Atomic Blonde punches, shoots, and sexualizes its way to one of the most enjoyable movies of the year. Review by Matt Cummings If the 2017 box office has proven anything - particularly the worst Summer I can remember - it's that audiences are most likely done with Hollywood's formulaic approach. The idea of unending reboots, sequels, and familiar fare appears to be over, as if consumers have suddenly either reached a breaking point or whose standards have somehow matured. Luckily, Atomic Blonde isn't one of those, mixing deep spycraft, great casting, James Bond-like sexuality, and some of the best fight sequences you'll see in American cinema, easily making it one of the best movies you'll see this year. It’s 1989 Germany, and the Berlin Wall is about to see the end of a sledgehammer, but not all is cause for celebration. An MI-6 agent is dead, and a secret list of the West's deep covert operatives is in the wind. Sent in to secure it is