Tron:Legacy Director Talks Film and ImaxJoseph Kosinski Talks about Tron:Legacy and The film being in 3d and heading to Imax
Much of the work was done last year, but looking at 2010, does it feel like this is an important professional year for you?
I'm about two and a half years in on this, with about another year still to go. We still have a tremendous amount of work still to do, because there are a lot of visual effects on a movie like this, and we're also doing it in 3-D, which doubles up everything. Then sound design and tweaking the music. It's not the home stretch by any means.
Will the finished film look pretty much like what we've seen in that test footage from Comic-Con?
I would say it's not far removed. The teaser, at least tonally, represented the direction I wanted to take it. That sequence actually doesn't appear in our film at all. It represents a period of time before our film begins. We were able to refine the design of the light cycles, the characters, the world and kind of flesh it out to a much higher level of detail than we were able to do for the test. What we're going to see in the film will feel a lot more photorealistic. They did that test with eight or 10 people in a matter of months. We have thousands of people working on the film. It's a whole different scale.
So the takeaway is that Jeff Bridges is playing at least two representations of himself, one that is a contemporary of the original character and one that is a younger version. How much of Jeff are we going to see?
Jeff is playing two characters. He's playing Kevin Flynn, the character from the original film, and he's playing Clu, the avatar that Kevin Flynn created in the 1980s. I'd say he's Clu 2. There was a Clu in the first film who looked like Jeff but was very simple in terms of his abilities. He's very stiff. Clu 2 is a second incarnation of Kevin's avatar. He doesn't only look like Jeff, but he can think like him too. So it's a whole new level of artificial intelligence.
It's going to be released in IMAX, presumably. Did you shoot anything specifically for that format?
We did not shoot anything with an IMAX camera, because it uses film, and since we were shooting in 3-D, we used two digital cameras. That being said, we are doing an IMAX version. What I am considering doing now is finishing four or five sections of the film in a tall format — not letterbox — and in an IMAX theater, the black bars at the top and bottom of the frame will disappear and it will become a full-screen sequence, which should be really cool. I think IMAX will be the way to see this movie.
What were the hallmarks that you felt you needed to retain to satisfy the core audience who loved the original?
The focus was always to serve the story we are telling. To include Bruce Boxleitner is not at all a cameo or stunt casting. He is integral to the story we're trying to tell, which is why he's in it. We've taken the events of the first movie as historical facts. In our story, Kevin Flynn emerged from his first experience as CEO of ENCOM and actually released the Tron video game based on his experiences in the first movie. ENCOM has become the most innovative, most successful, most forward-thinking digital company in the world as of 1989. There are fun references to parts of the first film. Sam Flynn [Garrett Hedlund], in searching for his father, has to retrace his steps and comes upon clues and places that we visited in the first film, like Flynn's Arcade. Even in the world of Tron itself, a lot of vehicles and sequences have evolved. We'll get to see how the disc game has changed, how the light cycle battle has changed. We get to see the new version of these iconic sequences. Things have gotten bigger and a bit out of control.
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