Monday, November 16, 2015
Season 3's score is filled with brash tactics, sweeping epics, and incredible pay offs.
Review by Matt CummingsSuper heroes and their television drumbeats are undergoing one impressive chrysalis. Ill-content to simply be complimentary to a network's lineup of comedies and procedurals, comic book series have found fertile ground on the small screen with series like Arrow, The Flash, Agents of SHIELD, and others. Composer Blake Neely is helping to forge these soundscapes with big sounds for small packages, drawing the blueprint for the next generation of innovative television soundtracks. With the release of the very good Arrow Season 3, we get all the proof we need that Neely is in full control of that movement. Facebook. On Twitter, follow us at @SandwichJohnFilms, and follow author Matt Cummings at @mfc90125.