sandwichjohnfilms

Enter for a chance to see  DON'T BREATHE  on August 23rd at 7:00 PM in Houston. DON'T BREATHE  is a horror thriller film directed by Fede Alvarez and written by Alvarez and Rodo Sayagues. The film stars Jane Levy, Dylan Minnette, Daniel Zovatto , and Stephen Lang . Rocky, a teenage delinquent living with neglectful parents, promises her younger sister to move away with her. Looking for the right amount of cash to run away with in order to do so, her boyfriend, Money, convinces her to break into the home of a blind man who supposedly has a safe in the basement. Breaking in the middle of the night with her friend Alex, they discover the blind man is not as helpless as he seems. See how to enter after the Jump... Make sure to  LIKE   SandwichJohnFilms  on  Facebook  and follow us on  Twitter  for all your entertainment news and to be to notified about our upcoming Advance Screenings. Also make sure to subscribe and download our  Podcast CLICK HERE TO ENTER- N

Enter for a chance to see  HELL OR HIGH WATER  on August 11th at 7:00 PM in PHOENIX. A story about the collision of the Old and New West, two brothers -- Toby ( Chris Pine ), a straight-living, divorced father trying to make a better life for his son; and Tanner ( Ben Foster ), a short-tempered ex-con with a loose trigger finger -- come together to rob branch after branch of the bank that is foreclosing on their family land. The hold-ups are part of a last-ditch scheme to take back a future that powerful forces beyond their control have stolen from under their feet. Vengeance seems to be theirs until they find themselves in the crosshairs of a relentless, foul-mouthed Texas Ranger ( Jeff Bridges ) looking for one last triumph on the eve of his retirement. As the brothers plot a final bank heist to complete their plan, a showdown looms at the crossroads where the last honest law man and a pair of brothers with nothing to live for except family collide. See how to enter after the

Jason Bourne is a competent but otherwise pedestrian action sequel. Review by Matt Cummings When The Bourne Identity exploded into theaters in 2002, one could feel the entire genre shift under them. Reacting to a post-9/11 world of the uber-spy state, we were also treated to a very human story of a man struggling to regain his identity. It re-energized James Bond, while establishing a new plateau for what a smart action film could be. But that feels like 20 years ago, as Jason Bourne results in a competent but utterly pedestrian affair, making us wonder if this series needs a similar bail out. Struggling to find his way after learning of his former identity, Jason Bourne (Matt Damon) is still tortured by the long list of bodies he's left in the wake. But when his former CIA-turned-ally Nicky (Julia Stiles) decides to release all black-ops data about Treadstone and other programs to the public, Bourne learns that her data includes new information about his fathe

Bad Moms is a naughty, nasty, raunchfest that's also one of the best comedies of the year. Review by Matt Cummings As we head into the home stretch for the Summer 2016 box office, one thing is abundantly clear: it's been the worst in terms of quality releases as far back as I've been writing about it. Luckily, Bad Moms arrives to make this long list of trash a bit more bearable while establishing itself as potentially the sleeper hit of the year. And yet its message is one that I hope doesn't resonate with stressed out moms ready to party it up at the expense of their children. For stressed-out mom Amy (Mila Kunis), every day is spent rushing to parent meetings, working full-time hours at her part-time job, and trying to get her husband to actually do some parenting along the way. But when her marriage suddenly ends over a long-time affair, Amy is forced to take on her entitled kids, house, dog, and the pressures of a bake sale headed by bitchy PTA pres

Woody Allen's newest isn't exactly...new. Or worth your time. Review by Matt Cummings In the era of modern film - one where gritty violence, sexual dominance, and larger-than-life comic book heroes dominate the theaters, Filmmaker Woody Allen is certainly cut from a cloth that seems to be fading. His most recent affair - the dramedy Café Society - also seems tattered at the edges, an uninspiring story of adulthood and the choices one must live with even when those choices make no sense to the audience for which they're intended. Set among the palm trees and stars of 1930's Hollywood, Bobby (Jesse Eisenberg) has come from his Jewish home in New York, hoping to find glamour and purpose away from his father's watch business. However, his powerful casting mogul uncle Phil (Steve Carrell) won't give him the time of day, as he's too busy hob-knobbing with stars like Barbara Stanwyck, James and Betty Davis. Eventually Phil relents, giving Bobby a

Batman: The Killing Joke wastes a golden opportunity to return WB to animation greatness. WARNING: This review contains major spoilers. Review by Matt Cummings As an avid collector of the DC Animated Universe, I've been a little miffed at the many recent changes behind the scenes. With Producer Bruce Timm hitting a homerun with both Batman: The Animated Series and Justice League , his removal in recent years (replacing him with James Tucker) has since left the animated side of DC feeling entirely empty. Replacing familiar voices for (frankly) cheaper ones, the films have suffered as well. So when it was announced that Batman: The Killing Joke would see Timm, Mark Hamill, and Kevin Conroy return, I was excited to see the animated version of The Blues Brothers making a triumphant return. But that's not the case. Fighting crime in Gotham has let Barbara Gordon/Batgirl (voiced by Tara Carter) a bit flustered. Her boss Bruce Wayne/Batman (Conroy) is demanding a

Lights Out is more rental fodder than a worthwhile theatrical scarefest. Review by Erika Garcia-Santos A mentally unstable mother’s deceased childhood friend brings itself back to life through a paranormal phenomenon that leaches off the mother’s illness. The mom, Sophie, has a dark past that includes her friend, Diana, whom she met while admitted to a mental hospital. Diana’s possession and obsession of Sophie bleeds through the afterlife into our world where she will do anything to keep Sophie all to herself. Diana’s reemergence puts Sophie’s children Rebecca and Martin’s lives danger because she is not afraid to get rid of anyone that steals Sophie’s attention. Lights Out is an extension of Director David F. Sandberg’s short film, “Lights Out,” that was released in 2013 and originally was well received. However, this extended version itself is rather short coming in at under a 90-minute runtime. From the very beginning the viewer can tell they are in for a creepy rid

A crime thriller that begins 15 years after the events of the feature film left, about an idealistic young police officer ( Justin Cornwell ) who is appointed to an elite squad of the LAPD where he is partnered with a seasoned, morally ambiguous detective ( Bill Paxton ). Drew Van Acker, Katrina Law, Lex Scott Davis and Julie Benz will also star. Jerry Bruckheimer, Antoine Fuqua, Jonathan Littman, Will Beall and Barry Schindel will executive-produce. Please Leave A Comment-

The new trailer for The Accountant , starring Ben Affleck, Anna Kendrick, J.K. Simmons, Jon Bernthal, Jeffrey Tambor, John Lithgow and directed by Gavin O’Connor. Christian Wolff (Affleck) is a math savant with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world’s most dangerous criminal organizations. With the Treasury Department’s Crime Enforcement Division, run by Ray King (J.K. Simmons), starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk (Anna Kendrick) has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, it is the body count that starts to rise. Please Leave A Comment-

The Rocketeer is one of those movies that found itself sputtering at the box office upon its original 1991 release, but has gone on to be thought of fondly, enjoying cult status and in healthy rotation as a cosplay concept. Now Disney is hoping that translates into success for a reboot/sequel, in development at the studio. While the movie is still in early development, the Hollywood Reporter has heard that it will re-imagine the character as a black female hero who dons the rocket pack and suit to fight evil. Joe Johnston's original was adapted from Dave Stevens' 1980s comic by Danny Bilson, William Dear and Paul De Meo and starred Billy Campbell as Cliff Secord, a stunt pilot who stumbles across an experimental jet pack and gear and gets mixed up with mobsters, Nazis, Howard Hughes and the FBI. Designed as a throwback to the serials of the 1930s and '40s in the same way that Flash Gordon channelled the genre (perhaps with a smidge less camp), The Rocketeer has long sin