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Friday, July 26, 2013

Win Tickets To An Advance Screening LOW WINTER SUN In San Rafael

Win Tickets To An Advance Screening For Low Winter Sun. The screening is on July 29, 2013 at 8:00PM Smith San Rafael Film Center.

AMC PARTNERS WITH ART HOUSE CONVERGENCE TO SNEAK PEEK THE NETWORK’S UPCOMING DRAMA SERIES “LOW WINTER SUN” AT SELECT THEATERS NATIONWIDE ON MONDAY, JULY 29TH

Screening to Benefit Big Brothers Big Sisters of America


To celebrate the launch of AMC’s newest original drama, “Low Winter Sun,” the network has partnered with Art House Convergence to offer the public a sneak peek of the series at more than twenty theaters across the country. On the evening of Monday, July 29th the participating theaters will screen the first episode of the ten-part series at 8pm PT. “Low Winter Sun” is set to premiere on AMC on Sunday, August 11 at 10:00pm ET/PT following the premiere of the first of the final eight episodes of “Breaking Bad.”

Set in Detroit, “Low Winter Sun” is a contemporary story of murder, deception, revenge and corruption in a world where the line between cops and criminals is blurred. This gritty, edgy and provocative crime drama begins with an act of retribution -- the murder of a dirty cop by two fellow Detroit detectives, Frank Agnew (Mark Strong) and Joe Geddes (Lennie James). Seemingly the perfect crime, in reality the murder activates forces that will forever alter Agnew’s life, and pull him into the heart of the Detroit underworld.

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Official Website-

See how to win tickets after the Jump...


To get a chance for tickets go to GOFOBO
Enter Code: SANDAZAD 

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATRE IS NOT RESPONSIBLE FOR OVERBOOKING. THIS PASS DOES NOT GUARANTEE ADMISSION AND MUST BE SURRENDERED UPON DEMAND. NO ONE WILL BE ADMITTED WITHOUT A TICKET AND ONLY REVIEWING PRESS WILL BE ADMITTED AFTER THE SCREENING BEGINS. Duplicate passes will not be accepted. Screening passes are non transferable. This ticket is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law. All those found in violation will be prosecuted to the fullest extent of the law. MPAA - No Recording This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device*, you consent to your Immediate removal from the theater and forfeiture of the device.

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Win Tickets To An Advance Screening LOW WINTER SUN In Campbell

Win Tickets To An Advance Screening For Low Winter Sun. The screening is on July 29, 2013 at 8:00PM at Campbell.

AMC PARTNERS WITH ART HOUSE CONVERGENCE TO SNEAK PEEK THE NETWORK’S UPCOMING DRAMA SERIES “LOW WINTER SUN” AT SELECT THEATERS NATIONWIDE ON MONDAY, JULY 29TH

Screening to Benefit Big Brothers Big Sisters of America


To celebrate the launch of AMC’s newest original drama, “Low Winter Sun,” the network has partnered with Art House Convergence to offer the public a sneak peek of the series at more than twenty theaters across the country. On the evening of Monday, July 29th the participating theaters will screen the first episode of the ten-part series at 8pm PT. “Low Winter Sun” is set to premiere on AMC on Sunday, August 11 at 10:00pm ET/PT following the premiere of the first of the final eight episodes of “Breaking Bad.”

Set in Detroit, “Low Winter Sun” is a contemporary story of murder, deception, revenge and corruption in a world where the line between cops and criminals is blurred. This gritty, edgy and provocative crime drama begins with an act of retribution -- the murder of a dirty cop by two fellow Detroit detectives, Frank Agnew (Mark Strong) and Joe Geddes (Lennie James). Seemingly the perfect crime, in reality the murder activates forces that will forever alter Agnew’s life, and pull him into the heart of the Detroit underworld.

Make sure to LIKE SandwichJohnFilms on Facebook. If your already a fan make a friend LIKE our page.



Official Website-

See how to win tickets after the Jump...


To get a chance for tickets go to GOFOBO
Enter Code: SAND5PMA 

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATRE IS NOT RESPONSIBLE FOR OVERBOOKING. THIS PASS DOES NOT GUARANTEE ADMISSION AND MUST BE SURRENDERED UPON DEMAND. NO ONE WILL BE ADMITTED WITHOUT A TICKET AND ONLY REVIEWING PRESS WILL BE ADMITTED AFTER THE SCREENING BEGINS. Duplicate passes will not be accepted. Screening passes are non transferable. This ticket is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law. All those found in violation will be prosecuted to the fullest extent of the law. MPAA - No Recording This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device*, you consent to your Immediate removal from the theater and forfeiture of the device.

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Lindsay Lohan's THE CANYONS Poster & Release Date

How far would you go to get ahead in the City of Angels? On behalf of IFC, we are pleased to share the new poster for their provocative and highly anticipated film THE CANYONS, starring Lindsay Lohan and James Deen. The film is directed by Paul Schrader (writer of Taxi Driver and writer/director of American Gigolo) and written by Bret Easton Ellis (author of American Psycho and Less Than Zero).

Lindsay Lohan brings Tara (a character carefully crafted by Bret Easton Ellis) to life a with a great level of authenticity. When speaking with MTV News, the legendary writer stated, "She was probably going through something close to Tara, which was kind of like being trapped. I think she related that to Tara, and that's why that performance feels very lived in, it feels very real."

The VOD event of the summer begins on August 2nd! THE CANYONS will also be available to watch on digital outlets (including iTunes and SundanceNow) and in select theaters next Friday.

THE CANYONS will be available to watch on August 2nd in select theaters, Cable VOD, and digital outlets including SundanceNOW, iTunes, Amazon Streaming, PS3 Playstation Unlimited, XBOX Zune, Google PLAY and YouTube.

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NYMPHOMANIAC ­Check Out 'Chapter 2: Jerôme' With Shia LaBeouf

Check out Chapter 2: Jerôme from Lars Von Trier’s NYMPHOMANIAC:

Starring Charlotte Gainsbourg, Shia LaBeouf, Willem Dafoe, Uma Thurman, Christian Slater, Stellan Skarsgard and Jamie Bell

Lars von Trier's upcoming film, Nymphomaniac, follows a self-diagnosed nymphomaniac, who recounts her erotic experiences to the man who saved her after a beating.

Magnolia Pictures will release NYMPHOMANIAC in early 2014

Watch a clip debut of Shia LaBeouf as Jerôme



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Win Tickets To An Advance Screening We're The Millers In Santa Clara

Win Tickets To An Advance Screening For We're The Millers. The screening is on Aug 5, 2013 7:30 pm at AMC Mercado 20 In Santa Clara.


We're The Millers finds small-scale pot dealer David Burke (Sudeikis) getting into a spot of bother when Ed Helms' sleazy kingpin offers him a potentially lucrative job: smuggle a batch of pot across the border from Mexico back into the US and Burke will score $100,000.


There’s a hitch, however. If he goes across alone, he’ll look suspicious. So Burke nabs an RV and starts to recruit a fake family to hide the fact that he’ll be transporting several kilos of marijuana. Neighbourhood no-good nerd Kenny (Will Poulter) will be his son; crafty Casey (Emma Roberts) his daughter and stripper Rose (Jennifer Aniston) is the woman he asks to be his fake wife.



Make sure to LIKE SandwichJohnFilms on Facebook. If your already a fan make a friend LIKE our page.



Official Website-

See how to win tickets after the Jump...

To get a chance for tickets go to GOFOBO

Enter Code: SANDRMBX

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATRE IS NOT RESPONSIBLE FOR OVERBOOKING. THIS PASS DOES NOT GUARANTEE ADMISSION AND MUST BE SURRENDERED UPON DEMAND. NO ONE WILL BE ADMITTED WITHOUT A TICKET AND ONLY REVIEWING PRESS WILL BE ADMITTED AFTER THE SCREENING BEGINS. Duplicate passes will not be accepted. Screening passes are non transferable. This ticket is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law. All those found in violation will be prosecuted to the fullest extent of the law. MPAA - No Recording This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device*, you consent to your Immediate removal from the theater and forfeiture of the device.

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Win Tickets To An Advance Screening We're The Millers In San Francisco

Win Tickets To An Advance Screening For We're The Millers. The screening is on Aug 5, 2013 7:30 pm at San Francisco.


We're The Millers finds small-scale pot dealer David Burke (Sudeikis) getting into a spot of bother when Ed Helms' sleazy kingpin offers him a potentially lucrative job: smuggle a batch of pot across the border from Mexico back into the US and Burke will score $100,000.


There’s a hitch, however. If he goes across alone, he’ll look suspicious. So Burke nabs an RV and starts to recruit a fake family to hide the fact that he’ll be transporting several kilos of marijuana. Neighbourhood no-good nerd Kenny (Will Poulter) will be his son; crafty Casey (Emma Roberts) his daughter and stripper Rose (Jennifer Aniston) is the woman he asks to be his fake wife.



Make sure to LIKE SandwichJohnFilms on Facebook. If your already a fan make a friend LIKE our page.



Official Website-

See how to win tickets after the Jump...

To get a chance for tickets go to GOFOBO

Enter Code: SANDQYU0

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATRE IS NOT RESPONSIBLE FOR OVERBOOKING. THIS PASS DOES NOT GUARANTEE ADMISSION AND MUST BE SURRENDERED UPON DEMAND. NO ONE WILL BE ADMITTED WITHOUT A TICKET AND ONLY REVIEWING PRESS WILL BE ADMITTED AFTER THE SCREENING BEGINS. Duplicate passes will not be accepted. Screening passes are non transferable. This ticket is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law. All those found in violation will be prosecuted to the fullest extent of the law. MPAA - No Recording This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device*, you consent to your Immediate removal from the theater and forfeiture of the device.

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Win Tickets To An Advance Screening We're The Millers In Sacramento

Win Tickets To An Advance Screening For We're The Millers. The screening is on Aug 5, 2013 7:30 pm at United Artist Arden Fair 6 In Sacramento.


We're The Millers finds small-scale pot dealer David Burke (Sudeikis) getting into a spot of bother when Ed Helms' sleazy kingpin offers him a potentially lucrative job: smuggle a batch of pot across the border from Mexico back into the US and Burke will score $100,000.


There’s a hitch, however. If he goes across alone, he’ll look suspicious. So Burke nabs an RV and starts to recruit a fake family to hide the fact that he’ll be transporting several kilos of marijuana. Neighbourhood no-good nerd Kenny (Will Poulter) will be his son; crafty Casey (Emma Roberts) his daughter and stripper Rose (Jennifer Aniston) is the woman he asks to be his fake wife.



Make sure to LIKE SandwichJohnFilms on Facebook. If your already a fan make a friend LIKE our page.



Official Website-

See how to win tickets after the Jump...

To get a chance for tickets go to GOFOBO

Enter Code: SAND1ZYK

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATRE IS NOT RESPONSIBLE FOR OVERBOOKING. THIS PASS DOES NOT GUARANTEE ADMISSION AND MUST BE SURRENDERED UPON DEMAND. NO ONE WILL BE ADMITTED WITHOUT A TICKET AND ONLY REVIEWING PRESS WILL BE ADMITTED AFTER THE SCREENING BEGINS. Duplicate passes will not be accepted. Screening passes are non transferable. This ticket is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law. All those found in violation will be prosecuted to the fullest extent of the law. MPAA - No Recording This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device*, you consent to your Immediate removal from the theater and forfeiture of the device.

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Win Tickets To An Advance Screening We're The Millers In Fresno

Win Tickets To An Advance Screening For We're The Millers. The screening is on Aug 5, 2013 7:30 pm at Edwards Fresno Stadium 21 & Imax In Fresno.


We're The Millers finds small-scale pot dealer David Burke (Sudeikis) getting into a spot of bother when Ed Helms' sleazy kingpin offers him a potentially lucrative job: smuggle a batch of pot across the border from Mexico back into the US and Burke will score $100,000.


There’s a hitch, however. If he goes across alone, he’ll look suspicious. So Burke nabs an RV and starts to recruit a fake family to hide the fact that he’ll be transporting several kilos of marijuana. Neighbourhood no-good nerd Kenny (Will Poulter) will be his son; crafty Casey (Emma Roberts) his daughter and stripper Rose (Jennifer Aniston) is the woman he asks to be his fake wife.



Make sure to LIKE SandwichJohnFilms on Facebook. If your already a fan make a friend LIKE our page.



Official Website-

See how to win tickets after the Jump...

To get a chance for tickets go to GOFOBO

Enter Code: SANDP9P7

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATRE IS NOT RESPONSIBLE FOR OVERBOOKING. THIS PASS DOES NOT GUARANTEE ADMISSION AND MUST BE SURRENDERED UPON DEMAND. NO ONE WILL BE ADMITTED WITHOUT A TICKET AND ONLY REVIEWING PRESS WILL BE ADMITTED AFTER THE SCREENING BEGINS. Duplicate passes will not be accepted. Screening passes are non transferable. This ticket is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law. All those found in violation will be prosecuted to the fullest extent of the law. MPAA - No Recording This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device*, you consent to your Immediate removal from the theater and forfeiture of the device.

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New Poster For SAVING MR. BANKS

Here is the new poster for SAVING MR. BANKS.

Two-time Academy Award®–winner Emma Thompson and fellow double Oscar®-winner Tom Hanks topline Disney’s “SAVING MR. BANKS,” inspired by the extraordinary, untold backstory of how Disney’s classic “Mary Poppins” made it to the screen.

When Walt Disney’s daughters begged him to make a movie of their favorite book, P.L. Travers’ “Mary Poppins,” he made them a promise—one that he didn’t realize would take 20 years to keep. In his quest to obtain the rights, Walt comes up against a curmudgeonly, uncompromising writer who has absolutely no intention of letting her beloved magical nanny get mauled by the Hollywood machine. But, as the books stop selling and money grows short, Travers reluctantly agrees to go to Los Angeles to hear Disney’s plans for the adaptation.

For those two short weeks in 1961, Walt Disney pulls out all the stops. Armed with imaginative storyboards and chirpy songs from the talented Sherman brothers, Walt launches an all-out onslaught on P.L. Travers, but the prickly author doesn’t budge. He soon begins to watch helplessly as Travers becomes increasingly immovable and the rights begin to move further away from his grasp.

It is only when he reaches into his own childhood that Walt discovers the truth about the ghosts that haunt her, and together they set Mary Poppins free to ultimately make one of the most endearing films in cinematic history.

Disney presents “Saving Mr. Banks,” directed by John Lee Hancock, produced by Alison Owen, Ian Collie and Philip Steuer, and written by Kelly Marcel and Sue Smith. Executive producers are Paul Trijbits, Andrew Mason, Troy Lum and Christine Langan. The film will release in U.S. theaters on December 13, 2013, limited, and open wide on December 20, 2013.

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STAN LEE EXPERIENCE At AT&T Park Aug 7th

The San Francisco Giants team with MARVEL genius STAN LEE for the Ultimate VIP Experience


STAN LEE EXPERIENCE
A VIP Experience at AT&T Park
Wednesday, Aug 7 vs. the Milwaukee Brewers at 7:15 p.m.

The San Francisco Giants are proud to announce an event honoring the genius behind the Marvel empire, Stan Lee!

VIP SPECIAL EVENT TICKET FULL PACKAGE INCLUDES:

* access to Triples Alley premium space from 4:45pm-6:45pm
* complimentary food and beverage (including beer and wine)
* access to on-field warning track to watch batting practice
* special visit by the genius himself, Stan Lee!
* LIMITED-EDITION GIANTS-THEMED ART PRINT, INSPIRED BY THE LEGEND HIMSELF, STAN LEE - each piece is numbered and signed by both Stan Lee and Sergio Romo

Whether you already have a game ticket or not, there are ways to participate in the VIP Special Event. If you do not have a game ticket, you can purchase the “Full Package”, which includes full access to the Triples Alley pre-game party space, as well as a Lower Box ticket. If you already have a ticket to the game, you can purchase the “Add-On” option, which includes full access to the Triples Alley pre-game party space. Please Note: in order to purchase the “Add-On” option and attend the VIP event, you must have a valid game ticket, as well.

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ROMEO & JULIET Trailer

On behalf of Relativity Media, we are pleased to share the official trailer for their upcoming film ROMEO & JULIET – starring Academy Award© Nominee Hailee Steinfeld, Douglas Booth, Stellan Skarsgard, Damian Lewis, Paul Giamatti and Ed Westwick. The classic story has been adapted by award-winning writer Julian Fellowes (Downton Abbey) allowing a new generation to discover the timeless tale of everlasting love.

Romeo and Juliet, William Shakespeare’s epic and searing tale of love, is revitalized on screen by writer Julian Fellowes (Downton Abbey) and director Carlos Carlei (The Flight of the Innocent). An ageless story from the world’s most renowned author is reimagined for the 21st Century. This adaptation is told in the lush traditional setting it was written, but gives a new generation the chance to fall in love with the enduring legend. With an all-star cast including Hailee Steinfeld, Douglas Booth, Paul Giamatti and Stellan Skarsgard, it affords those unfamiliar with the tale the chance to put faces to the two names they’ve undoubtedly heard innumerable times: Romeo and Juliet. Every generation deserves to discover this lasting love.

Watch the trailer after the Jump...



Be sure to check out ROMEO & JULIET on:
Instagram: Romeoandjulietthefilm
Twitter: @romeojulietfilm
Facebook: Facebook.com/romeoandjulietthefilm
#RomeoandJuliet

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Thursday, July 25, 2013

The Wolverine Review. Tries Hard To Get Our Attention, But Fails Utterly In Keeping It

The Wolverine Review
By: MattInRC

The Wolverine reminds us why 20th Century Fox should stop making Marvel movies.


Marvel seems like an invincible studio these days. Fresh off the billion dollar successes of The Avengers and Iron Man 3, one might assume this was always a sleeping giant just waiting to be awakened. Few will remember the reality, when in the late 90's Marvel was nearly bankrupt and in a fit of economic desperation, sold the distribution rights to several of its top characters. Pawning off X-Men and Fantastic Four to Fox, and Spider-man to Sony seemed like a way to keep the Marvel name out there, even if the comic book side died entirely. Since then, two camps of nerds have emerged to debate its merits: the comic book purists and the movie fans. None has received the backlash of groans and disdain more than 20th Century Fox, who created a great-looking series of X-Men movies, but failed to adhere to the nearly 50 years of established canon. On the way to making the accidentally great X-Men: First Class, they also created the unpopular (Fantastic Four, Daredevil, Elektra) and the incoherent (X-Men Origins: Wolverine), further angering fans who just wanted to watch great movies. Has Fox reversed that trend with their newest film, The Wolverine? Sadly, no.


Here's the plot: Logan/Wolverine (Hugh Jackman, Real Steel) is given the chance to lose his Adamantium claws to save the life of Yashida (Hal Yamanouchi), a man he previously saved during WWII when Nagasaki was bombed. Along the way, he gets involved in a deadly turf war involving the Yakuza clan and an assassination plot of Yashida's granddaughter Mariko (Tao Okamoto) by her father. Underneath this layer is the mutant Viper (Svetlana Khodchenkova), whose infection of Wolverine with a device that keeps him from regenerating forces Yashida's adopted pixie daughter Yukio (Rila Fukushima) to defend Logan while helping to uncover the plot. In the end, the three sides meet, with Logan saving the day while battling the machine Silver Samurai, whose host is not whom you would expect.


The Wolverine wants desperately to be taken seriously, and for awhile we're buyers. The story early on is deep, the characters dynamic, and the idea of a mortal Wolverine plays pretty well. Playing in his fifth X-Men movie, Jackman is Wolverine - from the scowl, the 'bub' mockery, and the brooding - there is no doubt that he is the perfect fit. Jackman occupies the role totally and without equal, although many females in the audience will be lulled into enjoying his chiseled physique while missing several key quality control issues which ultimately derail the film. Simply put, The Wolverine suffers from terrible CGI, offers nothing new action-wise, and introduces terribly contrived mutant enemies for our hero to battle. These problems become apparent early on and painfully stick around like the disease infecting Logan's body. Moreover, when the predictable third act is presented, our villain is so poorly inadequate to the task of defeating Logan and his team that we're left wondering why Fox picked a character for whom Wolverine never fought in the particular comic that the movie was based on. That might seem picky, but I think movie and comic fans alike can agree on the idea that a great action film starts with a thoroughly hated bad guy. When Logan comes upon Viper, we're not impressed in the slightest, and The Silver Samurai - depicted here as a cross between Thor's Destroyer and Iron Man - could have been easily beatable by almost anyone associated with the X-Men franchise.


And then there's Wolverne's Adamantium claws, which supposedly cannot be broken by anything once they've cooled and hardened - not even from Samurai's hot Adamantium sword. Fox rewrites its own movie canon established in X-Men Origins: Wolverine, further confusing the audience and demonstrating that their idea of canon is whatever it wants to be at that particular time. Take away the stunning post-credit scene (one of the best of any Marvel film), and most will probably stumble out of the darkened theater feeling extremely disappointed. Failure here lies squarely on Director James Mangold's (3:10 to Yuma) shoulders, as well as Writers Scott Frank (Minority Report) and Mark Bomback (Live Free or Die Hard), who apparently forgot that a film has three acts, and that a deep story like The Wolverine must by balanced with superb action and a great villain to keep audiences from staring at their watches.

The Wolverine does a decent job of getting our hopes up, only to fall way short of its early high laurels. Perhaps it's time that Fox give back these properties to Marvel, so that any lingering anger and confusion among fans can finally be put to rest. We deserve better, although we're probably destined to see many more of these before Marvel takes more aggressive steps to get the rights back. For now, I'd wait for it as a rental - it's just not worth your time. The Wolverine is rated PG-13 for sequences of intense sci-fi action and violence, some sexuality and language and has a runtime of 126 minutes.

Discuss this review with fellow SJF fans on Facebook. On Twitter, follow us at @SandwichJohnFilms, and follow author Matt Cummings at @mfc90125.

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Marvel's Agent Carter One-Shot Clip

If you seethed with barely contained envy when the San Diego Comic-Con was treated to Agent Carter, the brand new Marvel One-Shot, last weekend, you may be happy to learn that a clip has been put online.

Set a year after the events in Captain America: The First Avenger, the short story finds Hayley Atwell’s resourceful Peggy Carter trying to throw herself into work following the disappearance of Chris Evans’s Steve Rogers.

Trouble is, she’s been transferred to a new government agency where her superior (in title only), played by Bradley Whitford has decided that a woman’s work should be limited to desk jobs. Naturally, Peggy disagrees and uses a tip-off as a chance to head out on a mission.



Directed by Louis D’Esposito (who also made last year’s Item 47), Agent Carter will be included in the Blu-ray and digital HD versions of Iron Man 3.

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Wednesday, July 24, 2013

FOX SEARCHLIGHT PICTURES BELLE in Select Theaters

FOX SEARCHLIGHT PICTURES IS PLEASED TO ANNOUNCE THE RELEASE OF BELLE IN SELECT THEATERS ON FRIDAY, MAY 2, 2014.

BELLE is inspired by the true story of Dido Elizabeth Belle (GUGU MABATHA-RAW), the illegitimate mixed race daughter of a Royal Navy Admiral. Raised by her aristocratic great-uncle Lord Mansfield (TOM WILKINSON) and his wife (EMILY WATSON), Belle’s lineage affords her certain privileges, yet the color of her skin prevents her from fully participating in the traditions of her social standing. Left to wonder if she will ever find love, Belle falls for an idealistic young vicar’s son bent on change who, with her help, shapes Lord Mansfield’s role as Lord Chief Justice to end slavery in England.

Cast:
Gugu Mbatha-Raw, Tom Wilkinson, Emily Watson, Sarah Gadon, Penelope Wilton, Miranda Richardson, Tom Felton and Matthew Goode

Directed by:
Amma Asante

Screenplay by:
Misan Sagay

Produced by:
Damian Jones

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Guardians Of The Galaxy Starts Production

Marvel’s “Guardians of the Galaxy” Commences Principal Photography in the UK in Preparation for August 1, 2014 Film Release

Guardians of the Galaxy,” the next epic adventure from Marvel Studios has started shooting at the UK’s Shepperton Studios. Directed by James Gunn (“Slither,”“Super”) from his screenplay, with a story by Nicole Perlman and Gunn, the film will introduce audiences to a whole new side of the Marvel Cinematic Universe. The all-star cast includes Chris Pratt (“Zero Dark Thirty”, “Moneyball”) as Peter Quill aka Star-Lord, Zoe Saldana (“Star Trek Into Darkness”, “Avatar”) as Gamora, Dave Bautista (“Riddick”) as Drax the Destroyer, Lee Pace (“The Hobbit,” “Lincoln”) as Ronan the Accuser, Michael Rooker (AMC’s “The Walking Dead”) as Yondu, Karen Gillan (BBC TV’s “Doctor Who”) as Nebula, two-time Academy Award® nominee Djimon Hounsou (“Amistad”, “Gladiator”) as Korath, with Academy Award® winner Benicio del Toro (“Traffic”) as The Collector, Academy Award® nominee John C. Reilly (“Chicago”) as Rhomann Dey, and six-time Academy Award® nominee Glenn Close (“Albert Nobbs,” “Fatal Attraction”) as Nova Prime. Marvel’s “Guardians of the Galaxy” is slated for an August 1, 2014 release in the U.S.

Marvel Studios’ President Kevin Feige is producing the film. The executive producers are Louis D’Esposito, Victoria Alonso, Jeremy Latcham, Alan Fine and Stan Lee; the co-producer is Nik Korda.

The creative team includes director of photography Ben Davis, BSC (“Wrath of the Titans”, “Kick-Ass”), production designer Charles Wood (“Thor: The Dark World”), BAFTA-nominated Editor Fred Raskin (“Django Unchained,” “Fast Five”) and Academy Award®-winning editor Hughes Winborne, A.C.E. (“The Help,” “Crash”), and Academy Award® winning costume designer Alexandra Byrne (“Marvel’s The Avengers,” “Elizabeth The Golden Age”). The film will also shoot at Longcross Studios, and locations in and around London.

Marvel Studios’ last two releases were “Marvel’s The Avengers” and “Iron Man 3,” which are the #3 and #5 highest grossing films of all time and the two highest-grossing films ever released by the Walt Disney Company. The two films are the #1 and #2 all-time domestic 3-day weekend box office record holders at $207.4 million and $174.1 million respectively. The studio’s upcoming release schedule includes “Thor: The Dark World” on November 8, 2013, and “Captain America: The Winter Soldier” on April 4, 2014.

ABOUT MARVEL ENTERTAINMENT:
Marvel Entertainment, LLC, a wholly owned subsidiary of The Walt Disney Company, is one of the world's most prominent character-based entertainment companies, built on a proven library of over 8,000 characters featured in a variety of media over seventy years. Marvel utilizes its character franchises in entertainment, licensing and publishing. For more information, visit marvel.com.

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THE SPECTACULAR NOW Clip "First Kiss"

We have another clip from the upcoming film. THE SPECTACULAR NOW, opening in NY/LA on August 2 (and nationwide on August 23).

With sly humor and an intensity of feeling, THE SPECTACULAR NOW (directed by James Ponsoldt) creates a vivid, three-dimensional portrait of youth confronting the funny, thrilling and perilous business of modern love and adulthood. This is the tale of Sutter Keely (Miles Teller), a high school senior and effortless charmer, and of how he unexpectedly falls in love with "the good girl" Aimee Finecky (Shailene Woodley). What starts as an unlikely romance becomes a sharp-eyed, straight-up snapshot of the heady confusion and haunting passion of youth - one that doesn't look for tidy truths. The film was written by Scott Neustadter and Michael Weber (500) DAYS OF SUMMER and also features wonderful supporting turns from Brie Larson, Kyle Chandler, Jennifer Jason Leigh, and Mary Elizabeth Winstead.

The clip features the first kiss between Aimee (Shailene Woodley) and Sutter (Miles Teller), highlighting the end of a sequence filmed in one long take. Below, director James Ponsoldt provides a quote about shooting one of his favorite scenes in the film.



"This is one of my favorite scenes in the entire movie. I always knew I wanted to film in it one long, continuous, unedited take, walking and talking with Aimee and Sutter, feeling like we -- the audience -- are part of a natural conversation that ebbs and flows from goofy and awkward to serious to emotional to flirtatious and nervous to...a first kiss. I wanted the scene to feel as natural as life. Of course, it meant that the burden was on Shailene and Miles to nail the scene (in a long take, everything has to come together perfectly -- or else the shot is useless) -- and our camera operator had to back-pedal for 5 minutes on a muddy, slippery path.

What Shailene and Miles ultimately did in this scene is so casual and unguarded and spontaneous that some people think the scene was improvised. It wasn't. Shailene and Miles are just that great as actors -- so present, so connected to their roles, and so willing to embrace whatever happens in the moment (bumping into a tree branch or swatting a pesky mosquito, hearing rumbling storm clouds, etc.).

To put it simply, here's why this scene is one of my favorites: it actually feels like two people falling for each other.

I've seen this scene over a thousand times and I still get chills when Miles and Shailene kiss. I'm so, so inspired by their beautiful work." - director James Ponsoldt

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3 New Clips From "PLANES"

Today we got our hands on 3 New clips for Disney’s PLANES.

Make sure to check back soon, we will be hosting a screening for this upcoming film.

Disney’s Planes” is an action-packed 3D animated comedy adventure featuring Dusty (voice of Dane Cook), a plane with dreams of competing as a high-flying air racer. But Dusty’s not exactly built for racing—and he happens to be afraid of heights. So he turns to a seasoned naval aviator who helps Dusty qualify to take on the defending champ of the race circuit. Dusty’s courage is put to the ultimate test as he aims to reach heights he never dreamed possible, giving a spellbound world the inspiration to soar. “Disney’s Planes” takes off in theaters on Aug. 9, 2013. For more information, check out Disney.com/Planes, like us on Facebook: facebook.com/DisneyPlanes and follow us on Twitter: twitter.com/DisneyPictures.


Planes - Film Clip "Bulldog Shamed"


Planes - Film Clip "Dusty Meets El Chupacabra"


Planes - Film Clip "Strut Jetstream"

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New JOBS INSTAGRAM CLIP. "Jobs On Problem Solving Clip"

Following up from last week’s “Jobs on Recruiting” INSTAGRAM CLIP, Open Road Films has just released a new Instagram clip called “Jobs on Problem Solving” which shows how Steve Jobs let nothing stand in the way of greatness. JOBS, starring Ashton Kutcher, Josh Gad, Dermot Mulroney, Lukas Haas, J.K. Simmons, Matthew Modine, and James Woods.

See #JobsMovie on August 16th and FOLLOW http://instagram.com/jobsthefilm/ for more #Jobstagrams

It only takes one person to start a revolution.

The extraordinary story of Steve Jobs, the original innovator and ground-breaking entrepreneur who let nothing stand in the way of greatness. The film tells the epic and turbulent story of Jobs as he blazed a trail that changed technology -- and the world – forever.

CAST: Ashton Kutcher, Josh Gad, Dermot Mulroney, Lukas Haas, J.K. Simmons, Matthew Modine, James Woods
DIRECTOR: Joshua Michael Stern

Watch the BRAND NEW "Jobs on Problem Solving" INSTAGRAM CLIP after the Jump...



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Aubrey Plaza As Daria

Daria is all grown up! Check out Aubrey Plaza in a College Humor original sketch:

Starring Aubrey Plaza, Johnny Simmons, Bill Hader, Alia Shawkat, Sarah Steele, Rachel Bilson, Christopher Mintz-Plasse, Donald Glover, Scott Porter, Andy Samberg, Connie Britton and Clark Gregg

CBS Films will release THE TO DO LIST in theaters This Friday, July 26, 2013.

Watch the clip after the Jump...



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Michael B. Jordan To Star In "Creed" The Grandson Of Apollo Creed

MGM is setting Ryan Coogler to direct Creed, and the studio is in early talks with Coogler’s Fruitvale Station star Michael B. Jordan to play the grandson of Apollo Creed in a continuation of the Rocky saga that Coogler is going to write with Aaron Covington. Sylvester Stallone will reprise Rocky Balboa as a retired fighter-turned-trainer. This comes in the wake of a strong summer platform opening for Fruitvale Station, the film that won both the Grand Jury Prize and the Audience Awards at Sundance, and captured Prize Of The Future at the Cannes Film Festival, where Coogler and Jordan were the toast of the Croisette. Coogler intends for this to be his directorial follow-up to Fruitvale Station so the intention is to make it happen quickly.

Now, I know the knee-jerk reaction is to say it’s hard to get excited about what amounts to the seventh film in the Rocky series. This feels different to me, mostly because of how it came together. Much the same way that Coogler burned with the desire to tell the tragic story of Oscar Grant in his feature debut and begged Jordan to play the role in the $900,000 budget film, this whole idea also came from Coogler. When he signed with WME, Coogler identified Creed as a dream project. While Coogler already had the relationship with Jordan, the agency put him together with Stallone. Stallone, who is right now heavily involved in a stage musical transfer of his original Oscar-winning 1976 film Rocky, loved the idea and felt it was strong enough for him to bring back his signature screen character. Stallone and Coogler then approached MGM’s Gary Barber and Jon Glickman, and they flipped for it. The film will be produced by Irwin Winkler and Robert Chartoff, who produced the original, along with Stallone and Kevin King.

The intention is for Jordan to play the grandson of Apollo Creed (played in the early movies by Carl Weathers). Raised in an upper-crust home thanks to the ring riches earned by his grandfather, the young man doesn’t have to box and his family doesn’t want him to. Yet, he has the natural instinct and gifts and potential that made his grandfather the heavyweight champion until Rocky Balboa took his crown in 1979′s Rocky II. Creed’s grandson needs a mentor and turns to Balboa, who is out of boxing completely and not eager to return.

Balboa was Apollo Creed’s greatest opponent and later his best friend until that fateful moment when Balboa heeded Creed’s wishes and didn’t stop the fight against the Soviet fighter Drago (played by Dolph Lungdren in 1985′s Rocky IV) before the giant delivered what proved to be a fatal beating.

What is intriguing is how Coogler intends to plug back into the mythology of the first three Rocky films, which were the best ones, and then move the story forward. Jordan seems perfect for the role, given his charisma and intensity, and the fact he’s a natural athlete and was a most convincing quarterback in the final seasons of Friday Night Lights. Coogler played college football on a scholarship as a wide receiver, so he has a background in jock culture.

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Tuesday, July 23, 2013

X-Men: Days Of Future Past Character Posters

Duality and split personas have been part of superhero cinema for years but usually it’s one actor playing two parts (Superman and Clark Kent, Batman and Bruce Wayne, etc.) not two actors sharing one name in the credits.


That comes across in these intriguing new promotional posters for the 2014 film Dawn of the Planet of the Apes and it came across this weekend in San Diego at Comic-Con International panel featuring four actors who inhabit two mutants; Patrick Stewart and James McAvoy as a melded Professor X and Ian McKellen and Michael Fassbender as a polarized versions of Magneto.


The Bryan Singer movie is based on a classic two-issue comics tale that introduces a bleak future where powerful machines subjugate and butcher the warm-blooded populace,, which leads to a desperate time-travel gamble Yes that all sounds like a rip-off of The Terminator – but X-Men comics writer Chris Claremont and artist John Byrne was published by Marvel Comics in 1981, three years before James Cameron fired-up the Skynet artificial intelligence.

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Source-EW
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Audi USA Joins Forces With The Wolverine

Audi USA and 20th Century Fox Join Forces to create original content for The Wolverine

Audi USA, joining forces with 20th Century Fox, today announced the release of original content inspired by The Wolverine and starring the Audi 2014 R8 V10 Spyder and the Ducati Diavel Cromo motorcycle to promote the film, in theaters nationwide this Friday.
Releasing a high-speed light painting and artistic original content for the movie, Audi is blazing new trails with the studio to deliver cutting edge creative to Wolverine fans.

The pieces, captured by a Canon EOS C300 digital camera at the Tango Row air strip at San Bernadino International Airport in California, it promote the integration of the Audi brand in a uniquely artistic manner. The visual style blends the high-powered nature of the Audi R8 and the Ducati Diavel Cromo with the aggressive aesthetic of The Wolverine. The content uses long exposures of the iconic headlights and tail lights of the vehicles to create a “light painting” of Wolverine's Adamantium claws, using a combination of live action and computer-generated imagery (CGI).



The campaign was inspired by Audi’s role in the movie and its joint activity with 20th Century Fox.

ABOUT 20TH CENTURY FOX
One of the world’s largest producers and distributors of motion pictures, 20th Century Fox produces, acquires and distributes motion pictures throughout the world. These motion pictures are produced or acquired by the following units: Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Fox International Productions and Twentieth Century Fox Animation.

ABOUT AUDI OF AMERICA
Audi of America, Inc. and its U.S. dealers offer a full line of German-engineered luxury vehicles. AUDI AG is among the most successful luxury automotive brands globally. Audi was a top-performing luxury brand in Europe during 2012, and broke all-time company sales records in the U.S. Through 2016, AUDI AG will invest about $17 billion on new products, facilities and technologies. Visit www.audiusa.com or www.audiusanews.com for more information regarding Audi vehicle and business issues.

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The Conjuring Review. It's The Best Horror Film Of The Year

The Conjuring Review
By: MattInRC
The intensely creepy The Conjuring is old school scare-fest at its best.


Last year, we were gifted with only one really good horror flick, Sinister. The rest was pretty much a wasteland filled with the subpar ParanormalActivity 4, The Possession, and Silent Hill Revelation 3D. Yep, it was that bad. In 2013, we've seen the pretty good (Mama) and the pretty awful (Evil Dead). Luckily, The Conjuring fits nicely into the previous, establishing itself as a well-constructed old-school horror flick.


Ed (Patrick Wilson, Watchmen) and Lorraine Warren (Vera Farmiga, Up in the Air) are top-flight paranormal investigators who’ve journeyed across the country cleansing America of the spirit world and talking about their experiences. Lorraine is a clairvoyant who’s recovering from a particularly devastating investigation, while Ed is the scientist who maintains a bizarre collection of ‘investigation memorabilia’ in his basement. Meanwhile, the newly-moved Perron family has bought a Rhode Island fixer-upper, unaware of its dangerous past. Almost as soon as they move in, tragedy overtakes the family, and it becomes clear to the mother Carolyn (Lili Taylor, High Fidelity) and Roger (Ron Livingston, Office Space) that their family is in eminent danger. Picture frames are knocked down, all clocks in the home stop every evening at an ominous 3:07, and shadowy figures routinely open the basement door. After falling down those same basement stairs, Carolyn comes face to face with a particularly dangerous spirit who has taken on the children’s love for hide and seek way too far. Soon, it attaches itself to two of the five children, making its appearance apparent only to them. Lorraine immediately senses the deep and murderous spirit and its intentions, leaving Ed to wonder if his wife too will fall under its power. This sets the stage for a deadly showdown between practiced science and forces that not even the Warrens understand.


Director James Wan paints one of the prettiest retro pictures in recent memory, wrapping us in 70’s browns and oranges, while outfitting the Warrens with classic scientific instruments including motion cameras and UV lights. These are utilized to great effect as they attempt to document the spirits which permeate the home, including the plotting of where one of them is entering the premises. The large armoire seen in the trailers plays a central role in Conjuring, and its constant appearance becomes a powerful symbol of the evil that returns just often enough for you to fear it.


But The Conjuring is much more than haunted armoires and rehearsed jump-out-of-your seat moments: it’s slickly written by Chad and Carey Hayes (The Reaping), who begin the film by demonstrating the Warren’s acumen in another investigation involving a grumpy and obstinent doll. They get the idea that great horror films need characters which audiences can relate, but also utilize earlier elements in later scenes to keep the big scares coming. With this unique opening, the Hayes ratchet up the tension before we even get comfortable, and Wen delivers with the direction, establishing their game plan early: creep them out, make us love the characters, then hit us over the head with that well-placed shock. Wilson and Farmiga are terrific, crafting their roles with both precision and just enough emotional edge to keep reality intact, but able to bring the dramatics when needed. Ditto for the Perrons, including the arrival of Joey Fisher (Oz: The Great and Powerful) as one of the demon’s unfortunate victims. Its solid cast and great performances endear us to the both the Perrons and Warrens, making the fright even more pronounced. We want these characters to survive, but it’s also true for the ghosts, who in a sort of strange way endear themselves with their need for closure. Even though it’s exactly what the Warrens are trying to provide, the spirits’ unwillingness to go creates great theater.

Another strength is the lack of gore, minus a good scene near film's end. It's not the splat-bath we've been forced to endure with lesser films, but a symbol of the intelligence of our creative team. Again, the key lies in effective storytelling that keeps the CGI to a minimum and the shock/tension an active player. There are well-placed classic horror jumpers, lead by a powerful soundtrack from Joseph Bishara. If you’ve read my previous reviews, you know the importance I place upon a good score, and The Conjuring delivers on this level as well.

And while it's a great experience, Conjuring does suffer from minor editing issues that ignore certain breadcrumbs established in Act 1. Also, it doesn't leave a lasting impression upon exit, although you will talk about it immediately in terms of its totality. There’s too many ‘don’t go there’ moments that the genre just can’t seem to get away from, and I wish we could just see people learn to stay away from obvious danger. Again, these minor issues shouldn’t keep you from seeing it, as it more than makes up for any clichés.

In the end, The Conjuring is scare-fest done right. Its deep cast, effective storytelling, and direction mix well with its lived-in 70’s look and instantly establishes itself as a candidate among the Top 10 horror flicks of all time. In a time when splatter-shock is all the rage – while ignoring the most basic things that can fear us – The Conjuring happens to put it all together for our enjoyment. The Conjuring is rated R and has a runtime of 112 minutes.

Discuss this review with fellow SJF fans on Facebook. On Twitter, follow us at @SandwichJohnFilms, and follow author Matt Cummings at @mfc90125.

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Win Tickets To An Advance Screening THE SMURFS 2 In Sacramento

Win Tickets To An Advance Screening For THE SMURFS 2. The screening is on Jul 28, 2013 11:00 am at Regal Natomas Stadium 16 In Sacramento

THE SMURFS 2 is an upcoming 2013 American 3D family comedy film and a sequel to the 2011 film The Smurfs. It is based on The Smurfs comic-book series created by the Belgian comics artist Peyo. It will be the second installment of 'a projected trilogy, produced by Sony Pictures Animation and distributed by Columbia Pictures. The film is directed by Raja Gosnell, who helmed the first, with all the main cast returning. New cast includes Christina Ricci and J. B. Smoove as members of the Naughties, and Brendan Gleeson as Patrick Winslow's stepfather.


The wizard Gargamel creates Vexy (voice of Christina Ricci) and Hackus (voice of J. B. Smoove), two Smurf-like creatures called Naughties, that he hopes will allow him to harness magical Smurf essence. He kidnaps Smurfette to Paris, where he is a celebrity sorcerer. Papa, Clumsy, Grouchy and Vanity reunite with their real-world friends Patrick and Grace Winslow for a rescue attempt.


NO PURCHASE NECESSARY


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Official Website-

See how to win tickets after the Jump...

To get a chance for tickets go to GOFOBO

Enter Code: SAND97RL

DISCLAIMER: ARRIVE EARLY! SEATING IS FIRST-COME, FIRST-SERVED, EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. THEATER IS OVERBOOKED TO ENSURE A FULL HOUSE. THEATRE IS NOT RESPONSIBLE FOR OVERBOOKING. THIS PASS DOES NOT GUARANTEE ADMISSION AND MUST BE SURRENDERED UPON DEMAND. NO ONE WILL BE ADMITTED WITHOUT A TICKET AND ONLY REVIEWING PRESS WILL BE ADMITTED AFTER THE SCREENING BEGINS. Duplicate passes will not be accepted. Screening passes are non transferable. This ticket is NOT for resale. Reselling of tickets is strictly prohibited and punishable by law. All those found in violation will be prosecuted to the fullest extent of the law. MPAA - No Recording This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio and/or visual recording device including laptop computers into the theater and you consent to physical search of have against you. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability (including damages up to $150,000). *This includes, by way of example only, smart phones and your belongings and person for such device. If you attempt to enter with a recording device, you will be denied admission. If you attempt to use a recording device*, you consent to your Immediate removal from the theater and forfeiture of the device.

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