Electric Slide aims for Bonnie and Clyde but fails miserably short. The rehashed story never quite gets off the ground, with little tension, it's not only tiresome, but uninteresting. Jim Sturgess plays Eddie Dodson, a Melrose Avenue antiques dealer who decided to become a bank robber. Dodson drove to the banks in a black '63 Ford Galaxy LTD. He dressed up like an elegant criminal. He made mix tapes to listen to on his getaways. And in only nine months, Eddie robbed 64 banks - more than anyone has robbed before or since. Taking its aesthetic cues from Eddie Dodson and the unique moment he occupied in L.A.'s counter cultural history, director Tristan Patterson has forgone the style of straight‐ahead biopics to create a New Wave dream of a romantic outlaw seeking self‐reinvention and immortality in paradise. While Dodson is meant to be a charismatic, and sexy, he emulates creepy more efficiently. There is nothing attractive or compelling about his “give it to me