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Saturday, November 21, 2015

#TED2 ON DIGITAL HD DECEMBER 1st & BLU-RAY COMBO PACK DECEMBER 15th

THE WORLD’S MOST BELOVED TRASH-TALKING TEDDY BEAR IS BACK
IN AN ALL-NEW UNRATED EDITION TED 2.

AVAILABLE ON DIGITAL HD DECEMBER 1, 2015 BLU-RAY™ COMBO PACK, DVD AND ON DEMAND DECEMBER 15, 2015 FROM UNIVERSAL PICTURES HOME ENTERTAINMENT

Just when you thought it couldn’t get any more outrageous, Ted and his BFF are back in the hilarious, boundary-busting buddy comedy, Ted 2, coming to Digital HD on December 1, 2015, and Blu-ray™ Combo Pack, DVD and On Demand on December 15, 2015, from Universal Pictures Home Entertainment. The follow up to Ted, the highest-grossing original R-rated comedy of all time, Ted 2 features more of the hysterically raunchy banter that has made writer-director-actor Seth MacFarlane an entertainment powerhouse—as well as a touching story of brotherly love. Both the Blu-ray™ and DVD include an UNRATED edition that features never-before-seen footage that was too rude for the cinema, but makes this year’s most outrageous comedy the perfect gift for fans of this very adult spin on a classic childhood toy.

Ted 2 finds John (Mark Wahlberg) dejected after a speedy marriage and divorce, while Ted’s romance with co-worker Tami-Lynn (Jessica Barth) is full-speed ahead after a dream wedding. But when the pair tries to adopt a child, they are stunned by the government’s contention that Ted is not a person. With the help of John and newly minted lawyer (and longtime weed aficionado) Samantha L. Jackson (Amanda Seyfried), the couple goes to all ends to fight the system for Ted’s legal personhood.

Mark Wahlberg (The Other Guys, Lone Survivor) and Seth MacFarlane (“Family Guy,” A Million Ways to Die in the West) reprise their star roles as John and his life-long best friend Ted, with an all-star cast that includes Amanda Seyfried (Les Misérables), Jessica Barth (Ted, “Family Guy”), Giovanni Ribisi (Selma, Avatar) and Morgan Freeman (The Shawshank Redemption, Wanted), as well as inspired cameos from NFL star Tom Brady, Liam Neeson, Jimmy Kimmel, Jay Leno, , Patrick Warburton, John Slattery and more in this sequel that critics call "Funnier, wilder and even more naughty than the first movie!” (Fox TV)

BONUS FEATURES EXCLUSIVE TO BLU-RAYTM:
• Deleted Scenes
• Gag Reel
• Cameo Buddies
• A Giant Opening Dance Number

BLU-RAYTM AND DVD BONUS FEATURES
• Thunder Buddies 4 Lyfe
• Roadtripping
• Creating Comic-Con
• Feature Commentary with Seth MacFarlane, Jessica Barth and writers Alec Sulkin & Wellesley Wild

The film will be available on Blu-ray™ with DIGITAL HD and UltraViolet™ and DVD
• Blu-ray™ unleashes the power of your HDTV and is the best way to watch movies at home, featuring 6X the picture resolution of DVD, exclusive extras and theater-quality surround sound.
• DVD offers the flexibility and convenience of playing movies in more places, both at home and away.
• DIGITAL HD with UltraViolet™ lets fans watch movies anywhere on their favorite devices. Users can instantly stream or download.


For artwork, please log onto our website at www.ushepublicity.com

Facebook: https://www.facebook.com/tedisreal
Twitter: http://twitter.com/whattedsaid
Instagram: Instagram.com/WhatTedSaw
Hashtag: #Ted2

FILMMAKERS:
Cast: Mark Wahlberg, Seth MacFarlane, Amanda Seyfried, Morgan Freeman, Giovanni Ribisi, Jessica Barth, Patrick Warburton, John Slattery
Directed By: Seth McFarlane
Written By: Seth McFarlane, Alec Sulkin, Wellesley Wild
Produced By: Jason Clark, John Jacobs, Seth McFarlane, Scott Stuber
Executive Produced By: Alec Sulkin, Wellesley Wild
Director of Photography: Michael Barrett
Production Designer: Steven J. Lineweaver
Edited By: Jeff Freeman
Costume Design By: Cindy Evans
Music By: Walter Murphy

TECHNICAL INFORMATION BLU-RAY™:
Street Date: December 15, 2015
Copyright: 2015 Universal Pictures Home Entertainment
Selection Number: 61142614
Layers: BD-50
Aspect Ratio: 2.35:1
Rating: R for crude and sexual content, pervasive language, and some drug use/NA
Languages/Subtitles: English SDH, Spanish and French Subtitles
Sound: English DTS-HD Master Audio 5.1/ DVS DD 2.0; Spanish and French DTS Digital Surround 5.1
Run Time: 1 hour 57 minutes/2 hours 6 minutes

TECHNICAL INFORMATION DVD
Street Date: December 15, 2015
Copyright: 2015 Universal Pictures Home Entertainment
Selection Number: 61142612
Layers: Dual
Aspect Ratio: 2.35:1
Rating: R for crude and sexual content, pervasive language, and some drug use/NA
Languages/Subtitles: English SDH, Spanish and French Subtitles
Sound: English, Spanish and French Dolby Digital 5.1; English DVS DD 2.0
Run Time: 1 hour 57 minute/2 hours 6 minutes

About Universal Pictures Home Entertainment
Universal Pictures Home Entertainment (UPHE) is a unit of Universal Pictures, a division of Universal Studios (www.universalstudios.com). Universal Studios is a part of NBCUniversal, one of the world’s leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group, world-renowned theme parks, and a suite of leading Internet-based businesses. NBCUniversal is a subsidiary of Comcast Corporation.

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Central Intelligence Trailer & New Posters Starring @TheRock & @KevinHart4real

Central Intelligence follows a one-time bullied geek who grew up to be a lethal CIA agent (Johnson), coming home for his high school reunion. Claiming to be on a top-secret case, he enlists the help of the former “big man on campus” (Hart), now an accountant who misses his glory days. But before the staid numbers-cruncher realizes what he’s getting into, it’s too late to get out, as his increasingly unpredictable new friend drags him through a world of shoot-outs, double-crosses and espionage that could get them both killed in more ways than he can count.


Central Intelligence” also stars Oscar nominee Amy Ryan (“Gone Baby Gone”), Aaron Paul (TV’s “Breaking Bad”), and Danielle Nicolet (TV’s “The Game”).



The film is directed by Rawson Marshall Thurber (“We’re the Millers,” “Dodgeball”).

The screenplay is by Ike Barinholtz & David Stassen and Rawson Marshall Thurber; story by Ike Barinholtz & David Stassen. It is produced by Scott Stuber (“Ted”), Peter Principato (TV’s “Black-ish”), Paul Young (“Black-ish”) and Michael Fottrell (“Furious Seven”). Serving as executive producers are Ed Helms, who worked with Thurber on “We’re the Millers,” Samuel J. Brown and Michael Disco.

The behind-the-scenes creative filmmaking team includes director of photography Barry Peterson (“We’re the Millers,” “21 Jump Street”); production designer Stephen Lineweaver (“Ted,” “Blades of Glory”); editors Mike Sale and Brian Olds (“We’re the Millers,” “Tammy”); and costume designer Carol Ramsey (“Horrible Bosses,” “Dodgeball”). The music is by Theodore Shapiro and Ludwig Goransson.

New Line Cinema and Universal Pictures present, a Bluegrass Films/Principato Young Entertainment Production, a Rawson Marshall Thurber Film, “Central Intelligence.” It will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

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#WonderWoman First Image & Who's Joining The Cast

Warner Bros. has officially announced the commencement of filming on the solo Wonder Woman movie, complete with the full cast and a new first look photo of Gal Gadot as Diana Prince. Principal photography will take place on location in the UK, France and Italy.

Joining Gadot in the Patty Jenkins-directed movie are: Chris Pine as Captain Steve Trevor, Robin Wright (House of Cards), Danny Huston (Clash of the Titans, X-Men Origins: Wolverine), David Thewlis (the Harry Potter films), Ewen Bremner (Trainspotting), Saïd Taghmaoui (G.I. Joe: Rise of Cobra), Elena Anaya (The Skin I Live In, Van Helsing) and Lucy Davis (Shaun of the Dead, UK's The Office).

Wright would seem to have replaced Nicole Kidman in the role she had been in negotiations for. Huston, likewise, would seem to be playing the role that rumor had it Sean Bean was considered for, but that's just speculation.

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The Boss Starring #MelissaMcCarthy Trailer

The Boss is an upcoming 2016 American comedy film directed by Ben Falcone and produced, co-written by, and starring Falcone's wife Melissa McCarthy as the titular character. The film also stars Kristen Bell, Peter Dinklage, Tyler Labine, Margo Martindale and Kathy Bates. The film is scheduled to be released on April 8, 2016, by Universal Pictures.



The story follows Michelle Darnell, a titan of industry who is sent to prison after she’s convicted of insider trading. When she emerges ready to rebrand herself as America’s latest sweetheart, not everyone she screwed over is so quick to forgive and forget.

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#CarolMovie Live Q&A With Todd Haynes, Christine Vachon & Phyllis Nagy this Weekend

CAROL opened in select theaters, NOVEMBER 20TH, with multiple LIVE Q&A's with director Todd Haynes, producer Christine Vachon, and writer Phyllis Nagy after select screenings in New York and Los Angeles!

Join the filmmakers after screening the film to learn more about what it was like creating CAROL, an adaptation of Patricia Highsmith's novel The Price of Salt. CAROL follows two women (Cate Blanchett and Rooney Mara) from very different backgrounds who find themselves in an unexpected love affair in 1950s New York.

Check out the showtimes and Q&A details after the Jump...

NEW YORK SHOWTIMES AND Q&A's:

Sunday November 22:
1:30pm Showtime at The Paris Theater (4 W 58th St, New York, NY 10019)
Post-Q&A with director Todd Haynes and producer Christine Vachon

4:15pm Showtime at The Paris Theater (4 W 58th St, New York, NY 10019)
Introduction by director Todd Haynes and producer Christine Vachon

LOS ANGELES SHOWTIMES AND Q&A's:

Sunday November 22:
2:15pm Showtime at the Arclight Hollywood Theater (6360 Sunset Blvd, Los Angeles, CA 90028)
Post-Q&A with writer Phyllis Nagy

CAROL opens in select theaters TODAY, NOVEMBER 20, 2015.

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New THE HATEFUL EIGHT Poster

The Weinstein Company has just released a BRAND NEW POSTER for their highly anticipated film, THE HATEFUL EIGHT, written and directed by Quentin Tarantino!

In post-Civil War Wyoming, eight travelers try to find shelter during a blizzard but get involved in a plot of betrayal and deception. As the storm overtakes the mountainside stopover, they come to learn they may not make it to Red Rock after all. Starring Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Demian Bichir, Tim Roth, Michael Madsen, Bruce Dern, Channing Tatum and more, THE HATEFUL EIGHT hits theaters on December 25, 2015 in special 70mm release, and on January 8, 2016 nationwide!

In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as "The Hangman," will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town's new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie's Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie's, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who's taking care of Minnie's while she's visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all..

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New MR. HOLMES Featurette

Take a closer look at MR. HOLMES in a new featurette!



MR.HOLMES is now available on Digital HD, Blu-ray and DVD

MR. HOLMES is a new twist on the world’s most famous detective.1947, an aging Sherlock Holmes returns from a journey to Japan, where, in search of a rare plant with powerful restorative qualities, he has witnessed the devastation of nuclear warfare. Now, in his remote seaside farmhouse, Holmes faces the end of his days tending to his bees, with only the company of his housekeeper and her young son, Roger. Grappling with the diminishing powers of his mind, Holmes comes to rely upon the boy as he revisits the circumstances of the unsolved case that forced him into retirement, and searches for answers to the mysteries of life and love – before it's too late.

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CHARLES STONE To Direct AIN’T NO HALF STEPPIN

DRUMLINE’ HELMER CHARLES STONE TO DIRECT SCREENWRITER CHUCK HAYWARD’S UPBEAT COMEDY ‘AIN’T NO HALF STEPPIN

Project Comes as Part of Broad Green Pictures’ Recently Announced Production Deal with Matt Alvarez.

Broad Green Pictures has announced that Drumline helmer Charles Stone will direct Ain’t No Half Steppin, an upbeat comedy spec from screenwriter Chuck Hayward, who currently writes for Cooper Barrett’s Guide to Surviving Life on Fox, and was previously on One Big Happy and Bent for NBC. Matt Alvarez (Straight Outta Compton, Ride Along), Lena Waithe (“Master of None” series regular, Dear White People, Showtime’s “The Chicago Project”) and Benjamin Cory Jones (Hand of God) will produce.

Ain’t No Half Steppin centers on an ambitious black sorority girl who, in order to get admitted to the law school of her dreams, agrees to cross culture lines and teach the exclusive art of black Greek stepping to a band of wild, Kardashian-obsessed white sorority girls whose charter is about to be revoked. The project comes on the heels of Broad Green’s announcement that Matt Alvarez joined the studio’s development and production team in an exclusive production pact.
"Much like he did with Drumline, Charles does an incredible job of bringing subcultures into the mainstream and we are excited to see him do the same thing with Ain’t No Half Steppin,” said Alvarez.

“I just skimmed the surface of black Greek life in Drumline. Ain’t No Half Steppin gives me a chance to delve deep into the art of competitive stepping.” said Charles Stone. “Chuck and the producing team have put together a brilliant, smart comedy, which audaciously explores the dynamics and identity politics within black and white sororities.”

Josh Reinhold will oversee the project on behalf of Matt Alvarez’ production company, while Lauren McCarthy will oversee the project on behalf of Broad Green Pictures.

The deal was brokered on behalf of Stone, Waithe and Jones by Paradigm. Hayward is represented by APA, Heroes & Villains, and Ginsburg Daniels, LLP. Christopher Tricarico, EVP, Business & Legal Affairs and General Counsel handled for Broad Green.

Waithe is managed by Andrew Coles at Mission Entertainment and Stone is managed by Tom Lassally at 3 Arts. Jones is represented by CAA and managed by Michael Kolodny at Fineman Entertainment.

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Movie Review: 'The Hunger Games - Mockingjay, Part 2'

The final (and tired) Hunger Games film proves that YA is truly dead.

Review by Matt Cummings

As someone who found the premise beind The Hunger Games to be barely agreeable, I have come to enjoy their play on the big screen, both as a zeitgeist meter and for the way it launched Actress Jennifer Lawrence's career. Along the way, I appreciated its gripping social commentary, as well as the violent and bloody conflict given to us in the form of gladitorial tributes. But with four films under its belt, the series feels as war-weary as its subject, no longer reflecting its namesake, and perhaps proving that YA-based movies might be truly dead.

As the showdown between Katniss (Jennifer Lawrence) and President Snow (Donald Sutherland) approaches its zenith, the citizens of the various Districts band together to wage war against Panem's sadistic leader. But it's clear that District leaders like Alma Coin (Julianne Moore) have other plans post-Snow, while freedom fighters ike Peeta (Josh Hutcherson) struggle to regain themselves after beung brutally brainwashed. Caught between desiring a free Panem and a safe one, Katniss must walk a fine line as Snow unleashes a new version of The Hunger Games on his own Capitol city.

For its mammoth 136-minute runtime, a lot of story behind Writers Peter Craig and Dannny Storng's adaption of Suzanne Collins' book is poorly introduced and/or concluded. Entire groups of characters who appear throughout the film suddenly occupy far lesser roles. Some aren't, just...on to other projects? Gwendoline Christe shows up ever so briefly as some sort of rebel leader, but quickly dissolves into the fracas; she's either a cameo that few will recognize or a character who had their scenes cut. Woody Harrelson's Haymitch barely appears, his role as advisor suddenly replaced by sitting around and looking preturbed. The same goes with Jennna Malone, Sam Caflin, and Jeffrey Wright's characters, with Malone getting several quality scenes before taking on an unexplained new role in Coin's administration.

Moore, for the street cred she brings to her roles, is entirely mismananged here. One of the least satisfying aspects of Mockingjay is her sudden contamination. She turns from a pragmatic voice to usurper without learning why she's actually gotten to this point. That makes for a wholly unsatisfying resolution to her character, along with Sutherland, who also transitions poorly from Hilter to Hussein. All of a sudden, the rebellion's over and Snow is gone.

I do like the growing darkness that this series has become, something between a tense political thriller and a brutal war drama. At least Director Francis Lawrence got that portion right. He gives Lawrence the bulk of the wieght to bear, and as we've seen so many times she soars with it. JLaw inhabits Katniss, providing the only anchor to a story that would have gone terribly south without her. She can't be helped if Lawrence the Director and Editor Alan Edward Bell can't fashion a thrilling enough conclusion. That ending arrives in several phases, like watching Return of the King over and over. Aand none of it is particularly interesting or well done.

There's a sort of maddening whipsaw to Josh Hutcherson's Peeta, who would have been eliminated by someone based on what he does to a member of Katniss's team. His arc is missing a serious amount of realism: he goes from pscyhotic babbler, to stooge on the trip, to a series of ending scenes which caused a stir among our test audience.

As the series comes to its conclusion, it exhibits the same problems that plagued even Star Wars. Sure, Hunger has made a ton of money, elevated JLaw into an Oscar sensation, and embraced the idea of a smart action heronie. But it also minimizes great supporting players Stanley Tucci, Elizabeth Banks, Liam Hemsworth, and even the late Phillip Seymour Hoffman. I hate to say this, but Mockingjay needed a third installment or a much longer cut in order to tell their stories more completely.

In the end, The Hunger Games: Mockingjay, Part 2 limps to a final beat that does nothing to further the YA genre. As the final scene of the film gives way to the credits, we can imagine the entire genre ending with it.

Discuss this review with fellow SJF fans on Facebook. On Twitter, follow us at @SandwichJohnFilms, and follow author Matt Cummings at @mfc90125.
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Friday, November 20, 2015

Movie Review: 'The Night Before'

The Christmas raunchfest The Night Before is both ridiculously hilarious in parts and excruciatingly boring in others.

Review by Matt Cummings

The holiday movie season is like having your parents over: they're fun until they're not, with interest quickly dwindling with every breath drawn. It's hard to understand why the formula is so misused: take the best elements of The Hangover, mix it with the zaniness of Christmas Vacation, with a little buddy/broad raunch from Neighbors, and you should get something really magical. The Night Before is not quite that movie: a stoner flick with lots of premise, some genuinely wild hilarity, but painfully absent for large sections.

Every Christmas Eve since 2001, best friends Chris (Anthony Mackie) and Isaac (Seth Rogan) venture out into NYC to honor a long-standing agreement with their friend Ethan (Joseph Gordon-Levitt) whose parents tragically died during the holidays. But Chris and Isaac are ready to move on, with one a successful NFL athlete, the other a high-powered lawyer. Unfortunatley, Ethan's life is going the opposite direction, as he's still reeling from his recent breakup with Diana (Lizzy Caplan). But when the perfect party invite drops into Ethan's hands, the boys make one more go of it - to access the Nutcracka Ball – before they go their separate ways.

Let's be honest: Anyone who's looking for cinematic brilliance behind The Night Before is both a fool and in for a rude awakening. This is all about the experience, the drug-filled journey to the finish line instead of basking in its glory once you've arrived. And for several trippy scenes, Night excels, led by Rogan. His drug-fueled rambling about his worries over being a father are the best of the film, although some women might be taken aback (ok, a lot of your will be upset). However, if you've paid to see Night, you already know the risks. There's great Run-DMC references, led by the trio rapping at local karaoke bars, and Shannon as the drug dealer is pretty great. It proves his performances aren't limited to serious roles.

But with every one of these homeruns, it's clear that Writers Jonathan Levine and Kyle Hunter were bigger on giving lots of gifts instead of a few quality ones. There's so much unnecessary fluff added (Chris' desire to be accepted by his team, the death of Ethan's parents) that the rest of the production suffers. Night descends into a super-serious buzz kill, led by both Chris and Ethan as they struggle with personal realizations in attempt to rescue their personal and professional lives. Had Chris simply been a star athlete out with his friends, the comedy could have been hilarious and one that would have played so well into the NFL's over-reaching substance abuse and personal behavior rules. For all the great meaning behind his friends gathering each year, Ethan's story is strangely odd. When he sees two Santas peeing at a street corner, he takes strong offense to it, but we never learn why. Levine never shows us why he and Diana were good in the first place, which further deteriorates our support of his trying to win her back.

What should have been the best comedy of the year turns into 10-15 minute stretches of the most painful strike outs, as our cast bumbles their way through what feels like a mostly ad-libbed affair. In fact, I kept imagining better versions of many scenes I was watching, as if not a lot of thought had been placed in their execution. I get the idea of a riffed-on moment, but when I find myself laughing more at my ideas than what I see paid professionals doing, it definitely takes away from the experience. There's also some serious production errors by the Director Levine and Cinematographer Brandon Trost. We get a baffling amount of lens flare, scenes out of focus, and colors all over the place. Granted, the theater I attended is frankly one of the worst in the region, but things literally looked thrown together in parts and with clear evidence of re-shoots.

Levitt and Mackie just don't work here when Rogan isn't in scene; not only do they fail to inhabit their characters with anything more than paper-thin backgrounds, they're just not the right fits for them. It comes up each time the three disband, almost as if Levitt and Mackie are holding back, more worried about their future success than just being great, lovable characters. Chris and Isaac's worry about their last night with Ethan is never fully realized; from the beginning, everyone knows it's the last time the three will be able to party like this, and thus any emotional impact behind that is lost. It's just a final night together, trying to get into a party that looks like every warehouse rager. There's nothing amazing or even interesting about what happens when they get there. I really felt gypped about it, but it's clear that no one throws parties like I do.

What keeps this story on track is Shannon. Mr. Green is perhaps one of the funniest characters of 2015, and the unlikely choice of Shannon keeps this thing from giving us a bad trip. He's one of the few actors who can communicate everything with just his eyes, his quiet but powerful presence jerking us into his twisted version of reality. I'd love to see him do more comedy. Caplan on the other hand is serviceable as insert-girlfriend-role-here, but we never get to know her or cohort Mindy Kailing. And what would a Rogan film be without the obligatory cameo. I'll keep the identity a Christmas secret, but let's hope the selfies in The Night Before aren't really of him.

The Night Before is clearly nothing more than The Hangover imagined as a Christmas special. It's got several funny scenes and the journey to the party is really the best part. But it lags too often, becomes super-serious for a long stretch, and looks like a college film hack job. It's a fun film when it eventually arrives on Netflix, but save your money for better stuff.

The Night Before is rated R for drug use and language throughout, some strong sexual content and graphic nudity and has a runtime of 101 minutes.

Discuss this review with fellow SJF fans on Facebook. On Twitter, follow us at @SandwichJohnFilms, and follow author Matt Cummings at @mfc90125.
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Thursday, November 19, 2015

Movie Review: Spotlight

Newspaper thriller hums along without stopping the presses.

Review by Brandon Wolfe

The journalism thriller seems almost like an oxymoron. What could be thrilling about the process of conducting interviews, taking notes, editing copy and upholding journalistic integrity? To many, the journalism beat likely seems a tedious, paper-pushing slog, and yet Hollywood had cultivated a strong little subgenre about how nail-bitingly intense the hunt for a major scoop can become. The best the subgenre has offered over the years—Zodiac, Shattered Glass, All the President’s Men—have made investigative reporting as gripping as any cloak-and-dagger fare, following intrepid writers as they track a whale of a story into a treacherous hall of mirrors. The daily lives of journalists are almost certainly more likely to be mired in trivialities such as maintaining the correct usage of “their” versus “they’re,” yet every so often, writers are allowed to step out into the world, put on their detective hats and really make a difference.

Spotlight is the latest thriller out to quicken pulses while watching print journalists crusading for truth. The film depicts the real-life 2001 exploits of the “Spotlight” team, a small collection of writers for The Boston Globe who pursue long-gestating stories about local corruption. The team is comprised of veteran Walter “Robby” Robinson (Michael Keaton) and his writing staff, including Michael Rezendes (Mark Ruffalo), Sacha Pfeiffer (Rachel McAdams) and Matt Carroll (Brian d’Arcy James). The arrival of a new editor, Marty Baron (Liev Schreiber), causes a bit of a turnaround at the Globe, as he opts to pursue a major story about molestation occurring in the Boston area perpetrated by Catholic priests. A handful of arrests have been made over the years, but the charges never seem to stick and the cases quickly vanish into the wind. Because Boston is a predominantly Catholic town, the church wields a lot of influence and many in positions of power are all too willing to capitulate to them. The soft-spoken Baron, as much an outsider as is possible in Beantown (a Jewish transplant who doesn’t care a lick about sports), sees a real barnburner in this story and fearlessly opts to pursue it, enlisting the Spotlight team to spearhead it.


The team, refreshingly, does not see this new assignment as a burden foisted upon them by a heel of a boss, but as an enticing challenge. They begin sniffing around the lawyers representing both the victims and the church and initially find both parties to be close-lipped and unhelpful. After sitting down with some of the now-grown victims of abuse, the writers are moved by the quickly emerging courage these people show as they bare their tortured souls. As the team starts to pin down the particulars of the story, they quickly realize that a vast conspiracy is in place to keep all facts buttoned down tight. Documents are hidden from public record, city officials become very squirrelly when pressed for comment, and no one with anything to lose wants to talk about the cassock-draped elephant in the room. What starts out as a handful of priests appearing on the team’s radar quickly grows to 13, and eventually balloons into a whopping 90 priests in the Boston area who have abused children. Realizing the full heft of the conspiracy galvanizes the team to break the story open once and for all.

Spotlight is an intriguing and thorough depiction of the team’s investigative efforts, but is often a bit on the dry side. Unlike most of its journalism-thriller contemporaries, the case never creates any life-or-death stakes for any of the reporters. Their lives, families and careers are never placed into jeopardy, the only real stake being the potentiality that the truth might not be unearthed. Their pursuit is an absolutely worthwhile one, of course, but not the kind of thing that truly gets the blood pumping, cinematically, with no risk introduced. The film also makes the curious choice of keeping the priests and the church as unseen entities, referred to as a sinister and powerful force yet never emerging as an onscreen presence. The conspiracy’s central figure, Cardinal Bernard Law (Len Cariou), only puts in a brief appearance and we only, fleetingly, meet one priest, a confused old man with truly strange rationalization techniques. It’s understandable that the film, with its sights so clearly set on realism, might want to avoid casting anyone as a purely villainous figure, but making the target of its crusade into a faceless bogeyman that never retreats from the shadows has the diminishing effect of having its heroes fighting against a principle rather than a conflicting force.


Though blessed with an immaculate cast, Spotlight isn’t much of an actor’s showcase. Keaton, McAdams and Schreiber all do solid work, as does John Slattery, as a Globe higher-up, and Stanley Tucci and Billy Crudup, as lawyers who alternately thwart and aide the reporters, but the film, in the spirit of its subjects, stands as a work of quiet professionalism rather than flashy, Oscar-hungry showboating. The lone exception is Ruffalo, who imbues Rezendes with a twitchy tenacity that clearly marks the actor as the standout among the cast. The entire Spotlight team is dedicated, but Rezendes is invested on an entirely other level. The film, to its credit, does not feel the need to shoehorn the team’s personal lives into the proceedings, as many docudramas are keen to do, but in passing, it does fill in some details of Rezendes’ personal life. We first learn that he is married, in a quick aside, and after we’ve had some time to wonder how a man focused this singlemindedly on his work could hold onto a wife, we later see him in a dumpy apartment and are told that he and his wife are, unsurprisingly, separated. The film doesn’t make a meal out of this revelation, choosing instead to allow it to stand as a bit of texture added to the character. It’s subtle in a good way.

Subtlety, however, is something that Spotlight does strain for on occasion. There are far too many ham-handed shots of children playing, the better to contrast their intact innocence with that which has been lost by the priests’ victims. We in the audience are very much aware of what is at stake here without inelegant reminders peppered in throughout. But in its default setting as a straightforward, no-frills procedural, the film does commendably solid work. That work extends to the way it sets its place in time, as when the September 11th attacks temporarily derail the team’s work on the story or when a seemingly prehistoric AOL billboard is glimpsed. In contrast to comparable docu-thrillers, Spotlight may not be anything sexy, but given its subject matter, that’s probably a good thing.

Discuss this review with fellow SJF fans on Facebook. On Twitter, follow us at @SandwichJohnFilms, and follow author Brandon Wolfe at @BrandonTheWolfe.



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RICHARD LINKLATER’S "EVERYBODY WANTS SOME" TO OPEN @sxsw 2016 FILM FESTIVAL

SXSW FILM ANNOUNCES RICHARD LINKLATER’S EVERYBODY WANTS SOME TO OPEN 2016 FILM FESTIVAL

The South by Southwest® (SXSW®) Film Conference and Festival announced the world premiere of Everybody Wants Some as its Opening Night film for the 23rd edition of SXSW Film on March 11, 2016 in Austin, Texas. Set in the world of 1980s college life, Everybody Wants Some is a comedy, directed and written by Richard Linklater, that follows a group of college baseball players as they navigate their way through the freedoms and responsibilities of unsupervised adulthood. Get ready for the best weekend ever.

Richard Linklater is a world-class filmmaker who put Austin on the map. He creates consistently stellar work including Slacker, Dazed and Confused, Waking Life, Scanner Darkly, School of Rock, Bernie, Fast Food Nation, the Midnight trilogy and last year’s Academy Award®-nominated Boyhood. Linklater also serves as the Artistic Director for the Austin Film Society, which he founded in 1985.

“We are so thrilled to premiere Richard’s latest work, which is really funny, instantly quotable, filled will great new talent,” said Janet Pierson, head of SXSW Film. “Audiences are going to love this paean to competition and coming of age in the 80s.”

Everybody Wants Some features an ensemble cast of Will Brittain, Zoey Deutch, Ryan Anthony Guzman, Tyler Hoechlin, Blake Jenner, Glen Powell and Wyatt Russell. The film is written and directed by Richard Linklater and produced by Megan Ellison of Annapurna Pictures, Richard Linklater and Ginger Sledge. Paramount Pictures will release the film on April 15, 2016.

Everybody Wants Some is designated as a SXsports film, which means that Film, Interactive, Gold, and Platinum badges all have access to attend the screening.

Additional teasers for the 2016 event will be released in December. Feature Films (with the exception of Midnighters) will be announced on Tuesday, February 2. Midnighters, all Short Films, Music Videos and Title Sequences will be announced on Tuesday, February 9.

SXSW REGISTRATION DEADLINE – REGISTER BY NOVEMBER 20 AND SAVE
Register for a SXSW badge today at sxsw.com/attend, and join us March 11 – 20, 2016 for unparalleled access to screenings, sessions, parties, the SXSW Trade Show and, of course, a creative and inspirational experience that only SXSW can deliver. Be sure to register soon, and gain access to conveniently located hotels. Register by 11:59pm CT on Friday, November 20 and save off the walk-up rate.

About SXSW
Now in its 23rd year, SXSW Film brings together creatives of all stripes over nine days to experience a diverse film line up and access to more than 500 Conference sessions with visionaries from all corners of the entertainment and media industries. SXSW 2016 takes place March 11-20 in Austin, TX.

The South by Southwest® (SXSW®) Conferences & Festivals offer the unique industry convergence of music, film, and Interactive technologies. Fostering creative and professional growth, SXSW is the premier destination for discovery. The event is a launch pad for innovative content with new media presentations, music showcases and film screenings providing exposure for creators and compelling entertainment for attendees. For more information, please visit sxsw.com.

SXSW March 11-20 | Interactive March 11-15 | Film March 11-19 | Music March 15-20

SXSW is proud to be an official qualifying festival for the Academy Awards® Short Film competition. The Best Narrative Short, Best Documentary Short and Best Animated Short winners become eligible for the Academy Awards.

SXSW 2016 is sponsored by Esurance, Mazda, Monster Energy Capitol One, Bud Light, McDonalds and The Austin Chronicle.

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Official Poster For The Boss Starring #MelissaMcCarthy

The Boss is an upcoming 2016 American comedy film directed by Ben Falcone and produced, co-written by, and starring Falcone's wife Melissa McCarthy as the titular character. The film also stars Kristen Bell, Peter Dinklage, Tyler Labine, Margo Martindale and Kathy Bates. The film is scheduled to be released on April 8, 2016, by Universal Pictures.

The story follows Michelle Darnell, a titan of industry who is sent to prison after she’s convicted of insider trading. When she emerges ready to rebrand herself as America’s latest sweetheart, not everyone she screwed over is so quick to forgive and forget.

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Red Band Trailer For #DIRTYGRANDPA Starring Zac Efron & Robert De Niro

From the comedy minds that brought you Borat and Ali G [director Dan Mazer] and Bad Santa 2 [writer John Phillips], comes DIRTY GRANDPA. When the straight-laced Jason [Zac Efron] is tricked into driving his foul-mouthed grandfather, Dick [Robert De Niro], to Daytona for spring break, all bets are off in this hilarious new comedy.



Julianne Hough, Aubrey Plaza, Dermot Mulroney and Adam Pally also co-star. Check out the new Red Band Trailer for even more antics from DIRTY GRANDPA, coming to theaters January 2016!

Jason Kelly [Zac Efron] is one week away from marrying his boss’s uber-controlling daughter, putting him on the fast track for a partnership at the law firm. However, when the straight-laced Jason is tricked into driving his foul-mouthed grandfather, Dick [Robert De Niro], to Daytona for spring break, his pending nuptials are suddenly in jeopardy. Between riotous frat parties, bar fights, and an epic night of karaoke, Dick is on a quest to live his life to the fullest and bring Jason along for the ride. Ultimately, on the wildest journey of their lives, “dirty” Grandpa and his uptight grandson discover they can learn from one another and form the bond they never had.

This outlandish comedy also stars Julianne Hough, Aubrey Plaza, Dermot Mulroney and Adam Pally.

Cast: Robert De Niro, Zac Efron, Aubrey Plaza, Zoey Deutch, Julianne Hough, Jason Mantzoukas, Danny Glover, Adam Pally, and Dermot Mulroney
Directed by: Dan Mazer
Written by: John Phillips
Produced by: Barry Josephson, Bill Block, Michael Simkin, Jason Barrett

#YouDontKnowDick
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#NowYouSeeMe2 Trailer

Now You See Me 2 is an upcoming American caper thriller film. It is the sequel to the 2013 film Now You See Me. It will be directed by Jon M. Chu and stars Mark Ruffalo, Jesse Eisenberg, Woody Harrelson, Dave Franco, Daniel Radcliffe, Morgan Freeman, Michael Caine and Lizzy Caplan.



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HELLO, MY NAME IS DORIS Official Poster

Check out the official poster for HELLO, MY NAME IS DORIS,via on AARP’s Movies for Grownups

After a lifetime of being overlooked and ignored, a woman of a certain age finds her world turned upside down by a handsome new co-worker and a self-help seminar that inspires her to take a chance on love in Hello, My Name is Doris, a witty and compassionate late-life coming-of-age-story.

When Doris Miller (Sally Field) meets John Fremont (Max Greenfield), her company’s hip new art director, sparks fly—at least for Doris. Her first encounter with true romance (outside of the pages of a novel) convinces Doris that she and the mostly unaware John are meant for each other. In the cluttered house she shared with her late mother, Doris mines the Internet for information on her one-and-only, guided by the 13-year-old granddaughter of her best pal Roz (Tyne Daly)



Roadside Attractions will release HELLO, MY NAME IS DORIS in theaters March 11, 2016

When Doris begins showing up at John’s regular haunts, she wins over his Williamsburg friends with her eclectic vintage wardrobe, quirky naiveté and unironic enthusiasm for their rooftop knitting circle. Her new life brings Doris a thrilling perspective, but also creates a rift between her and her longtime friends and family, who believe she’s making a fool of herself over a guy half her age. Eager for all the experiences she has missed out on, Doris throws caution to the wind and follows her heart for the very first time.

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How To Be Single Trailer Starring Rebel Wilson & Dakota Johnson

There’s a right way to be single, a wrong way to be single, and then…there’s Alice. And Robin. Lucy. Meg. Tom. David. New York City is full of lonely hearts seeking the right match, be it a love connection, a hook-up, or something in the middle. And somewhere between the teasing texts and one-night stands, what these unmarrieds all have in common is the need to learn how to be single in a world filled with ever-evolving definitions of love. Sleeping around in the city that never sleeps was never so much fun.



How to Be Single” stars Dakota Johnson (“Fifty Shades of Grey”), Rebel Wilson (“Pitch Perfect”), Damon Wayans, Jr. (“Let’s Be Cops”), Anders Holm (“Neighbors,” upcoming “The Intern”), Alison Brie (“Get Hard”), Nicholas Braun (“The Perks of Being a Wallflower”), Jake Lacy (HBO’s “Girls”), with Jason Mantzoukas (“Neighbors,” TV’s “The League”) and Leslie Mann (“This is 40,”).

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Enter For A Chance To Win Passes To See #LegendMovie In Austin

Enter For A Chance To Win Passes To See LEGEND on November 23rd at 7:30 PM in Austin.

From Academy Award® winner Brian Helgeland (L.A. Confidential, Mystic River) comes the true story of the rise and fall of London’s most notorious gangsters, Reggie and Ron Kray, both portrayed by Tom Hardy in an amazing double performance. Legend is a classic crime thriller taking us into the secret history of the 1960s and the extraordinary events that secured the infamy of the Kray twins.


Written and directed by Helgeland, the Studiocanal, Working Title and Cross Creek film co-stars Emily Browning, David Thewlis, Christopher Eccleston, Chazz Palminteri, Tara Fitzgerald and Taron Egerton. Working Title Film’s Tim Bevan and Eric Fellner produce Legend alongside Chris Clark, Quentin Curtis and Cross Creek Pictures’ Brian Oliver.


Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast



OPENS IN DALLAS NOVEMBER 25th

See how to enter for a chance to win passes after the Jump...

Email us at screenings@sandwichjohnfilms.com
Subject: Legend- Austin
Will need your full name and email address.

NO PURCHASE NECESSARY

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR OVERBOOKING. THIS PASS DOES NOT GUARANTEE ADMISSION AND MUST BE SURRENDERED UPON DEMAND. NO ONE WILL BE ADMITTED WITHOUT A TICKET AND ONLY REVIEWING PRESS WILL BE ADMITTED AFTER THE SCREENING BEGINS. Duplicate passes will not be accepted. Screening passes are non transferable. This ticket is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law. All those found in violation will be prosecuted to the fullest extent of the law. MPAA - No Recording This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device*, you consent to your Immediate removal from the theater and forfeiture of the device.

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Enter For A Chance To Win Passes To See #LegendMovie In Dallas

Enter For A Chance To Win Passes To See #LegendMovie November 23rd at 7:30 PM in Dallas.

From Academy Award® winner Brian Helgeland (L.A. Confidential, Mystic River) comes the true story of the rise and fall of London’s most notorious gangsters, Reggie and Ron Kray, both portrayed by Tom Hardy in an amazing double performance. Legend is a classic crime thriller taking us into the secret history of the 1960s and the extraordinary events that secured the infamy of the Kray twins.


Written and directed by Helgeland, the Studiocanal, Working Title and Cross Creek film co-stars Emily Browning, David Thewlis, Christopher Eccleston, Chazz Palminteri, Tara Fitzgerald and Taron Egerton. Working Title Film’s Tim Bevan and Eric Fellner produce Legend alongside Chris Clark, Quentin Curtis and Cross Creek Pictures’ Brian Oliver.


Make sure to LIKE SandwichJohnFilms on Facebook and follow us on Twitter for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our Podcast



OPENS IN DALLAS NOVEMBER 25th

See how to enter for a chance to win passes after the Jump

Email us at screenings@sandwichjohnfilms.com
Subject: Legend- Dallas
Will need your full name and email address.

NO PURCHASE NECESSARY 

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATER IS NOT RESPONSIBLE FOR OVERBOOKING. THIS PASS DOES NOT GUARANTEE ADMISSION AND MUST BE SURRENDERED UPON DEMAND. NO ONE WILL BE ADMITTED WITHOUT A TICKET AND ONLY REVIEWING PRESS WILL BE ADMITTED AFTER THE SCREENING BEGINS. Duplicate passes will not be accepted. Screening passes are non transferable. This ticket is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law. All those found in violation will be prosecuted to the fullest extent of the law. MPAA - No Recording This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device*, you consent to your Immediate removal from the theater and forfeiture of the device.

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Donate To Be Entered To Attend Star Wars: #TheForceAwakens Premiere

Today in a special behind-the-scenes video, Harrison Ford surprised donors from around the world with the announcement of a new Omaze fundraising campaign in support of Star Wars: Force for Change’s mission to empower people to make an impact on the world around them. This once-in-a-lifetime experience will see two winners presented with tickets for them and three guests each to attend the premiere of Star Wars: The Force Awakens in either Los Angeles or London, walk the red carpet and meet the cast.

Fifteen global causes were individually chosen by J.J. Abrams, Kathleen Kennedy and the cast, which will benefit equally from the funds raised. Among the charities are UNICEF, Feeding America and Malala Fund. For as little as a $10 contribution made through the Omaze fundraising platform participants will be automatically entered for a chance to win and to help these incredible causes.

“A year and a half ago, we launched a brand new initiative called Star Wars: Force for Change that aims to inspire all of us to make a positive difference in the world,” said J.J. Abrams, Director of Star Wars: The Force Awakens, and Founder of Bad Robot Productions, “If you were among those who originally donated, thank you. But if you missed out, here’s your chance to join us. My favorite part: instead of benefiting just one cause, this time each member of the cast has nominated a cause they’re passionate about.”

“The Star Wars community blew us away in the last campaign by donating more than $4.26 million for UNICEF Innovation Labs and programs,” said Ryan Cummins, Omaze Co-Founder and Co-CEO. “Omaze is honored to give Star Wars fans another once-in-a-lifetime experience thanks to Lucasfilm, Disney and Bad Robot.”



Star Wars: The Force Awakens Premiere Grand Prize includes:

Two winners will get tickets for themselves and three guests each to the red carpet premiere of Star Wars: The Force Awakens in London or Los Angeles

They will walk the red carpet and meet the cast of Star Wars: The Force Awakens and experience the magic of Star Wars on a silver screen for the first time in ten years.

Airfare and accommodation in a 4-star hotel is included

The campaign ends on December 4th at 11:59PM PST.

By donating at Omaze.com/StarWars, fans will be supporting these fifteen charities around the world:

Africa Cancer Foundation — working to promote the prevention of cancer and to provide holistic solutions for people affected by cancer in Africa. Nominated by Lupita Nyong’o.

Arts in the Armed Forces (AITAF) — bridging the cultural gap between the United States Armed Forces and the performing arts communities by bringing the best modern American theater to the military free of charge. Nominated by Adam Driver.

Barnardo’s UK — giving the most vulnerable and disadvantaged children the chance to reach their full potential regardless of the issues they’ve faced in their lives. Nominated by Andy Serkis.

Central London Samaritans — Providing emotional support for vulnerable people to alleviate feelings of distress and despair. Nominated by Anthony Daniels.
Damilola Taylor Trust — providing inner-city youths with opportunities to play, learn and live their lives free of fear and violence. Nominated by John Boyega.

fStop Warrior Project — using digital photography to help wounded warriors successfully transition to the civilian world after medical retirement from the military. Nominated by Harrison Ford.

Feeding America — working to feed America’s hungry through a nationwide network of 200 food banks and engaging the U.S. in the fight to end hunger. Nominated by Mark Hamill.

Make-A-Wish — making wishes come true every day for children suffering from life­-threatening illnesses. Nominated byPeter Mayhew.

Malala Fund — empowering girls through education to achieve their potential and create change in their communities. Nominated by J.J. Abrams.

PACER — expanding opportunities for children and youth with all disabilities, including mental health challenges such as depression and anxiety. Nominated by Carrie Fisher.

Phab — creating opportunities for children and adults of all abilities to enjoy life together. Nominated by Daisy Ridley.

St. Francis Hospice, Raheny — providing specialist palliative care to patients living in north Dublin city and county. Nominated by Domhnall Gleeson.

The Circle — working to achieve its vision of equality for women and girls in a fairer world. Nominated by Gwendoline Christie.

UNICEF — ensuring all children get a healthy start in life and have opportunities to reach their full potential. Nominated byKathleen Kennedy.

Union of Concerned Scientists — advancing science-based solutions for our planet’s most pressing problems—from combating global warming to developing sustainable ways to feed, power, and transport ourselves. Nominated by Oscar Isaac.

Visit Omaze.com/StarWars to learn more about these charitable causes and to enter for your chance to win.

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Wednesday, November 18, 2015

#THEGOODDINOSAUR Premiere Images

Photos from last nights world premiere of DISNEY•PIXAR’s THE GOOD DINOSAUR at the El Capitan Theatre in Hollywood


THE GOOD DINOSAUR asks the question: What if the asteroid that forever changed life on Earth missed the planet completely and giant dinosaurs never became extinct? Pixar Animation Studios takes you on an epic journey into the world of dinosaurs where an Apatosaurus named Arlo (voice of Raymond Ochoa) makes an unlikely human friend. While traveling through a harsh and mysterious landscape, Arlo learns the power of confronting his fears and discovers what he is truly capable of.


Directed by Peter Sohn and produced by Denise Ream (“Cars 2”), Disney•Pixar’s “The Good Dinosaur” opens in theaters on Nov. 25, 2015.


See all the pictures after the Jump...




















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