Skip to main content

BOB MARLEY: ONE LOVE Featurette

Soundtrack Review: 'Chuck' Television Series

A great, quirky representation of the show.

Review by Matt Cummings

Back in the day before geeks and nerds ruled Planet Earth - okay, just eight to be precise - NBC premiered the spy comedy Chuck, created by Josh Schwartz and Chris Fedak. The series centered around Chuck Bartowski (Zachary Levi) as an ordinary computer geek, whose loser life is radically altered when he accidentally opens an email that contains The Intersect, a database of information about the CIA and NSA. Somehow, the entire database downloads into his brain, garnering the attention of NSA Major John Casey (Adam Baldwin) and CIA Agent Sarah Walker (Yvonne Strahovski). With the original file destroyed and Chuck's secret known only to the two agencies, he and his new friends embark upon a series of adventures that reveal much more about Chuck than he ever imagined.

The series was fastened by a strong soundtrack by Tim Jones, which has been compiled in anticipation of the series' release on Blu-ray. From the beginning, it's clear that Jones' outlook on the score was to create as many different sounds as possible, most of which work quite well. Chuck and Sarah The Beginning (7:43) wrap several smaller pieces into larger ones, showing off a gamut of sounds. We go from romantic piano to a sequence that screams Rachel Portman to a great Hans Zimmer syncopated beat at 3:49. Then, at 4:35 we get what only can be described as a collision between Penguins of Madagascar and Mortdecai. It's really terrific, but sadly too short. At 5:20, the tone changes again to classic Pierce Brosnan Bond. The track ends with a variation of the piano theme at 6:27.

This sort of thing is repeated from tracks 4 and on. The only exception is the memorable Track 1 (Bryce Larkin Super Spy). It's pure electronic bad-assery, reflecting a polished sound reminiscent of The Matrix. But then it's back to compilations, from the Devo-inspired Action Theme (3:58), Charlie Foxtrot Shaw (5:37), and A Question And A Spy (4:18). The latter is sure to impress with its deep keyboards and romantic mood, before moving into a fairly simple piano piece. Jones utilizes almost every instrument in probably electronic form that you can imagine, short of a diggeridoo. It's all in good fun, even when the score stumbles around Number 9's All In a Day's Work (5:19). It's not that 9-12 are awful or poorly chosen, but they lack driving themes. They're more set up pieces than standalones.

But even a track like Work (the score's longest) has some gems to it. Fast-forward to 7:29, and you'll hear nothing less than a brilliant tip to none other than Miami Vice. It's terrific. There's pieces that sound like Hans Zimmer (Ellie Rescues Chuck) and Phil Collins-inspired drumming in Mission Time (at 1:55). It's clear that composers like Lorne Balfe (Penguins of Madagascar) might have drawn their influence from Jones. It truly is a diverse amount of music.

The score isn't without its issues. Tracks 10-15 are either covers of classic 80's songs (from selected points in the series) to purely set up music that frankly doesn't go anywhere. They're not awful, but they certainly won't appeal to the hardcore score enthusiast. That's ok, because these are here to bring fans of the series in. I don't have a problem with that.

If you buy the digital version of Chuck, you'll be treated to four additional tracks. These are more 80's covers like Mr. Roboto and Leaving on a Jet Plane. Again, you'll want these if you're a superfan. Chuck vs Rafe (4:33) is the only orchestrated track and it's good but not great.

Chuck: Music From the Television Series is as fun and quirky as the series. Tim Jones excels here with a variety of well-constructed spy genre pieces, all of which demonstrate just how music can elevate a television show or movie. My only complaints are the 7 tracks leading up to the finale and the fact the tracks should have been broken up - there's nothing wrong with a 30-track CD. But the complaint about both is minor. For a series to get such a great score is impressive, and Jones really delivers with a collection of sounds and instruments.

Chuck: Music From the Television Series available now for purchase on digital download and CD.



Discuss this review with fellow SJF fans on Facebook. On Twitter, follow us at @SandwichJohnFilms, and follow author Matt Cummings at @mfc90125.

Comments

Popular posts from this blog

Enter For A Chance To Win Pass To See MARY QUEEN OF SCOTS In Austin

Enter For A Chance To Win Pass To See MARY QUEEN OF SCOTS on December 5th at 7:30 PM in Austin. MARY QUEEN OF SCOTS explores the turbulent life of Mary Stuart ( Saoirse Ronan ). Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne alongside her cousin Elizabeth I ( Margot Robbie ), who rules as England’s Queen. Rivals in power and in love, and female monarchs in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth’s sovereignty. Betrayal, rebellion, and conspiracies within each court imperil both thrones – and change the course of history. CLICK HERE TO ENTER- #MaryQueenMovie www.focusfeatures.com/mary-queen-of-scots twitter.com/maryqueenmovie facebook.com/maryqueenmovie instagram.com/maryqueenmovie SEATING IS LIMITE...

Winona Ryder- An "Alienation" Expert?

Winona Ryder- An "Alienation" Expert? We're halfway checked out for the holiday weekend, so let's end with bit of comedy. A litigious videogame player is calling Winona Ryder to testify as an expert in "alienation." Erik Estavillo has filed a $1 million lawsuit in California Superior Court against Activision Blizzard, publisher of "World of Warcraft," saying it "maintain(s) a harmful virtual environment to many of its customers by forcing them to follow the game's sneaky and deceitful practices." The plaintiff says he suffers from several mental health problems brought on by WoW's "alienating" features, such as forcing beginners to walk or run to get from one point to another instead of speedier options available to those who master the game or buy an expansion pack. Estavillo says that the slow pace is "deceitful" because more time = more subscription revenue for Activision. Here's where Winona Ryder comes...

Sex Tape Review: Overly Sexual, Rude, Vulgar, and Absolutely Hilarious

The raunchy Sex Tape will divide audiences and critics, but who cares? Sex Tape suggests a growing practice among loving partners: that of making a raunchy testament of their escapades for posterity. But what happens when that evidence gets seen by friends, neighbors, and even the mailman? This is the plot that pits Jay (Jason Segel) and Annie (Cameron Diaz) in an effort to secure every iPad gift Jay has given, his record company playlists being the envy of the recipients, but which has also inadvertently spread the video to every device. The reason for the act - termed in the movie as pulling "the full Lincoln " for its three-hour length - stems from the couple's non-existent social life, brought on by the constant demands of their children. The couple has a lot to lose: a burgeoning business relationship between Annie and Hank (Rob Lowe) could end if the iPad she's given to Hank exposes the video, and so the couple sets out to reclaim and wipe the incrim...