Genisys, a worn-out, shoddily-acted affair that proved both Jai Courtney and Arnold Schwarzenegger are done. The same goes for YA: The Scorch Trials ($81.6m) have experienced declining interest, with their upcoming third installments looking to take in even less. Even darling The Hunger Games: Mockingjay Part 2 took in the lowest of the four films in the franchise. With profits declining and even less interest among moviegoers, it might be time to retire these genres until the public can forget their mockery.

6. Some lead actors don't deserve #1 status anymore: We've made our disdain on this subject clear for awhile: just because you were a success 2 movies ago, that doesn't mean you still deserve the same access now. Adam Sandler doesn't deserve #1 status any longer, due to a long list of flops that have seen him banished to Netflix. So why don't we feel the same about Hotel Transylvania 2? It's simple: Genndy Tartakovsky directed it with Sandler serving as Producer, which basically means that it wasn't his project from the start. But in the case of Pixels, Sandler proved once again that he fails miserably as a lead. The same goes for Terminator star Schwarzenegger, Paul Blart 2's Kevin James, and others. Creed star Sylvester Stallone might have figured it out: he excelled as a supporting actor and might even get an Oscar nod for bringing the right kind of Rocky Balboa back to the big screen. But in general terms, it's time to replace many of these aging stars with younger ones, including Dylan O'Brien, Asa Butterfield, Nicholas Hoult, Amy Schumer, Kate McKinnon, and others. Don't get us wrong: we'd love to see Arnold in a great vehicle, but his age and lack of depth make anything original seem problematic. Just look at the self-produced zombie flick Maggie for all the proof you need.

7. Star Wars has changed everything: In one year, we saw the top box office record fall not once but twice, thanks to Jurassic World and then Star Wars: TFA. But the latter is proving to be a game changer that really began with Marvel's The Avengers. Both might go down as destroying the entire independent film market, because it proved that audiences will pay to see big blockbusters but perhaps not smaller independents. Films like True Grit, Black Swan, The Social Network, and Flight took in amazing profits based on their budgets, but 2015 didn't have that winner. Steve Jobs, Burnt, Pawn Sacrifice, Everest, and a half-dozen others failed to make even a blip on the radar. One insider believes those films just weren't very good, and that many moviegoers felt they were being propped up by critics. Others aren't so sure, and many believe those smaller flicks will flee to cable and VOD, which means their exposure will become even smaller. One thing cannot be debated: Hollywood needs to find a way to balance the release of these titles with larger tentpoles by spreading them out over the calendar (see #s 3&4 on our list). The practice of glutting us with Oscar wanna-bes in the Fall has to stop, lest Hollywood wants to see that market dry up permanently.

LIGHT AT THE END OF THE TUNNEL?
It appears that Hollywood might be getting the message, at least on some of these fronts: no superhero film has a new-release competitor in the same week (or even month), and several independent hopefuls like Gavin Hood’s Eye In The Sky (March 11), The Coen Bros. comedy Hail, Caesar! (Feb. 5), Oliver Stone’s Snowden (May 13) and Damien Chazelle’s La La Land (July 15) are appearing outside of the normal release window. If the industry can adopt these resolutions fast, they could see increased profits, generating a more profitable and healthier box office. That's a goal everyone in Hollywood can agree upon, even if it means sacrificing a few egos along the way.

Don't forget to read our story about Hollywood's biggest year ever.

Discuss this story with fellow SJF fans on Facebook. On Twitter, follow us at @SandwichJohnFilms, and follow author Matt Cummings at @mfc90125.
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Friday, January 1, 2016

(EXCLUSIVE): 2015 #BoxOffice Sets New All-Time Record

The number was actually a tad below expectations.

Story by Matt Cummings

The 2015 box office results are in, and some Hollywood studios are singing all the way to the bank. The overall domestic number hit a new record with just over $11b, beating 2013's $10.93b. That's a little lower than expected, mainly due to several high-profile disasters including Fantastic Four, Pixels, and Terminator: Genysis. This is the first time that the North American box office has surpassed $11b.

For those of you who think such numbers are bloated due to the high cost of today's tickets, consider another number: attendance at NA theaters surpassed 1.33 billion moviegoers. That's 5% higher than 2014's 1.27b.

But early on, things didn't look so good, even though everyone was expecting top numbers as far back as 2013. The first quarter (January through March) staggered to just $18.87b billion, which only ranked in the middle of the past 10 years. But it was Q2 and Q4 that pushed the market to new heights. Q2 (April through June) took in a near-record $2.537b, losing out to 2013 by only 2.633b. That was led by Jurassic World's stunning $652.2m haul. And our course, we all know what happened in Q4. As of this posting, Star Wars: The Force Awakens is set to surpass World and 1998's Titanic in just its third week.

But let's not forget about Q2 (April through June), which was led by Marvel's Avengers Age of Ultron and Inside Out ($356.4m), which promises to lead the Oscar nominations for Best Animated Picture. Ultron was no slouch though, taking in $459m which was good enough for the third-highest performer of 2015. Had World not surprised everyone, would might been talking a greater number for the sophomore release.

WINNERS WIN BIG
There were clear winners and losers in 2015, with just a few studios taking in the majority of the BO totals. Disney will eventually claim four of the top 10 releases, including three of the top five (TFA, Ultron, Inside); Universal had three of the top 10, and will occupy 2nd (Jurassic World), 5th (Furious 7 with $353m), and 6th (Minions at $336m).

In addition to the success of Jurassic World, Universal enjoyed large hauls for Pitch Perfect 2 ($184.3m), Fifty Shades of Grey ($166.2m), Straight Outta Compton ($161.2m) and Trainwreck ($110.2m). This could make the studio the most profitable ever, simply because Disney/BV didn't release as many films as Universal. Mouse House also enjoyed winners in Cinderella ($201.2m), Ant-Man ($180.2m million) and the maligned The Good Dinosaur ($106.6m through December 28th).

LOSERS LOSE BIG
Several studios in 2015 really stunk the place up, even though they had a chance to win big. The much-maligned Sony, who appeared to be teetering on the brink of financial collapse, landed in fifth place with just $0.96 billion. Although it started off slow, much of its losses were recovered by late-season injections from Spectre ($196.5m through December 28), and Hotel Transylvania 2 ($167.8m). In fact, Sony only enjoyed two releases that grossed over $100m.

But the biggest losers were Lionsgate and Paramount. As of this posting Lionsgate took in just $661.4m and Paramount clinging to just $649.1m We'll see what effect Daddy's Home will have on Paramount's bottom line, but not eve the wildly successful Mission: Impossible - Rogue Nation could lift their spirits. The same goes with Lionsgate's The Hunger Games: Mockingjay - Part 2. Its $265.9m earnings through December 28 represent the lowest for the series; combined with The Divergent Series: Insurgent's disappointing $130.2m, it's clear the YA genre is in big trouble going forward.

Lessons Learned
And yet with all of these massive numbers, Hollywood was dealt several difficult (and potentially shattering) lessons. CLICK THIS LINK to see what steps we think Hollywood can immediately take to guarantee an even bigger 2016.

Discuss this review with fellow SJF fans on Facebook. On Twitter, follow us at @SandwichJohnFilms, and follow author Matt Cummings at @mfc90125.
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Wednesday, December 30, 2015

#theforestisreal Interviews & Trailer

When her twin sister disappears in Japan, a young American named Sara (Natalie Dormer) becomes determined to find out what happened to her. Sara's investigation leads her to the legendary Aokigahara Forest, located at the base of Mount Fuji. Accompanied by expatriate Aiden, she enters the mysterious wilderness after being warned to "stay on the path." Her investigation plunges her into a dark world where the angry and tormented souls of the dead prey on those who dare to explore the forest.



Watch the interviews after the Jump...





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First Image From #NEIGHBORS2 SORORITY RISING

EW dropped the first image from the upcoming film NEIGHBORS 2: SORORITY RISING.

The sequel to 2014’s Neighbors sees Seth Rogen and Rose Byrne reprising their roles as self-conscious thirtysomething couple Mac and Kelly Radner. This time around, they are dealing with the sudden appearance of a sorority on their block — pledges include ChloĆ« Grace Moretz and Selena Gomez — and the return of Zac Efron’s fraternity adversary, Teddy Sanders. Among the barn burners created for the film are a disorienting hall-of-mirrors rave and a down-and-dirty Mad Max-inspired tailgate.

The first film banked $269 Million at box office worldwide.

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#THEHATEFULEIGHT Expands Into 1,958 SCREENS TODAY

WEINSTEIN COMPANY TO EXPAND RUN FOR THE HATEFUL EIGHT
TO APPROXIMATELY 1,958 SCREENS TODAY WITH PRESHOWS STARTING TONIGHT

BOX OFFICE HIT TO GO WIDE ON HEELS OF 70MM ROADSHOW SUCCESS



The Weinstein Company (TWC) announced today that they are expanding the nationwide release of Academy Award® winning writer/director Quentin Tarantino's hit film THE HATEFUL EIGHT to approximately 1,958 screens in digital theatrical release on December 30th with preshows starting the evening of December 29th. The expansion follows the huge success of the title's exclusive roadshow run, in which it debuted on Christmas Day on 100 screens in 44 cities. The special limited release, which features an extended version of the film shot and exhibited in the exceedingly rare Ultra Panavision 70mm, has grossed an impressive $5.66M at the U.S. box office to date. THE HATEFUL EIGHT will see a further expansion in theater count on December 31st. The current 100 select theaters will continue showing the film in its special Roadshow 70mm format.

"To see this film open at over $56,000 per screen in an amazingly crowded holiday box office has us all incredibly excited," commented TWC President of Distribution Erik Lomis. "While we are beyond thrilled with the limited release numbers, the demand from moviegoers to see this film has exceeded our capabilities in 70mm, so we're greatly looking forward to bringing it to more theaters and cities and give Tarantino fans across the country the chance to experience this brilliant, intensely fun piece of filmmaking."

In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as "The Hangman," will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town's new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie's Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie's, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who's taking care of Minnie's while she's visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all...


ABOUT THE WEINSTEIN COMPANY
The Weinstein Company (TWC) is a multimedia production and distribution company launched in October 2005 by Bob and Harvey Weinstein, the brothers who founded Miramax Films in 1979. TWC also encompasses Dimension Films, the genre label founded in 1993 by Bob Weinstein. During Harvey and Bob's tenure at Miramax and TWC, they have received 341 Oscar nominations and won 81 Academy Awards.

Since 2005, TWC and Dimension Films have released such films as VICKY CRISTINA BARCELONA; THE READER; INGLOURIOUS BASTERDS; SCRE4M; SPY KIDS: THE KING'S SPEECH; UNDEFEATED; THE ARTIST; THE MASTER; SILVER LININGS PLAYBOOK; DJANGO UNCHAINED; SCARY MOVIE 5; LEE DANIELS' THE BUTLER; PHILOMENA; THE IMITATION GAME; PADDINGTON; WOMAN IN GOLD; SOUTHPAW, CAROL, MACBETH and THE HATEFUL EIGHT. Upcoming releases include JANE GOT A GUN, SING STREET and THE FOUNDER.

TWC boasts an active television production division which garnered twelve Emmy nominations in 2015. TWC Television produces the reality powerhouse Project Runway, with its spin-off series Project Runway All Stars, Under The Gunn, and Threads. Scripted series include John Fusco's Marco Polo with Netflix, going into its second season. Other recent TWC television productions include Mob Wives, Million Dollar Shoppers, Rodeo Girls, Cement Heads and Trailer Park: Welcome to Myrtle Manor. Scripted projects in development include War & Peace, Ten Commandments and Daniel Stashower's The Hour Of Peril. TWC also developed Nanny

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Tuesday, December 29, 2015

Please Join SandwichJohnFilms For This Exclusive Screening Of #ThePrincessBride @studiomoviegril In Rocklin

We will be hosting an EXCLUSIVE screening of The Princess Bride on Monday, February 8th 7:30PM at Studio Movie Grill in Rocklin. If the tickets are not sold out the screening will be canceled. Tickets to this showing are first come, first serve and are general seating so the earlier you get there the better seats you will get.

80stees.com is the place where I buy all my classic and retro t-shirts from and now we have the opportunity to team up with them for our Princess Bride screening. To purchase your Princess Bride T-shirts CLICK HERE.

80stees.com will be proving us with some awesome Princess Bride t-shirts to giveaways at our screening. Make sure to check out the site and give them a follow on Facebook and Twitter, and let them know Sandwichjohn sent you.

The Princess Bride is a 1987 DeLuxe Color American fantasy comedy adventure film directed and co-produced by Rob Reiner, and starring Cary Elwes, Robin Wright, Mandy Patinkin, Chris Sarandon, and Christopher Guest. Adapted by William Goldman from his 1973 novel of the same name, it tells the story about a farmhand named Westley, accompanied by befriended companions along the way, who must rescue his true love Princess Buttercup from the odious Prince Humperdinck. The story is presented in the film as a book being read by a grandfather (Peter Falk) to his sick grandson (Fred Savage), thus effectively preserving the novel's narrative style.



Tickets are $9. We will be doing giveaways for some cool prizes before the screening.

This is another part of our 80' movie rewinds. We want everyone to experience the classic movies we love and never got a chance to see in theaters.

CLICK HERE to buy tickets and make sure to SHARE it with all your friends on Facebook & Twitter



Released in the United States on September 25, 1987, the film is number 50 on Bravo's "100 Funniest Movies", number 88 on The American Film Institute's (AFI) "AFI's 100 Years...100 Passions" list of the 100 greatest film love stories, and 46 in Channel 4's 50 Greatest Comedy Films list.

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Coming & Going From #Netflix In January 2016

What's new and leaving Netflix in January?  We have the entire list for you to enjoy.

Jan. 1

2 Fast 2 Furious (2003)

Along Came Polly (2004)

American Girl: Grace Stirs up Success (2015)

Angry Birds Toons: Season 1

Bring It On: Fight to the Finish (2009)

Bring It On: In It to Win It (2007)

Catwoman (2004)

The Celebrity Plastic Surgeons of Beverly Hills: Season 1

Constantine (2005)

Forensic Files: Collection 2

Friday Night Tykes: Season 1-2

The Good Road (2013)

House of Wax (2005)

How to Change the World (2015)

Ice Age 2: The Meltdown (2006)

Intolerable Cruelty (2003)

Journey to Le Mans (2014)

Loins of Punjab (2007)

Meet the Fockers (2004)

Meet the Parents (2000)

Nanny McPhee (2006)

Piku (2015)

Pooh's Heffalump Movie (2005)

Pride and Prejudice (2005)

The Rundown (2003)

Shout Gladi Gladi (2015)

Smokin’ Aces 2: Assassins’ Ball (2009)

Something New (2006)

Stephen Fry Live: More Fool Me (2014)

Stewart Lee's Comedy Vehicle: Season 3

Swordfish (2001)

See the entire list after the Jump...

The Tale of Despereaux (2008)

Under Arrest: Season 1: “Put Some Clothes On”

We Need to Talk About Kevin (2011)

The Wedding Date (2005)

The Whole Ten Yards (2004)


Jan. 2

30 for 30: Four Falls of Buffalo

I'll Have What Phil's Having: Season 1

Jan. 3

Sofia the First: Season 1

Jan. 4

Blunt Force Trauma (2015)

Training Day (2001)

Jan. 5

It's Always Sunny in Philadelphia: Season 10

New Girl: Season 4

Jan. 8

Adult World (2014)

Dragons: Race to the Edge: Season 2

Tom Segura: Mostly Stories (2015)

Jan. 10

Dos Hermanos (2010)

El Hombre de al Lado (2009)

Esperando La Carroza (1985)

The Marziano Family (2011)

Rosario Tijeras (2005)

Un Oso Rojo (2002)

Jan. 11

Littlest Pet Shop: Season 4

Jan. 12

The Ladykillers (2004)

Jan. 13

Parks and Recreation: Season 7

Jan. 14

The Testimony (2015)

Jan. 15

Degrassi: The Next Class: Season 1

The Last Five Years (2015)

Moonwalkers (2015)

Occupied (2015)

The Overnight (2015)

Sirens: Season 2

Jan. 16

Hyde Park on Hudson (2012)

Jan. 17

Z Nation: Season 2

Jan. 19

Curve (2015)

Jan. 20

Drone (2014)

Jan. 21

When Calls the Heart: Season 2

Jan. 22

Sharknado 3 (2015)

Jan 23.

Chelsea Does (2016)

Jan. 25

From Dusk Till Dawn: Season 2

Turbo Kid (2015)

Jan 28.

Frozen Planet (2011)

Frozen Planet: On Thin Ice (2011)

Frozen Planet: The Epic Journey (2011)

The Making of Frozen Planet (2012)

Jan. 29

Ever After High: Dragon Games

Jan. 31

Words and Pictures (2013)

Leaving Netflix in January...


A Clockwork Orange (1971)

Almost Famous (2000)

American Psycho (2000)

American Psycho 2 (2002)

The Bourne Identity (2002)

The Bourne Supremacy (2004)

Charlie and the Chocolate Factory (2005)

Coach Carter (2005)

Conan the Barbarian (1982)

Corpse Bride (2005)

Coyote Ugly (2000)

Criminal Minds: Suspect Behavior: Season 1 (2011)

Four Brothers (2005)

Gladiator (2000)

The Graduate (1967)

Grandma's Boy (2006)

Harriet the Spy (1996)

Heartbreakers (2001)

The Hours (2002)

The Italian Job (2003)

Jackass: The Movie (2002)

Jerry Maguire (1996)

Lara Croft: Tomb Raider (2001)

Lara Croft Tomb Raider: The Cradle of Life (2003)

Lawrence of Arabia: Restored Version (1962)

The Longest Yard (2005)

The Machinist (2004)

Max Steel: Seasons 1-2

Million Dollar Baby (2004)

Mission: Impossible (1996)

Mission: Impossible II (2000)

The Patriot (2000)

Planes, Trains and Automobiles (1987)

Rambo: First Blood (1982)

Rambo: First Blood Part II (1985)

Rambo III: Ultimate Edition (1988)

The Rescuers (1977)

Risky Business (1983)

Rocky (1976)

Rocky II (1979)

Rocky III (1982)

Rocky IV (1985)

Rocky V (1990)

Rosemary's Baby (1968)

Serpico (1973)

Sesame Street: Animals and Nature: Season 1

Sesame Street: Classics: Vol. 1-2

Sesame Street: Cookie and Friends: Season 1

Sesame Street: Creativity and Imagination: Season 1

Sesame Street: Elmo and Friends: Season 1

Sesame Street: Everyday Moments: Season 1

Sesame Street: Music and Dance: Season 1

Sesame Street: Numbers and Letters: Season 1

The Sum of All Fears (2002)

There Will Be Blood (2007)

Trading Places (1983)

Trekkies (1999)

The Virgin Suicides (1999)

Zoolander (2001)

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New Images From #Daredevil Season 2

Here are new images from Daredevil Season 2.


Marvel’s Daredevil season two will feature the return of Charlie Cox as Matt Murdock (who moonlights as The Man Without Fear), Deborah Ann Woll as Karen Page, Elden Henson as Foggy Nelson, Scott Glenn as Stick and Rosario Dawson as Claire Temple. The new season will also see Jon Bernthal debut as Frank Castle (aka the Punisher) with Elodie Yung also set to appear, playing the deadly assassin Elektra Natchios.

See all the images after the Jump...








Marvel’s Daredevil is Executive Produced by Doug Petrie (American Horror Story, Buffy The Vampire Slayer), Marco Ramirez (DaVinci’s Demons) and Drew Goddard (The Cabin in the Woods, Lost), along with Marvel TV’s Jeph Loeb (Marvel’s Agents of S.H.I.E.L.D., Marvel’s Jessica Jones.) It is is produced by Marvel Television in association with ABC Studios.

Season one of Marvel’s Daredevil is now streaming on Netflix with season two slated to debut in 2016.

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#Ghostbusters Reveals Villains & New Image

EW scored the latest new image from the female-led Ghostbusters reboot They have also revealed the villains.

“Dead criminals from all eras of New York’s under­belly past have returned to roost among the living in Paul Feig’s Ghostbusters reboot. Pilgrims, old-­timey sailors, Revolutionary War spirits, and even a couple of zoot­-suited gangsters are ready to take on four formidable female busters looking to rid the city of its phantasmic filth”

Paul Feig and his “The Heat” scribe, Katie Dippold are co-writing this all-female new GHOSTBUSTERS movie.


The story will once again be set in New York City. Feig previously stated that he wants this reboot to be a lot scarier but it will still be PG-13.

Starring Kristen Wiig, Melissa McCarthy, Leslie Jones and Kate McKinnon as the new team. And their receptionist will be played by none other than Chris Hemsworth.

Kristen Wiig plays Erin Gilbert

Leslie Jones plays Patty Tolan

Melissa McCarthy plays Abby Yates

Kate McKinnon plays Jillian Holtzmann.

Andy Garcia plays New York City mayor.

Michael Kenneth Williams plays a character named Hawkins.

Matt Walsh plays a character named Rourke.

Co-starring Cecily Strong in a not-yet disclosed role.

Another name joining in is anchor Pat Kiernan who’ll also get to play a news anchor
Neil Casey plays the villain.

With cameo appearances by Bill Murray, Ernie Hudson, Annie Potts, Sigourney Weaver, and Dan Aykroyd
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#KatherineWaterston Scores Lead Role In Alien: Covenant

According to Empire Alien: Covenant contained the surprising intel that, while Noomi Rapace is set to show up again as plucky scientist Elizabeth Shaw, she'll only get a "minor part" this time, rather than the starring role. That's now backed up by the news that Katherine Waterston has been cast in what sounds like the lead.

Mission: Impossible - Rogue Nation's Rebecca Ferguson had previously been linked to the character - possibly named "Daniels" - but Waterston is now locked in. She'll also be in next year's Harry Potter spin-off Fantastic Beasts And Where To Find Them, and this year appeared with Joaquin Pheonix in Paul Thomas Anderson's Inherent Vice and with Michael Fassbender in Danny Boyle's Steve Jobs. Fassbender will reprise his android David in Covenant.

Scott has also recently confirmed that, following the curveball of Prometheus, Convenant will be a full-on Alien movie. "There was always this discussion:" he says. "Is Alien, the character, the beast, played out or not?" Apparently not, since this time "We’ll have them all: egg, face-hugger, chest-burster, then the big boy."

Alien: Covenant is set to start shooting in March next year for a 2017 release.

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#ChristopherNolan To Direct Original Screenplay "Dunkirk"

Warner Bros. Pictures announced today that Christopher Nolan will direct “Dunkirk” from his own original screenplay. An epic action thriller, “Dunkirk” is set during the legendary evacuation. The announcement was made by Greg Silverman, President, Creative Development and Worldwide Production. The large scale film will be shot on a combination of IMAX 65mm and 65mm large format film photography for maximum image quality and high impact immersion. Shooting will begin in May using many of the real locations of the true-life events, which form the background for the story.

The cast will be headed by yet-to-be cast unknowns. Mark Rylance, Kenneth Branagh and Tom Hardy are currently in talks to join the ensemble. Nolan will also produce the film with his longtime producing partner Emma Thomas.

Silverman stated, “We are thrilled to be continuing our collaboration with Christopher Nolan, a singular filmmaker who has created some of the most critically acclaimed and commercially successful films of all time. ‘Dunkirk’ is a gripping and powerful story and we are excited to see Chris, Emma and their cast realize it on the big screen.”

Warner Bros. Pictures is distributing “Dunkirk” worldwide and has slated the film for a July 21, 2017release. The film will be released theatrically on IMAX, 70mm, 35mm and all other screens.

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#THEHATEFULEIGHT Featurette "Jennifer Jason Leigh"

The Weinstein Company has released another BRAND NEW featurette on Jennifer Jason Leigh and her character, Daisy Domergue, from their highly anticipated film, THE HATEFUL EIGHT.



In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as "The Hangman," will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town's new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie's Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie's, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who's taking care of Minnie's while she's visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all...


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Monday, December 28, 2015

The #XFiles "Re-Opened" 21-Minute BTS Featurette

Creator Chris Carter and stars David Duchovny and Gillian Anderson use "Re-Opened" to preview how the series has changed as well as offer a first look at the franchise's new characters.

With Fox's The X-Files revival premiere less than a month away, the network is kicking into high gear with its marketing campaign.



On Monday, Fox released "Re-Opened," a 21-minute behind-the-scenes feature that offers what it declares is the "inside story" on the beloved franchise's return.

In the clip, creator Chris Carter as well as stars David Duchovny and Gillian Anderson take a look at the reasons behind the revival and spill secrets from the show's new central story. The clip also offers a first look at the resurrected Lone Gunmen, Scully's son as well as Joel McHale's Tad O'Malley and Annet Mahendru's Sveta.

The X-Files event series premieres Jan. 24 on Fox.

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Assassin’s Creed First Image

Courtesy of EW here is the first image from Assassin’s Creed.

Ubisoft’s historical fiction-action-adventure series Assassin’s Creed stands as one of the most popular video game franchises ever created, selling more than 73 million copies and spawning comic books, novels, animated short films, even its own hard-cover encyclopedia in addition to popularizing some 20 series-related titles.

So you’d be forgiven for assuming that before Michael Fassbender signed on as star and producer of December 2016’s mega-budget Assassin’s Creed movie adaptation, he had probably picked up the joystick to play the game at least a couple of times — that the Oscar-nominated 12 Years a Slave actor had some conceptual grasp of what an Animus does or, perhaps, strong feelings about the wonders of the Bleeding Effect.

But you’d be wrong.

Before Ubisoft made their movie overture to him in 2012, the Irish-German thespian admits he couldn’t have been less of a gamer and didn’t have the most concrete idea of what he was getting into. “I hadn’t played it before these guys approached me,” Fassbender tells EW.

Starring as Callum Lynch — a character who does not appear anywhere in the game but who exists as a kind of cypher for all the time-traveling, first-person action in the games — has yet to compel the man widely hailed as one of the finest actors of his generation to spend more quality time with his Playstation 4.

“I’ve played it since [being offered the job] mainly to get an idea of the physicality of the character,” Fassbender says by phone from Spain, where he was filming the adaptation. “We’re striving to find something special. We believe the whole concept around it is special and want to service that the best we can. The fans are really passionate: very specific and they expect accuracy and historical detail. We’re really trying to capitalize and feed on and enjoy the fun element. We’re working hard to make this something special.”

Descended from a long line of master killers (who square off against another secret sect called the Templars in a centuries-old covert war), his character’s physicality does not, however, involve super powers or magic. “A lot of the stuff in the game is Parkour,” Fassbender explains. “Blades attached to his wrists. It’s about getting in close to the target, close quarters fighting.”

And that, according to Assassin’s Creed director Justin Kurzel (who also directed Fassbender in this December’s Cannes-anointed adaptation of Macbeth), has involved the actor doing a lot of his own stunts.

But he shrugs off questions about his physical feats on set. “I’ve learned how to roly poly, tumble turn,” Fassbender says with a laugh. “Stuff you can do in everyday life. Like cartwheels. No — just basic fight choreography stuff. I did some horse stuff today. So stuff like that.” Sounds killer.

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First Look At Benedict Cumberbatch As Doctor Strange

Thanks to EW for the first peek at Benedict Cumberbatch in Marvel’s new superhero film, Doctor Strange (out Nov. 4). How early? Well, principal photography on the film — which costars Tilda Swinton, Rachel McAdams, Chiwetel Ejiofor, and Mads Mikkelsen — only began in November, and director Scott Derrickson won’t wrap the movie until March.

EW’s First Look cover shoot with Cumberbatch was one of the very first times the British actor tried on the costume that his character, Doctor Stephen Strange, wears after transforming from a self-centered surgeon to a world-protecting sorcerer. The Sherlock star even used the shoot as something of a research-and-development session for the gesticulations which are part of his character’s spell-casting.

“I’m still in the infancy of learning all that,” Cumberbatch tells EW. “It was like, okay, I’ve got to keep throwing these poses, these spells, these rune-casting things, everything he does physically. I’m thinking, there’s going to be a huge amount of speculation and intrigue over the positioning of that finger as opposed to it being there, or there. And I’m still working on that. We haven’t played any of those scenes yet. I felt really self-conscious. But, then, by the end, it was great. It’s like anything, you just have to experiment.”

See all the images after the Jump...


It’s so early in the production of Doctor Strange that Marvel has yet to announce the nature of the parts being played by McAdams and Mikkelsen — until now! Check out the cover story to find out whether the pair will be playing friends or foes of Strange and to find out about the film’s psychedelic visual effects. As Cumberbatch himself says, “There’s going to be crazy s— going on.”


And there are plenty of other rabbits in our First Look top hat! From a tour of Ben Affleck’s Batcave from Batman v Superman, to a chat with returning Game of Thrones star Isaac Hempstead-Wright (a.k.a. Bran Stark), to a preview of David Bowie’s new album Blackstar, and a look at Bad Feminist author Roxane Gay’s new memoir Hunger, we’ve got you covered when it comes to all the most-anticipated films, TV shows, music, and books.

How did we fit it all in? We’d love to tell you — but good magicians never reveal their secrets.

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New #THEHATEFULEIGHT Featurette

The Weinstein Company has just released a BRAND NEW featurette from THE HATEFUL EIGHT. From writer/director Quentin Tarantino, THE HATEFUL EIGHT opened in "glorious 70mm" roadshow release, and nationwide on December 31, 2015!



In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason
Leigh), race towards the town of Red Rock where Ruth, known in these parts as "The Hangman," will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town's new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie's Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie's, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who's taking care of Minnie's while she's visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all...

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Enter For A Chance To Win Passes To See #RIDEALONG2 In Sacramento

Enter For A Chance To Win Passes To See RIDE ALONG 2 on January 12th at 7:00 PM in Sacramento.


Kevin Hart and Ice Cube lead the returning lineup of Ride Along 2, the sequel to the blockbuster action-comedy that gave us the year’s most popular comedy duo. Joining Hart and Cube for the next chapter of the series are director Tim Story, as well as Cube’s fellow producers—Will Packer, Matt Alvarez and Larry Brezner—who will produce alongside Cube.


NO PURCHASE NECESSARY


Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast



See how to enter after the Jump...

Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for the drop off locations.

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE PRESS AND STUDIO VIPS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR SEATING OVER CAPACITY. THIS PASS DOES NOT GUARANTEE ADMISSION.

Duplicate passes will not be accepted. Screening passes are non transferable. This pass is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law.

NO RECORDING

This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of your belongings and person have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device* you consent to your Immediate removal from the theater and forfeiture of the device. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability.

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Enter For A Chance To Win Passes To See #RIDEALONG2 In San Francisco

Enter For A Chance To Win Passes To See RIDE ALONG 2 on January 12th at 7:00 PM in San Francisco.


Kevin Hart and Ice Cube lead the returning lineup of Ride Along 2, the sequel to the blockbuster action-comedy that gave us the year’s most popular comedy duo. Joining Hart and Cube for the next chapter of the series are director Tim Story, as well as Cube’s fellow producers—Will Packer, Matt Alvarez and Larry Brezner—who will produce alongside Cube.


NO PURCHASE NECESSARY


Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast



See how to enter after the Jump...

Email us at screenings@sandwichjohnfilms.com
Subject: Ride Along 2-San Francisco
Will need your full name and e-mail address.

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE PRESS AND STUDIO VIPS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR SEATING OVER CAPACITY. THIS PASS DOES NOT GUARANTEE ADMISSION.

Duplicate passes will not be accepted. Screening passes are non transferable. This pass is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law.

NO RECORDING

This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of your belongings and person have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device* you consent to your Immediate removal from the theater and forfeiture of the device. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability.

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Enter For A Chance To Win Passes To See #RIDEALONG2 In Las Vegas

Enter For A Chance To Win Passes To See RIDE ALONG 2 on January 12th at 7:00 PM in Las Vegas.


Kevin Hart and Ice Cube lead the returning lineup of Ride Along 2, the sequel to the blockbuster action-comedy that gave us the year’s most popular comedy duo. Joining Hart and Cube for the next chapter of the series are director Tim Story, as well as Cube’s fellow producers—Will Packer, Matt Alvarez and Larry Brezner—who will produce alongside Cube.


NO PURCHASE NECESSARY


Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast



See how to enter after the Jump...

Email us at screenings@sandwichjohnfilms.com
Subject: Ride Along 2-Las Vegas
Will need your full name and e-mail address.

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE PRESS AND STUDIO VIPS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR SEATING OVER CAPACITY. THIS PASS DOES NOT GUARANTEE ADMISSION.

Duplicate passes will not be accepted. Screening passes are non transferable. This pass is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law.

NO RECORDING

This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of your belongings and person have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device* you consent to your Immediate removal from the theater and forfeiture of the device. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability.

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Enter For A Chance To Win Passes To See #RIDEALONG2 In HONOLULU

Enter For A Chance To Win Passes To See RIDE ALONG 2 on January 12th at 7:00 PM in HONOLULU.


Kevin Hart and Ice Cube lead the returning lineup of Ride Along 2, the sequel to the blockbuster action-comedy that gave us the year’s most popular comedy duo. Joining Hart and Cube for the next chapter of the series are director Tim Story, as well as Cube’s fellow producers—Will Packer, Matt Alvarez and Larry Brezner—who will produce alongside Cube.


NO PURCHASE NECESSARY


Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast



See how to enter after the Jump...

Email us at screenings@sandwichjohnfilms.com
Subject: Ride Along 2-HONOLULU
Will need your full name and e-mail address.

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE PRESS AND STUDIO VIPS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR SEATING OVER CAPACITY. THIS PASS DOES NOT GUARANTEE ADMISSION.

Duplicate passes will not be accepted. Screening passes are non transferable. This pass is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law.

NO RECORDING

This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of your belongings and person have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device* you consent to your Immediate removal from the theater and forfeiture of the device. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability.

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Enter For A Chance To Win Passes To See #RIDEALONG2 In ALBUQUERQUE

Enter For A Chance To Win Passes To See RIDE ALONG 2 on January 12th at 7:00 PM in ALBUQUERQUE.


Kevin Hart and Ice Cube lead the returning lineup of Ride Along 2, the sequel to the blockbuster action-comedy that gave us the year’s most popular comedy duo. Joining Hart and Cube for the next chapter of the series are director Tim Story, as well as Cube’s fellow producers—Will Packer, Matt Alvarez and Larry Brezner—who will produce alongside Cube.


NO PURCHASE NECESSARY


Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast



See how to enter after the Jump...

Email us at screenings@sandwichjohnfilms.com
Subject: Ride Along 2-ALBUQUERQUE
Will need your full name and e-mail address.

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE PRESS AND STUDIO VIPS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR SEATING OVER CAPACITY. THIS PASS DOES NOT GUARANTEE ADMISSION.

Duplicate passes will not be accepted. Screening passes are non transferable. This pass is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law.

NO RECORDING

This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of your belongings and person have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device* you consent to your Immediate removal from the theater and forfeiture of the device. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability.

Please Leave A Comment-
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Enter For A Chance To Win Passes To See #RIDEALONG2 In Phoenix

Enter For A Chance To Win Passes To See RIDE ALONG 2 on January 12th at 7:00 PM in PHOENIX.


Kevin Hart and Ice Cube lead the returning lineup of Ride Along 2, the sequel to the blockbuster action-comedy that gave us the year’s most popular comedy duo. Joining Hart and Cube for the next chapter of the series are director Tim Story, as well as Cube’s fellow producers—Will Packer, Matt Alvarez and Larry Brezner—who will produce alongside Cube.


NO PURCHASE NECESSARY


Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast



See how to enter after the Jump...

Email us at screenings@sandwichjohnfilms.com
Subject: Ride Along 2-PHOENIX
Will need your full name and e-mail address.

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE PRESS AND STUDIO VIPS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR SEATING OVER CAPACITY. THIS PASS DOES NOT GUARANTEE ADMISSION.

Duplicate passes will not be accepted. Screening passes are non transferable. This pass is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law.

NO RECORDING

This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of your belongings and person have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device* you consent to your Immediate removal from the theater and forfeiture of the device. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability.

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