Skip to main content

BOB MARLEY: ONE LOVE Featurette

Star Trek Screenwriters Talk About The Sequel

Sequel To Follow The lines Of “The Empire Strikes Back

The 2009 reboot of “Star Trek” was a shining moment for fans of sci-fi and spectacle films and the sequel, due in 2012, may well follow the box-office trajectory of the Christopher Nolan Gotham City films — “Batman Begins” earned the credibility with fans old and new and then “The Dark Knight” delivered the billion-dollar payoff. “Star Trek” writers Alex Kurtzman and Roberto Orci, the tandem that also penned “Transformers” and next summer’s “Cowboys & Aliens” and also created the Fox sci-fi series “Fringe,” are back to script the sequel. The LATimes caught up with the screenwriters, who talked about the challenges ahead and also shared a playful aspiration — an on-screen showdown between Captain Kirk and Darth Vader.

LT: It’s early days on the “Star Trek” sequel, but is there anything you can tell us about the story direction, tone or even the types of challenges you’re anticipating with this next-step project?

AK: Well, we have broken the story, which is very exciting. I think one of the weird challenges that we’re facing on this one is that in many ways, with the first movie, I don’t think people knew what to expect, so when we were in the writing process, Bob and I really spent our time going to things that we loved about “Trek” and it was a very unfiltered process. It felt intimate and small. There weren’t a lot of voices other than [producer] Damon [Lindelof], J.J. and [executive producer] Bryan Burke. Now, that first movie has come up and did well and everyone wants to know what happens next. We didn’t have that pressure, exactly, on the first one. That said, part of what we have to do is listen to it all, ask a lot of questions about what people’s expectations are — and then let all of that go when we sit down to write. We need to find our way back to the same kind of vibe that we had when we wrote the first one: What do we want to see here? What moved us about “Trek”? Where can we go from where we left off?

RO: One of the big challenges is all of the characters are together now. A prequel is a pain in the butt, but one of the nice little advantages was that you get to meet the characters as you go through the story and they get to meet each other. That’s fun. We don’t that luxury of not having the entire family there together at the start of the story. So now you want the character stories to be good for everybody but also not just be there to be stories but also fit into the plot and be organic. We’re looking at a lot of the old episodes for inspiration, still. Whereas the last movie was all about breaking free from “Star Trek” and its canon, now that we can do whatever we want, we still want it to feel like good ol’ “Star Trek” even though it’s a new story.

LT: Well, if you guys need a horta, I’m available. I can send over a head shot …

AK: We already have your head shot on our wall.

GB: Is your approach to this going to follow the lines of something like “The Empire Strikes Back,” where it’s essentially a second act and everything the heroes have built up in the first film is taken away from them and there’s doubt and despair before the resolution of the third film’s final-act story? Or, with that episodic heritage and optimistic spirit of that classic “Trek” archive, do you see these movies as more like self-contained adventures?

AK: It’s a great question.

RO: Yeah, that is an interesting question. I don’t know that we’ve ever thought of it in terms of a trilogy. We thought of the first one as, “How do we tell how this happened the first time and how do we free it so that it can go on forever without stepping on what came before.” So, if you were thinking of this movie as a second act, yeah, you would think of it as an “Empire Strikes Back” sort of story, but I’m not sure we’re thinking of it as a second act. I can’t speak for everybody on that, though.

AK: The movies you’re talking about are movies that we’re still talking about, what, 25 or 30 years later, because they have such emotional impact not just on us as viewers but because they put the characters through the mill in a way that was so primal and visceral. Good sequels do that; they find ways to challenge their characters in ways that they couldn’t have necessarily been challenged with in the first movie because, as Bob said, the first is always, ultimately, an origin story. So now [with the second] it becomes about this family that’s together, so now it becomes about the thing that shakes them up and challenges them.

Please Leave A Comment-
Source-LATimes

Comments

Popular posts from this blog

New Clip & Release Date For Chaos Walking Starring Tom Holland & Daisy Ridley

In the not too distant future, Todd Hewitt ( Tom Holland ) discovers Viola ( Daisy Ridley ), a mysterious girl who crash lands on his planet, where all the women have disappeared and the men are afflicted by “the Noise” – a force that puts all their thoughts on display. In this dangerous landscape, Viola’s life is threatened – and as Todd vows to protect her, he will have to discover his own inner power and unlock the planet’s dark secrets. .   In theater & IMAX March 5th.   Discuss this with fellow SJF fans on Facebook . On Twitter, follow us at @SandwichJohnFilms Please Leave A Comment-

Ant-Man and The Wasp: Quantumania Trailer

In the film, which officially kicks off phase 5 of the Marvel Cinematic Universe, Super-Hero partners Scott Lang ( Paul Rudd ) and Hope Van Dyne ( Evangeline Lilly ) return to continue their adventures as Ant-Man and the Wasp. Together, with Hope’s parents Hank Pym (Michael Douglas) and Janet Van Dyne ( Michelle Pfeiffer ), the family finds themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought was possible. Jonathan Majors joins the adventure as Kang. Director Peyton Reed returns to direct the film; Kevin Feige and Stephen Broussard produce.     Discuss this with fellow SJF fans on Facebook . On Twitter, follow us at @SandwichJohnFilms Please Leave A Comment-

Sex Tape Review: Overly Sexual, Rude, Vulgar, and Absolutely Hilarious

The raunchy Sex Tape will divide audiences and critics, but who cares? Sex Tape suggests a growing practice among loving partners: that of making a raunchy testament of their escapades for posterity. But what happens when that evidence gets seen by friends, neighbors, and even the mailman? This is the plot that pits Jay (Jason Segel) and Annie (Cameron Diaz) in an effort to secure every iPad gift Jay has given, his record company playlists being the envy of the recipients, but which has also inadvertently spread the video to every device. The reason for the act - termed in the movie as pulling "the full Lincoln " for its three-hour length - stems from the couple's non-existent social life, brought on by the constant demands of their children. The couple has a lot to lose: a burgeoning business relationship between Annie and Hank (Rob Lowe) could end if the iPad she's given to Hank exposes the video, and so the couple sets out to reclaim and wipe the incrim